Who Wouldn’t Want More Hours In The Day?

Time in business

I’ve said on numerous occasions, “If I only had more time.” Well we all have the same 24 hours, but we don’t all have the same energy level or focus. Some days I surpass my  expectations, and some days I find myself struggling. I can’t concentrate on what my husband is saying, much less writing or editing my work.

So what’s the problem? Poor choices. In my attempt to increase my available time during the day, I sometimes skip things that I don’t consider important. I’m not the only one; we all try to manage the clock, and many times to our own detriment.

You ever skip a meal, because you don’t have time to eat? What makes you think you can run on empty? Did you know that skipping just one meal can cause your blood-sugar levels to nose dive, and if you decide to skip breakfast, you may never get out of the starting gate. This strategy will cost you time by decreasing your productivity and your ability to concentrate.

What about staying up a little later at night to complete your work? Everybody’s in bed, and it’s the best time to work, right? According to a study published in the New York times, getting 6 hours sleep a night can reduce our functioning to the level of someone legally drunk. Most adults need 7 to 10 hours of sleep each night to function at optimum capacity.

What about giving up your free time? Who needs weekends or evenings?   There is a law of diminishing returns with your energy level. You can only push yourself so far before you start losing focus, attention, and performance. Do you ever wonder why you get the best ideas when you’re taking a shower? It’s because you’re relaxing. Relaxation drives creativity.

We think that by managing our time we can make more of it, but time is fixed. Energy levels are not. That’s why you can complete more in 30 hours than 50 tired hours.

If you want to do your best, you have to take care of yourself.  Skipping meals, sleep, and working 70 hours a week, will not increase your productivity.

Managing energy is far more effective than managing time-Michael Hyatt.

Something to think about.

-Jan R

Who Wouldn’t Want More Hours In The Day?

What’s Your Character’s Core Desire?

800x800-the-desire-map-ombre-on-white_4How well do you know your main character? Do you know his/her deepest longing? If your answer is no, you need to stop and take a closer look at your character arc. What is motivating your character? If you can identify that, you know their core desire.

Does he/she want to be loved or save the world? Does he/she want to be respected or rich? Whatever the desire, it has to be something your reader can relate to.

Your character may have more than one desire. I know most of us do, but our minor desires usually lead us to our core desire. That one thing that we really want more than anything.

A great example I read described a young girl who was abused by her father. As you probably guessed, her core desire was to be loved by him, or maybe you thought to get even. Not sure how your mind works 🙂 At any rate, the only thing he seemed to be interested in was astronauts and space exploration. So the young girl set her sights on becoming an astronaut. Now she may have found her studies fascinating and developed an interest in space along the way, but her goal was to earn her father’s respect and love by becoming the one thing that piqued his interest.

After you’ve identified your main character’s core desire and put him/her on the path of achieving it, the fun begins. What can be thrown in to threaten his/her core desire? What can throw him/her off, and how can it be fixed?

You have to know your character’s core desire. It helps you understand what kind of things he/she will seek in life, and what kind of things can mess his/her life up.

Something to think about.

-Jan R


What’s Your Character’s Core Desire?

Word Echo?

imagesB1G33MWEWord Echo? I’m sure you have an idea of what it is, even if you haven’t heard the term before. It’s the use of the same word in close proximity or in the same sentence.

It’s considered ugly and inelegant. Don’t do it! The good news is, it’s probably one of the easiest mistakes to correct.

Just delete one of the repeated words, if you can do so without changing the meaning of the sentence. If that doesn’t work, you’ll simply have to replace the duplicate with a new one.

That can be a little tricky. You have permission to pull out the thesaurus, just don’t get carried away, and consider the word you’re using as a replacement.


Angrily– bitterly, impetuously, tempestuously, threateningly, fiercely, furiously, violently, infuriatedly, tigerishly (I didn’t make this one up)……

I just took a sample off of a thesaurus website. Many of the words listed are the same but different. They range from slight difference in meaning to utterly ridiculous.

Footnote: It’s okay to repeat if you’re writing poems, songs, or emphasizing a point. After I finished this blog, I thought about Martin Luther King Jr’s I Have A Dream speech. His repeats were intentional and poetic.

Just something to think about.

-Jan R



Word Echo?

Setting The Scene

Dynamite-Scene-3-D-BookAnybody that has read my work knows that most of my blogs spin off of my own weaknesses. And there are many. I figure if I’m having problems with a certain aspect of writing, there are probably many others who are too.

So today I thought I would focus on writing scenes. As you may have guessed, I was shredded to pieces  in a critique, and rightfully so.

I presented a 3000 word excerpt from my novel for review, I did say 3000 words, and a friendly critic (she really was nice), pointed out that I had managed to squeeze 10 different locations/scenes into those 3000 words. It was overwhelming, and the scenes were like flybys.

I have a very complicated novel, with many twists and turns, which could be a good thing. But, in my haste to get through them all, I failed to provide a cohesive story, and many of my scenes were lacking.

So how did I correct my mistakes? I put together a scene and a sequel. They work together to form one cohesive scene. A scene leads naturally to a sequel. At some point, you will end the cycle. The POV character will either succeed or fail. I would opt for succeed:-)

Scenes are as follows:

  1. Goal- What the POV person wants at the beginning of the scene. It must be specific and clearly definable.
  2. Conflict- The series of obstacles your POV character faces on the way to reaching their Goal.  There has to be conflict or your reader will be bored.
  3. Disaster- Is a failure of you POV person to reach his goal. This is a good thing in writing. Hold off on success until the very end. If you allow your POV to reach his goal to early, then your reader has no reason to go on.

***All three of these are critical to make the scene successful.***

Sequels are as follows:

  1. Reactions- Is there emotional follow through to a disaster. Show your POV acting viscerally to his disaster, but remember he can’t stay there. He has to get a grip.
  2. Dilemma- A situation with no good options. A real dilemma gives your reader a chance to worry. That’s good, you want them emotionally involved. At the end let your POV choose the least of the bad options.
  3. Decision- Your POV has to make a choice. This lets your POV become proactive again. People who never make decisions are boring.

Hope this helped. I pulled most of my information off of the ‘advancedfictionwriting’ web site, that’s hosted by Randy Ingermanson-“the snowflake Guy”.  He provides some great information for writers of all levels. You should check him out.

Something to think about.

-Jan R

Setting The Scene