Do Your Homework!

imagesDoes your manuscript have to be perfect?  If you’ve already written a best seller, your agent and editor may cut you some slack. If not, yes, that book better be pretty darn near  perfect, or nobody is going to look at it.  Agents receive hundreds of queries a week. They don’t have time to read everyone.  If your work is full of grammatical and structural errors, that’s all the excuse they need to toss it to the side and move on to the next one.

I sent my first manuscript out to five different agents.  I was very excited and a little anxious to hear what they had to say.  I expected some rejections but not all.  I had put  over a year into that novel.  It was my baby.

Well, two didn’t respond at all, one said no thanks, and another said it wasn’t what they were looking for. The fifth one responded with a rejection, but also included a why. There were numerous grammatical and structural errors, I was head hopping, and the dialogue dragged.

While I was disappointed, I did take her advice to heart and began the process of editing and correcting structural and grammatical errors.  I was one of those people that fell for the myth that it didn’t have to be perfect, they have editors to clean that up for you.

I also took on-line courses on writing dialogue that moves your story forward. I had never really thought about dialogue moving a story forward, but I see it now, and have a pretty good understanding of what the on-line instructors were trying to get across.

As far as the POV goes, I never heard  of ‘head hopping’.  I went to google and typed it in. It’s not a hard concept to grasp, but it can be tricky at times and sneak in when you least expect it 🙂

Truth be known, I was ashamed of myself for sending such poor work to an agent.  I never realized how bad it was until I began the arduous process of editing and revising. I definitely didn’t make a good first impression.

Do your homework. When you’re writing your first novel, there is so much you don’t know. You’ll figure that out along the way. It’s a lot more complicated than just putting pen to paper. And you probably thought anybody could do it. 

I hope my blogs help you to avoid some of the mistakes that I have made.

-Jan R

Do Your Homework!

Head Hopping Again? (Revised)

headhoppingI had a segment of my book critiqued today and got dinged on the POV. I couldn’t believe it. The reviewer was correct. I was jumping into the head of several of my main characters throughout the segment.

I know that for whatever reason, this writing 101 concept does not come easy for me. I also know, that if you want a book published, you had better get the POV under control.

I sent my novel to an agent, prematurely I might add, and she was kind enough to reject it with reasons why. I was head hopping. To be honest, I had never heard that term before. Being a novice, untrained in the art of creative writing, I’ve had to learn my way around this world. There’s a lot more to it than being able to string a group of sentences together.

The secret to making your POV work is limiting it to one perspective per scene, chapter, or book. When you start jumping around from one POV character to another in the same scene/paragraph/sentence you have committed a cardinal sin. HEAD HOPPING.

If you are writing in Third Person, which I do,  and Lauren is your POV character, you can’t write–Lauren said she would meet Janie at the mall, but Janie didn’t believe her. I was just in Lauren’s head and Janie’s head. How am I suppose to know what Janie is thinking, if I’m limited to Lauren’s POV? What you could write is –Lauren said she would meet Janie at the mall, but she could tell from her friend’s response, that she didn’t believe her.

Hope this helped somebody.

-Jan R

Head Hopping Again? (Revised)

Head Hopping Again?

images-6I had another segment of my book critiqued today and got dinged on the POV. I couldn’t believe it. The reviewer was correct. I was jumping into the head of several of my main characters throughout the segment.

I know that for whatever reason, this writing 101 concept does not come easy for me. I also know, that if you want a book published, you had better get the POV under control.

I sent my novel to an agent, prematurely I might add, and she was kind enough to reject it with reasons why. I was head hopping. To be honest, I had never heard that term before. Being a novice, untrained in the art of creative writing, I’ve had to learn my way around this world. There’s a lot more to it than being able to string a group of sentences together.

The secret to making your POV work is limiting it to one perspective per scene, chapter, or book. When you start jumping around from one POV character to another in the same scene/paragraph/sentence you have committed a cardinal sin. HEAD HOPPING.

If you are writing in Third Person and Lauren is your POV character, you can’t write–Lauren said she would meet Janie at the mall, but Janie didn’t believe her. I was just in Lauren’s head and Janie’s head. How am I suppose to know what Janie is thinking, If I’m limited to Lauren’s POV? What you could write is –Lauren said she would meet Janie at the mall, but she could tell from her friend’s response, that she didn’t believe her.

Hope this helped somebody. There is a lot of information on the internet about POV. I obviously still haven’t grasped it. 🙂

I would like to ask you to consider following me on this journey, and would love to hear your thoughts.

Head Hopping Again?

Head Hopping/Inconsistent Point Of View

So I just had a section of the first chapter of the novel I’ve written critiqued by members of Scribofile. Everyone came back and said I had problems with my POV. I was head hopping. I couldn’t believe it. I thought I had figured that one out. I know there’s first person, second person, and third person.

What I was doing was writing like my story was third person omniscient when in actuality it is third person limited. Which means I can’t be in everybody’s head whenever I want to be, I have to choose certain POV characters and stay out of the heads of the rest of my cast, and I have to limit POV switches.

If you switch POV characters to quickly or dive into the heads of too many characters at once, it can Jar the reader and break the intimacy with the scenes main character. In other words, going back and forth between POV characters, can give a reader whiplash.

So how do I fix this? One suggestion I’ve gotten is to actually assign POV Characters( the main characters in your story). Write at least a full chapter from ones POV before switching to the next one.

Another suggestion that breaks it down even further is to read the passage in question, go back and highlight all of the POV words in that section, and change them to match the primary POV that has already been established. For example- If I’m writing in third person, my pronouns should be she/he or her/his not I,me,my or you, yours.

I’m heading back to the drawing board so to speak and attempting to get this POV in order. I would love to hear any other suggestions on POV that may help me in this endeavor.

Please consider joining me on this journey. I blog twice a week with an occasional reedit. You will receive emails notifying you whenever I make a new or revised entry. It is my endeavor to provide useful information and hopefully help you to avoid the same mistakes I have made.

-Jan R

 

Head Hopping/Inconsistent Point Of View