Writing Contests-Yes or No?

Writing-Contest-LogoI haven’t sent my work out to writing contests, but I know many unpublished authors have used them as a tool, and they can be an effective avenue for getting noticed.

If you have contemplated following this route, there are some things to keep in mind that will give you an advantage. Using contests the wrong way are a waste of time and money. Educate yourself on how to make them work for you.

Make sure only your best work leaves the house                                                                        Edit and reedit you work before sending it out to a contest just as you would with a literary agent or editor. It has to be as close to perfect as you can get it.

Make sure you have a compelling hook                                                                                          One of the best ways of increasing your odds in a contest-hook your reader. Pull that contest judge into your manuscript and then leave him/her hanging with an even better hook that leaves them screaming for more.

Color inside the lines                                                                                                                           In other words, follow the rules. A writing contest is not the place to bend the rules and do cute things to make your work stand out. Bending the rules when it comes to point of view or passive voice will generally reduce your score significantly.

Judge the Judges                                                                                                                                     If you are entering a contest with the hope of getting in front of an editor, make sure the editor judge reading your work, works for a publishing house that buys the type of manuscript you are writing.

Know what the judges are looking for                                                                                           Most RWA chapters post their score sheets showing how manuscripts are scored. Review the score sheets and make revisions as indicated to give yourself a better chance of making the finals.

Just some things to keep in mind. As I said, I have not entered any contests but have been mulling over the idea and doing some research.

Would love to hear recommendations from any of you who have entered contests.

-Jan R

 

 

Writing Contests-Yes or No?

Perseverance-Revisited

I’ve read numerous stories from well known authors about their journey to becoming published. I put so much time and effort into my craft, I couldn’t help but feel discouraged and wonder what I was doing wrong when I received rejection letter after rejection letter. Reading their stories encouraged me.

The one common theme in all of their stories was perseverance. The agent that worked with me on my book, always ended her critiques with don’t give up. Perseverance is the one characteristic that all successful writers have.

If you have a high quality, marketable piece of work, persevere and you will eventually find an agent and get published. Kathryn Stockett wrote The Help over a five year period of time, then had three and a half years worth of rejections. 60 in all. It was agent 61 who took her on. The book spent 100 weeks on the best seller list. Not sure if you are familiar with the book but you probably have heard of the movie based on this book.

Other notable Authors who suffered rejection:

  • Richard Adam’s Watership Down 17 rejections
  • Frank Herbert’s Dune  20+ rejections
  • JK Rowlings’  Harry Potter 12+ rejections
  • Nicholas Sparks’  The Notebook 24 rejections.

I hope you are getting the picture.  Revise, edit, do what you have to do to make your story great and don’t give up.

-Jan R

Perseverance-Revisited

2-Sentence Hook?

Can you actually hook a reader in two sentences? I have problems with my elevator speech and that’s a lot longer than two sentences. However, the answer is yes, and I know from experience, you had better hook your reader, or literary agent, right away if you want to make a sell.

The next question for me, is how do I write a 2-sentence hook? My story is complicated, and I don’t even know where to begin.

A 2-story hook has three components. These not only provide the gist of your story, but also an abbreviated outline of what you are trying to accomplish.

  1. Character –  Who is your hero or heroine? You don’t want to give that character a name in your 2-sentence write up. Give them an identity.                     Not Anne, but a young orphan girl.                                                                                Not James, but a young boy born into slavery.
  2. Core Desire – What does your character really want? To be loved, respected? To become famous or rich? What is motivating your characters actions? This is something I’ve discussed in previous blogs. It has to be relatable.
  3. Obstacle – The inciting incident threatening the core identity of your hero/heroine. It doesn’t have to be a big problem, but it does have to be big in your character’s mind.

You can embellish your hook by adding more description or upping the stakes (the clock is ticking).

A young corpsman involved in an IED explosion in Afghanistan loses his memory and struggles to regain his identity.  He is misidentified and placed in the home of total strangers.

My first attempt at a 2-sentence hook. It leaves a lot of questions, but I guess that is the hook. Hopefully your reader will want to know more.

Something to think about.

-Jan R

 

 

2-Sentence Hook?

So You Thought You Were Finished?

rejectedI read a quote a little while back and thought I would share it on my blog. I don’t know who wrote it. A name wasn’t provided. It reads as follows:

A lot of times that first manuscript needs to sashay out stage left in order for the real blockbuster to break into the spotlight.

If you’ve been working on your novel for a while, you know exactly what this writer was saying. My current manuscript is so different from the original, and while it’s not ready for submission, it is sooooo much better than it was after that first very rough draft.

As a newbie, I had no idea the work involved in creating a masterpiece worthy of publishing. I wrote my book and sent it out. It wasn’t until I started receiving the rejections, and the one response explaining why it wasn’t ready for prime time, that the truth sunk in.

I did have a completed manuscript, a great story, but it was missing the bells and whistles, that something that would make it stand out. Of course, the fact that it was full of grammatical and structural errors didn’t help my case either.

I read another quote years ago that has remained with me and I’ve used in several of my blogs.

Get it done and then get it good.

Don’t expect your first draft to be the final, finished, ready to go version. It won’t be. Once it is completed, the fun begins. At least I hope you enjoy it, since you will be working on that manuscript for quite some time.

If you are new to the writing scene, I would recommend a lot of reading. Not just books in your preferred genre, but also how to books from credible authors. I’ve found some excellent blogs, and of course, the internet is invaluable.

I would also recommend courses on creative writing and writing fiction. I’ve purchased classes through ‘Great Courses’ and ‘Udemy’ that were excellent and inexpensive. I watched webinars and completed a workshop through Holly Lisle on ‘How to revise your novel’.

You don’t know what you don’t know. Know this, your first draft is not ready, and it’s up to you to research, learn your craft, and get it done. Nobody will do it for you.

Something to think about.

-Jan R

So You Thought You Were Finished?

Description Overloads/I Get It Already!

untitledI love doing critiques. Sometimes I think I should have been an editor or professional proofreader.

The one issue that bothers me more than any other when I do critiques, is description overloads, dumps, whatever you want to call them. If you are reading this, you know exactly what I’m talking about. I realize some description and imagery are necessary to help the reader visualize the story, but some people provide page after page of it.

I’m a skipper/skimmer. I own up to it and have stated it as fact in many of my blogs. I don’t want to be, and I don’t like the idea of skimming through pages of writing to get to the good stuff. As a matter of fact, if I pick up a book or go to someone’s writing posted for critique and all I see is paragraph after paragraph of description, I’m not touching it.

Jerry Jenkins says it’s a sin to ask a paragraph of description to stand on its own. Your readers eyes glaze over and then they are gone. He’s written nearly 190 books, including the best selling Left Behind series, so I listen when he speaks.

So, what’s the solution? It’s your job to set the scene, but you want to make sure your readers aren’t skimming the descriptions, or worse, skipping them altogether.

You have to make the description part of the action:

Randall wanted only David to know his scheme, so he pulled him away from the others and onto the deck where he had to raise his voice over the pounding waves. He hunched his shoulders against the whipping wind and wished he’d thought to grab a jacket, knowing they wouldn’t be able to stand it out there for long.

In this example we know the setting because it was incorporated into the action. The author did not take a paragraph to discuss the severity of the storm that was causing massive waves and packing winds at 20 miles an hour.  While Randall is whispering his nefarious plan, your reader is skipping nothing.

I wish I could say I’ve mastered this skill, but I have not. It is a technique I continue to work on. A place I aspire to be one day.

-Jan R

Description Overloads/I Get It Already!

I Thought I Knew A Lot, Until I Learned A Little.

Enough already! At least that’s how I feel sometimes. I’ve been through my book more times than I can count. In my own defense, no one taught me how to write. I had a great story idea and decided to give it a whirl.

I thought it was ready, and then real life happened.  My wonderful work was rejected by the five agents I sent it to. One of the them must of seen something promising, she took it upon herself to provide me feedback about what I was doing wrong (there was a long list), and what I needed to do to improve my work.

I was totally humiliated. Grammatical and Structural errors are kindergarten stuff and completely unacceptable. Even I should have gotten those right. I could understand  my issues with head hopping and on-the-nose-writing. Those terms were totally foreign to me.  I wasn’t a professional novelist. I thought all you had to do was put words on paper and create a wonderful story that everyone wanted to read. How was I to know there were rules?

And what was the deal with dragging dialogue? My people were talking. How was I suppose to know dialogue moved the story forward, or had to have some significance?  I couldn’t believe I sent an agent such inferior work!

When you’re a newby, you don’t know how bad your work is, because you lack the knowledge and skills necessary to produce publishable work. While there may be a few prodigies out there, chances are, you aren’t one of them. Sorry!
Like myself and many others, you’re going to have to pay your dues and learn the craft. Then you will be ready to write that New York Times best seller.

One of my favorite saying is, you don’t know what you don’t know. I’m not sure were I picked that up from, but it’s true. I wasn’t intentionally sending out bad work. I just didn’t know.

I Thought I Knew A Lot, Until I Learned A Little.

Another Set Of Eyes Are Necessary

small-eye-shape-400x400I recently started the revision process on my manuscript. One of many, but more importantly, the first after a year of leaving it on the shelf.

I think the one mistake I was making that surprised me the most, was echo words.  I couldn’t believe it. I know better. I’ve been at this for six years. How in the world could something like that happen?

You would be surprised what you miss. I also missed commas, had commas that didn’t belong, and started some sentences in one tense and ended them in another. Unbelievable.

I don’t know, maybe I’m a bad writer, but I don’t think so. I use to see mistakes on other people’s blogs and think, I can’t believe they missed that. I’m sure I missed stuff too, because I’ve gone back to old blogs and corrected mistakes. I can’t believe I posted them 🙂

You have to step back and get another set of eyes on your work. You are too close to your story.  I can’t emphasize enough the importance of having others review your work. I’m not talking about family and friends, I’m talking about people who will be honest and know what they are looking for.

Something to think about.

-Jan R

Another Set Of Eyes Are Necessary