Are You Starting Your Story In The Wrong Place?

1e7cba28f25210164154825f3d16c176I started reworking my first manuscript a couple weeks ago. Like many of you, I poured out a lot of blood, sweat, and tears over that piece of work. I spent five years of my life trying to take an idea and package it into an entertaining publishable piece of work. I thought it was great, and it was a great premise. I just couldn’t seem to pull it all together and make it work.

A few months ago I started work on a new novel. I love it. Everything about this new piece of work is better than my first attempt.

The biggest difference between the two is the opening. I started the first novel in the wrong place.  Like many newbies, I thought I needed to add some backstory prior to getting into the ‘real story’, so my reader would understand my characters and be able to follow along.

Well, you do want your reader to understand what’s going on, but you dribble in the backstory as you go along. You can’t put it all upfront.

You may have an amazing story, but you’ll lose your reader before they get to the good parts if they are having to muddle through the character’s history (my mistake) or description overload of the setting.  Prep work doomed my first story before it even got started.

Below are the opening paragraphs of two novels I’m working on. Which one gets your attention from the very beginning and makes you want to know more?

A cool breeze swept over Josh’s face tousling his too-long hair across his forehead and into his eyes. Brushing the dark strands to the side, he stared out at the glassy water with only one thought on his mind. Laura. He would be going to Afghanistan in a month and there wasn’t a thing he could do about it. Six months wasn’t that long, but it seemed like an eternity right now. (The first chapter gives you a picture of Josh’s life and that of his identical twin Jacob before they meet in Afghanistan – something I thought the reader needed to know to put the story in context.)

“I’m sorry mother, but I have no choice. Papa, I know you would be proud.” A soft smile crossed Ariel’s lips as she pulled up her baggy knee pants. She didn’t have time to dwell on the last few days or mourn her father’s death. She had to get to Southampton and to the safety of her godfather’s home. If Pierre thought he would steal her virtue and force a marriage, he didn’t know Ariel Dubois as well as he thought. ( This opening pulls you into the story from the very beginning. You want to know what happens next.)

Don’t take too long to get to the inciting incident, or incident that sets your story in motion. Grab your reader’s attention from the beginning by starting your story in the right place.

You need to ask yourself, what is the absolute latest moment you can begin your story without leaving out anything critical to the story problem or character goal? (Jane Friedman)

Something to think about.

-Jan R

 

Are You Starting Your Story In The Wrong Place?

Waiting For Inspiration?

imagesMEZC930WWaiting for inspiration will kill your novel. It’s also an excuse I have used many times over the years.

Some writers don’t write unless they feel inspired. They think they’re wasting their time by pushing through the mental block that is stifling their creativity. Their argument is that they are bound to make more errors and have to go back and do significant revisions so why bother.

These writers are better known as aspiring authors or unpublished.  They don’t complete their masterpiece because they are waiting for something that may never come.

Think of writing as a job. You can’t call in every other day and say I’m not working today. I just don’t feel inspired. I guess in all reality you could, but it wouldn’t go over very well and that would be the end of that job. You get the picture?

Sometimes we have to push ourselves even when we don’t feel like it. In most cases the results are positive and once we get going things just flow. Published Writers/Authors have the mindset that you work on your craft every day. They set quotas based on time or number of words.

Remember, the more you write the better you will become. Writing every day also helps you to develop a writer’s mindset. If you are concerned about ruining your story by writing without inspiration, you can always leave your story alone and work on something else until the creative juices start flowing.

I can relate to those of you who procrastinate and make excuses. Some days it is a true battle of the mind. Thank goodness for my accountability partner.

Something to think about.

-Jan R

Waiting For Inspiration?

Say What You Mean!

Organize-Your-ThoughtsIf you find yourself reading a sentence more than once, or adding information for clarification, that’s a red flag.

Your reader has less information than you. If you are confused by your work, you can only imagine what your reader is going through. I love a great mystery, but my writing shouldn’t be one.

It’s not the reader’s job to interpret your work. You should be clear and concise.  If your writing causes a pause something isn’t working.

I have to admit I love dangling modifiers though. They are some of my favorite mess-ups. I even wrote a blog entitled ‘just for laughs’. They are funny, but not in the middle of a serious scene. You don’t have to try to hard to imagine how quickly they can pull your reader out of their suspension of disbelief.

Dangling modifiers occur when the modifier has no clear referent, and twist the meaning of your sentence in an unintended fashion.

  • I saw a tree walking down the street. Who knew a tree could walk 🙂
  •  The babysitter handed out sandwiches to all the children in Ziplock bags. I just want to know how those children got in those bags 🙂

Misplaced modifiers are similar but not nearly as fun to read. As with dangling modifiers, there is no clear referent, which can lead to a clumsy and confusing sentence.

  • Lucy carefully studied the situation.                                                                                 Lucy studied the situation carefully.

Another mistake new writers make that isn’t always as obvious but makes for a clumsy sentence that will cause a pause is comma splicing.

Comma splicing is when two sentences are linked by a comma but they don’t really work because they’re two separate ideas.

  • John saw the rabid fox and ran to the house to get his gun, he forgot to eat lunch and his tummy rumbled.

What about ambiguous sentences? The sentence is grammatically and structurally sound, but the reader has no idea what you are talking about.

  • My older students know I’m extremely careful with my language. Is the teacher referring to age or length of time the students have been in his class?

Be clear and concise! Say What You Mean!

Something else to think about.

-Jan R

 

Say What You Mean!

Thursday Thoughts

headercreativeexercisesToday’s readers want less description and more action. The strongest stories start with a bang. Readers are drawn to stories where authors pose a question, establish a dilemma, or otherwise inspire curiosity right from the start, creating the turn-the-page urgency that readers crave.  Jane K. Cleland Writers Digest

Something to think about.

-Jan R

 

Thursday Thoughts