“Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer makes all his sentences short, or that he avoid all the detail and treat his subject only in outline, but that every word tell.”
William Strunk, Jr.
Hope you have an amazing holiday filled with love, joy, and peace!!!
If your heroine is a beautiful actress, a fine painter, an engineer, a cabinetmaker, a superb cook, a daring test pilot, a whiz at electronics, a doctor, a lawyer, and an Indian chief, don’t you think you ought to humanize her at least to the extent of giving her a zit on the end of her nose? Dean R. Koontz – How To Write Best Selling Fiction
Something to think about.
I write a lot about rejection because it’s a part of life if you’re an unpublished author seeking a literary agent or publishing contract. Many would-be authors allow a simple rejection to end their attempts at writing. Their thought – I must not be good enough. Well maybe that’s true, but odds are it is not.
Manuscripts are rejected for numerous reasons, and many have nothing to do with your work. So what are you supposed to do if you receive a rejection?
A writer not being able to deal with rejection, is like a doctor not being able to deal with death. It’s going to happen, and like successful authors, you will have to learn to live with it.
“The most important things to remember about back story are that (a) everyone has a history and (b) most of it isn’t very interesting.”
Enough already! At least that’s how I feel sometimes. I’ve been through my book more times than I can count. In my own defense, no one taught me how to write. I had a great story idea and decided to give it a whirl.
I thought it was ready, and then real life happened. My wonderful work was rejected by the five agents I sent it to. One of them must have seen something promising, she took it upon herself to provide me feedback about what I was doing wrong (there was a long list), and what I needed to do to improve my work.
I was totally humiliated. Grammatical and Structural errors are kindergarten stuff and completely unacceptable. My issues with head-hopping and on-the-nose-writing were another story. Those terms were totally foreign to me. I wasn’t a professional novelist. I thought all you had to do was put words on paper and create a wonderful story that everyone wanted to read. How was I to know there were rules?
And what was the deal with dragging dialogue? My people were talking. How was I suppose to know dialogue moved the story forward or had to have some significance? I couldn’t believe I sent an agent such inferior work!
When you’re a newbie, you don’t know how bad your work is, because you lack the knowledge and skills necessary to produce publishable work. While there may be a few prodigies out there, chances are, you aren’t one of them. Sorry!
Like myself and many others, you’re going to have to pay your dues and learn the craft. Then you will be ready to write that New York Times bestseller.
One of my favorite sayings is, you don’t know what you don’t know. I’m not sure where I picked that up from, but it’s true. I wasn’t intentionally sending out bad work. I just didn’t know.