I can’t count how many times I’ve heard this phrase. You probably saw the title and questioned reading it. Everybody knows you are suppose to show and not tell. You want the reader to experience the scene as if they are one of the characters walking through the story beside the hero/heroine.
If you’re like me, you know what you’re suppose to do, but you don’t really understand what to do to make it happen. How do I show and not tell? It’s a lot harder than it seems. Once you start writing that novel, you’ll understand what I’m talking about.
There are 5 tools for showing
- Dialogue
- Action
- Interior dialogue
- Interior emotion
- Description-Sensory
If you’re doing anything that’s not one of these 5 things, you’re not showing.
Why is it so important to show versus tell? Showing provides your reader with a powerful emotional experience. If you want to be a best selling author, that’s what you have to do.
It doesn’t matter how great you do everything else in that novel, if you’re missing that emotional experience, you lose. If everything you did is bad, but you have a great emotional experience, you may still win.
It all comes down to the take away. Every great novelist will tell you, you have to give your reader that powerful emotional experience, or they wont be coming back.
-Something to think about 🙂
-Jan R
If you’ve been around the writing world long enough, you know there are no new ideas. Kidnaps, robberies, invisible men, aliens, robots, espionage, vampires, zombies, invasions, war, love…they’ve all been conquered again and again and again.
We’ve talked about weak and strong verbs, but did you know the same holds true for nouns? I never really thought about it, until I took an online class that talked about strong and weak nouns. My first thought on weak nouns; the instructor has to be referring to pronouns. Well he wasn’t and that is a subject for another day.
When you write, you want to use the active voice. It’s clean, concise, and simple. The active voice is easy to read and understand.
When you are writing a novel, you want to use concrete, everyday verbs. Examples of these are jump, smile, run, look, show, and eat. You can picture the actions in your head and there is no ambiguity.
Have you heard of the Hemingway Editor App? If you’ve been writing for a while, you know about grammarly and autocrit. Both of these Apps focus on grammar and spelling. Hemingway takes it a step further. The App highlights lengthy, complex sentences and common errors; if you see a
Are you writing what you meant to write? Is your prose concise, and easy to understand? You may have one thing in mind when you write that sentence, only to discover it’s ambiguous, misleading, and sometimes quite humorous.
So you’re afraid you might fail. Truth is, you might stumble the first try, the second try, and maybe even the third try, but that’s part of the learning process. If you’re constantly looking over your shoulder, you may not finish your novel. You’ll be too busy battling the thoughts of it not being good enough.
Does your manuscript have to be perfect? If you’ve already written a best seller, your agent and editor may cut you some slack. If not, yes, that book better be pretty darn near perfect, or nobody is going to look at it. Agents receive hundreds of queries a week. They don’t have time to read everyone. If your work is full of grammatical and structural errors, that’s all the excuse they need to toss it to the side and move on to the next one.
When you write, do you have an outline? Do you know where you’re going, or do you wander aimlessly? Maybe you do a little of both.