Calming Your Inner Critic (Revisited)

47010682-businessman-get-confused-flat-design.jpgIf you are constantlyΒ looking over your shoulder, you may not finish your novel. You will be tooΒ busy battling the thoughts of it not being good enough. No one wants to be humiliated or rejected. Your inner critic will paralyze you by telling you just how bad your writing is (even if it’s not).Β  This is anotherΒ obstacle that I have had to overcome. It hasn’t gone away, I’ve just learned to deal with it.

I did a Bible study a while back on the battlefield of the mind. Though it’s primary purpose was dealing with spiritual warfare, it also pertained to many of theΒ issues that we deal with in our everyday lives. Our mind is a battlefield. In writing, for example, all of us worry about looking dumb and never getting published. Fiction writers make a business out of being scared, andΒ not justΒ looking dumb.

It took me six months from the time I started writing my novel, to tell my husband what I was doing. When I finally told him, I was a mess.Β I knew he would be excited for me and encourage me in my endeavor, and I didn’t want to let him down.

For the longest time, I’ve treated my novel as a hobby. That’s not a mindset that will get you published. When I finished and sent it out to the first few agents, I was more than a little anxious. The first few rejections confirmed my beliefs. I just wasn’t good enough.

Note that I said I wasn’t good enough.Β Well, that’s not exactly true.Β The truth is theΒ novel wasn’t good enough. The fact is, it was filled with grammatical and structural errors, there was some serious head hopping going on, and my on-the-nose dialogue was all but bringing the story to a complete halt. If you are not familiar with these terms you should be. Go back and read the posts I have written addressing them.

I don’t know that the inner critic will ever go away. So how do you combat it? You keep moving forward and growing in your craft. Don’t stop writing. I still question my novel, but I know that I know that I know, that it’s a lot better than it wasΒ after the first draft. I’ve learned the hard way and hope to help you avoid some of my pitfalls.

Some professionals recommend the following exercises to help youΒ move forward when the inner critic tries to stop you.Β  I do my own variation but never really thought about it.

  1. The five-minute nonstop-Write for five minutes nonstop without thinking about what you’re writing.
  2. The page-long sentence-Choose something to describe and write a page long sentence about it.
  3. The list maker-Whenever you’re stuck for an idea make a list. Brainstorm the ideas and use the best.

I just pound away at the keyboard and concentrate on what I’m writing about until inspiration kicks in, and it will. Just don’t quit.

-Jan R

Calming Your Inner Critic (Revisited)

2-Sentence Hook?

Can you actually hook a reader in two sentences? I have problems with my elevator speech and that’s a lot longer than two sentences. However, the answer is yes, and I know from experience, you had better hook your reader, or literary agent, right away if you want to make a sell.

The next question for me, is how do I write a 2-sentence hook? My story is complicated, and I don’t even know where to begin.

A 2-story hook has three components. These not only provide the gist of your story, but also an abbreviated outline of what you are trying to accomplish.

  1. Character –Β  Who is your hero or heroine? You don’t want to give that character a name in your 2-sentence write up. Give them an identity. Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Not Anne, but a young orphan girl. Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β  Β Β  Not James, but a young boy born into slavery.
  2. Core Desire – What does your character really want? To be loved, respected? To become famous or rich? What is motivating your characters actions? This is something I’ve discussed in previous blogs. It has to be relatable.
  3. Obstacle – The inciting incident threatening the core identity of your hero/heroine. It doesn’t have to be a big problem, but it does have to be big in your character’s mind.

You can embellish your hook by adding more description or upping the stakes (the clock is ticking).

A young corpsman involved in an IED explosion in Afghanistan loses his memory and struggles to regain his identity.Β  He is misidentified and placed in the home of total strangers.

My first attempt at a 2-sentence hook. It leaves a lot of questions, but I guess that is the hook. Hopefully your reader will want to know more.

Something to think about.

-Jan R

 

 

2-Sentence Hook?

Avoid Speed Bumps

Some content on this page was disabled on June 13, 2025 as a result of a DMCA takedown notice from Jerry Jenkins. You can learn more about the DMCA here:

https://wordpress.com/support/copyright-and-the-dmca/

Avoid Speed Bumps

What Is a Platform?

This was actually the first post I wrote ten years ago. Minus the grammatical and structural errors πŸ™‚ and with a few updates. One of the things I have always tried to do is offer information I hoped would be helpful and prevent you, my reader, from making the same mistakes I did.

So as one writer to another, I would like to ask, “How’s your platform coming along? Do you have one? Do you know what it is?” Let me explain.

A writer’s platform is a digital, public-facing, and strategic hub where a writer builds their visibility and connects with an audience to foster a loyal readership. It could include a personal website, blog, newsletter or social media profile. Great manuscripts of first-time authors get pushed to the side every day because the aspiring author doesn’t have a solid platform.

I was recently rejected by a literary agent because of my lack of a solid platform. I spent the last few years editing and rewriting major portions of my manuscript to address numerous grammatical, structural, and POV issues to name a few. Β I was confident with my work and looked forward to a request for the complete story. Well, what I got wasn’t a request but a rejection. Β The reason had nothing to do with my novel. I had focused so much on preparing it for publication that I failed to do one of the most important things: build an audience of potential customers. Is it necessary? Unfortunately, yes, especially for first-time authors. The literary agent who rejected me apologized for not giving me better news but said it was really hard to place new authors, especially those without a solid platform. While she recommended that I send it to other agents, she also emphasized the importance of building a platform.

The good news is that, with technology, it is much easier than you might think.  Google ‘Building a platform’ and you’ll find all kinds of information.  I would personally recommend looking into Michael Hyatt. He is an author, blogger, speaker, and a former chairman and CEO of Thomas Nelson Publishers, so he knows a little bit about what we are trying to accomplish here. I would also recommend his book ‘PLATFORM GET NOTICED IN A NOISY WORLD’. He provides all the information you need to get started, including websites that help you build your online presence.

Something else to work on and think about.

-Jan R

What Is a Platform?

Overwriting?

Overwriting is a result of our own effort to figure out what’s happening in any given scene. Only after we have discovered that core truth can we know what truly belongs and what doesn’t, based on a clearer knowledge of what we’re trying to say and what the scene requires. – David Corbett

So why do we overwrite? Insecurity? Annie Dillard describes one type of insecurity as “the old one-two.” You write your thoughts, feel like you have to explain yourself, and repeat what you just said using different words. Remember, you want to say it once, say it well, and move on.

Another reason for overwriting is the anxiety of feeling you didn’t give your reader a clear, concise picture of what’s going on. I’ll raise my hand here πŸ™‚ The reader needs to know, right? Give your reader some credit. Maybe they already know what’s going on based on everything they’ve read so far, or maybe they don’t need to know everything. Leave a little mystery and give yourself fodder for upcoming chapters.

The good news is that overwriting is one of the best problems to have. You just have to find that sweet spot where you give your readers just enough to let their imagination take over. Take out the scissors, or hedge trimmers, depending on how much you have to trim πŸ™‚

Don’t bog your reader down with needless words. Keep them engaged and moving forward with the thrill of finding out what lies just around the corner.

Something to think about.

-Jan R

Overwriting?