Did you get rid of the filler words? Search for the words there, here, and it followed by a verb like is, are, was, and were. Those weaken your writing by diluting it and taking focus away from the object and often make your sentences longer. Estelle Erasmus, Writer’s Digest
There are many people who write. Vs. Many people write.
It was a great party. Vs. The party was great.
Something else to think about.
There are four main dramatic elements to your novel. You probably never thought about it, but if you did it right, they are there. If they’re missing, you need to revisit your work and make some adjustments.
That’s one of the nice things about writing. Nothing is set in stone, and when equipped with time and knowledge, you can change anything.
So back to the blog and the elements that I was referring to.
- Passion – yours not the Novels. Write something that you are passionate about. If you’re not passionate, it will come through. What’s important to you? What are you trying to get across? What do you want to be the takeaway?
- Theme – what your reader takes away from reading your story. Yes, the theme and passion can be the same thing and probably are in a great many cases. Examples of theme would be, belief in yourself or all things work for the good of those who serve the Lord.
- Flaws – your character must have flaws. They don’t have to be exaggerated or grotesque but face it, nobody is perfect. Talk about a boring read. The flaw could be as simple as a lack of confidence or the inability to put the past behind them. The character doesn’t have confidence, so the theme would probably be, believe in yourself. Note how they can work hand in hand and build on each other.
- Premise – What if a (flawed character)(encounters some problem) and had to (overcome the flaw) to (solve the problem). You know your story. Fill in the blanks. Does it make sense? Is it enthralling or boring?
One of the things that the agent wrote to me after rejecting my work, was I had a great premise. It was a silver lining to a dark cloud that sprung up after the initial shock of being rejected. And while I thought the passion and theme were there, my characters were not flawed, which means that my passion and theme were probably weak.
Something to think about.
Something to think about. So much information out there.
Does your plot have missing or broken parts? Does it jump from one idea to another without providing a bridge?
When you are writing, you know what’s happening and you may not question why Suzie is talking to Jeff about needing a job in one paragraph and working for him in the next.
I’m not saying you need every little step in order for your reader to follow what’s going on. I’m sure most people don’t want to know she woke up, took a shower, put on her favorite dress, ate some Cheerios, and brushed her teeth with Crest toothpaste before walking out the door to go to work, but if Jeff gave her a job, I think that’s pretty darn important. This is a missing plot piece.
Your readers will do a double-take and have to try to resolve the inconsistency for themselves without the knowledge of how the scene was supposed to go. All it will take is a few of these before your readers are calling you names and tossing your work to the side.
When you read through your manuscript, look for areas where something important has happened and your reader didn’t see it. Try to put yourself in their shoes and see the story through their eyes. They don’t have access to your brain and thoughts, so they can’t fill in the missing holes.
I talked about plot holes in this blog but there are also broken plots that I pointed out in last week’s Thursday Thoughts. Check it out 🙂
I think you get the picture. Make sure your plot makes sense. Your reader is smart and they will catch on. Push them too far and you may lose them.