Calming Your Inner Critic (Revisited)

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47010682-businessman-get-confused-flat-design.jpgIf you are constantly looking over your shoulder, you may not finish your novel. You will be too busy battling the thoughts of it not being good enough. No one wants to be humiliated or rejected. Your inner critic will paralyze you by telling you just how bad your writing is (even if it’s not).  This is another obstacle that I have had to overcome. It hasn’t gone away, I’ve just learned to deal with it.

I did a Bible study a while back on the battlefield of the mind. Though it’s primary purpose was dealing with spiritual warfare, it also pertained to many of the issues that we deal with in our everyday lives. Our mind is a battlefield. In writing, for example, all of us worry about looking dumb and never getting published. Fiction writers make a business out of being scared, and not just looking dumb.

It took me six months from the time I started writing my novel, to tell my husband what I was doing. When I finally told him, I was a mess. I knew he would be excited for me and encourage me in my endeavor, and I didn’t want to let him down.

For the longest time, I’ve treated my novel as a hobby. That’s not a mindset that will get you published. When I finished and sent it out to the first few agents, I was more than a little anxious. The first few rejections confirmed my beliefs. I just wasn’t good enough.

Note that I said I wasn’t good enough. Well, that’s not exactly true. The truth is the novel wasn’t good enough. The fact is, it was filled with grammatical and structural errors, there was some serious head hopping going on, and my on-the-nose dialogue was all but bringing the story to a complete halt. If you are not familiar with these terms you should be. Go back and read the posts I have written addressing them.

I don’t know that the inner critic will ever go away. So how do you combat it? You keep moving forward and growing in your craft. Don’t stop writing. I still question my novel, but I know that I know that I know, that it’s a lot better than it was after the first draft. I’ve learned the hard way and hope to help you avoid some of my pitfalls.

Some professionals recommend the following exercises to help you move forward when the inner critic tries to stop you.  I do my own variation but never really thought about it.

  1. The five-minute nonstop-Write for five minutes nonstop without thinking about what you’re writing.
  2. The page-long sentence-Choose something to describe and write a page long sentence about it.
  3. The list maker-Whenever you’re stuck for an idea make a list. Brainstorm the ideas and use the best.

I just pound away at the keyboard and concentrate on what I’m writing about until inspiration kicks in, and it will. Just don’t quit.

-Jan R

Calming Your Inner Critic (Revisited)

2-Sentence Hook?

Writing your first novel-Some things you should know3 Comments

Can you actually hook a reader in two sentences? I have problems with my elevator speech and that’s a lot longer than two sentences. However, the answer is yes, and I know from experience, you had better hook your reader, or literary agent, right away if you want to make a sell.

The next question for me, is how do I write a 2-sentence hook? My story is complicated, and I don’t even know where to begin.

A 2-story hook has three components. These not only provide the gist of your story, but also an abbreviated outline of what you are trying to accomplish.

  1. Character –  Who is your hero or heroine? You don’t want to give that character a name in your 2-sentence write up. Give them an identity.                     Not Anne, but a young orphan girl.                                                                                Not James, but a young boy born into slavery.
  2. Core Desire – What does your character really want? To be loved, respected? To become famous or rich? What is motivating your characters actions? This is something I’ve discussed in previous blogs. It has to be relatable.
  3. Obstacle – The inciting incident threatening the core identity of your hero/heroine. It doesn’t have to be a big problem, but it does have to be big in your character’s mind.

You can embellish your hook by adding more description or upping the stakes (the clock is ticking).

A young corpsman involved in an IED explosion in Afghanistan loses his memory and struggles to regain his identity.  He is misidentified and placed in the home of total strangers.

My first attempt at a 2-sentence hook. It leaves a lot of questions, but I guess that is the hook. Hopefully your reader will want to know more.

Something to think about.

-Jan R

 

 

2-Sentence Hook?

Avoid Speed Bumps

Writing your first novel-Some things you should know, , , , 6 Comments

1490400252235When you’re writing a novel, you want your story to keep moving forward from beginning to end. If your reader stops at any point while reading, you have set up a speed bump and created an opportunity for your reader to slip out of their suspension of disbelief.

You want them to continue at a nice, smooth pace until the end, accepting every coincidence and slightly questionable story line. They should be lost in the story not in your words.

Common Speed Bumps of Aspiring Authors

Beautified Prose/Written-eese

“The firedrop from the pommel of Tambre’s sword shot past the shimmering silver mist of her involuntary dispersal.”

Now that was a pretty sentence, but you can’t tell me it didn’t slow you down and make you think about what the author was actually trying to say. If you’re like me, you had to read it several times

Trying to impress others with your words is not the way to go. Be natural, be yourself, and it would probably help if you closed the thesaurus as well.

On-The-Nose Writing

Prose that mirrors real life without advancing your story.

Paige’s phone chirped, telling her she had a call. She slid her bag off her shoulder, opened it, pulled out her cell, hit the Accept Call button and put it to her ear.       

“This is Paige,” she said.

“Hey, Paige.”

She recognized her fiancé’s voice. “Jim, darling! Hello!”

We don’t need to be told that the chirp told her she had a call, that her phone is in her purse, that her purse is over her shoulder, that she has to open it to get her phone, push a button to take the call, identify herself to the caller, be informed who it is.  I think you’re getting the point.

Narrative Dumps

Prose that comes out of nowhere and does nothing but describe, is known as a ‘narrative dump’. It can bring your story to a stand still and pull your reader out of the action. Instead of progressing through your storyline, they find themselves on the outside looking in.

I’m not saying you can’t use description. Description is good and helps your reader visualize characters, settings, and much more. But it should be used sparingly. It should add to and enhance your sentence, not distract and overtake it.

One word of caution when using research material to make your story more authentic, remember your research and detail are the seasoning for the story. Don’t make them centerstage. You don’t want to overwhelm your readers with unnecessary information.

Head Hopping

If you switch POV characters to quickly or dive into the heads of too many characters at once, it can Jar the reader and break the intimacy with the scenes main character. In other words, going back and forth between POV characters, can give a reader whiplash. You should never have more than one POV character per scene.

You should also avoid run-on sentences, close the thesaurus (I think you know what I’m getting at), and purchase a copy of ‘The Elements of Style’ by Strunk and White-I’m just saying 🙂

-Jan R

Avoid Speed Bumps

Remember-Nobody’s Perfect

Writing your first novel-Some things you should knowLeave a comment

When you write, you should relax and enjoy the process. Don’t become obsessed with perfection. Nobody’s perfect. Most published novels aren’t perfect.

Since I’ve started writing, I’ve developed a keen eye for errors. They just jump off the page. If you’ve been writing for a while, you probably experience the same thing.

I love historical novels and read them every chance I get. I run into at least 2-3 errors in every novel. It usually is something as simple as using ‘the’ for ‘they’ or leaving off an ‘s’ on a word that should be plural, but because I have a trained eye, I see it, and am pulled out of the story.

Does it ruin the experience for me? Not at all. As a matter of fact, I feel better about my own writing.  Nobody’s perfect, and that’s okay. With that being said, note I only see 2-3 in a 350 page novel, and not one on every other page.

The quest for perfection leads to writer’s block.  It can paralyze an author. It’s great that you aim for perfection. That is what you want, but don’t allow your fear of making a mess keep you from moving forward.

Truth is, your first draft is going to be raw, awkward, and full of errors. That’s why we go back and edit, edit, edit.

Another question to ask yourself, is what is perfection? I’m not talking about  grammatically and structurally sound sentences, I’m talking about every little component that goes into making a great novel.

Did you know that your idea of perfection changes as you gain more and more experience in writing?

When I finished my novel, I went back and corrected all of the grammatical and structural errors. Well, all that I could see, and it was pretty darn near perfect.

I didn’t know the rules for Point Of View. I was head-hopping all over the place. So, my work wasn’t perfect, and I was breaking a cardinal rule, which allowed the agent to pick up on the fact that I was an amateur.

I also didn’t know the rules for writing dialogue. Nobody told me your dialogue had to move the story forward. Most people don’t want to stop and smell the roses. They want the meat, and they want to get to the action. So, my work wasn’t perfect.

Keep writing! Your work won’t be perfect on the first go round or the second. Accept that and get over it. It’s okay, you’re not alone. No writer, published or unpublished, writes a perfect first draft. Give yourself permission to make mistakes.

I use to say get it done, then get it good. What I mean by that, is write that first draft knowing it’s full of errors. Get your ideas on paper before they fade away. Then go back and begin the refining process.  You want it as near to perfect as possible before querying an agent or self-publishing.

-Jan R

Remember-Nobody’s Perfect

Just A Reminder-Don’t Believe Everything You Read

Writing your first novel-Some things you should know1 Comment

While I’ve been around for a little while now, I certainly don’t consider myself an expert. I consult the experts, and research everything I write to ensure I don’t spread inaccurate information.

As a new writer, we don’t always know if what we are reading is fact, fiction, or opinion. We are hungry for information that is going to help us become better writers, and more importantly, that is going to help us become successful and published.

When I began this journey, I was literally starting from scratch. I assumed like many of you, that anybody could write a novel. I had a great idea and put pen to paper, or I guess I should say fingers to keys.

It wasn’t until I submitted it to agents, that I discovered there were rules on POV, writing dialogue, plotting, use of description, setting scenes… I needed information. I needed accurate, easy-to-understand information from someone who knew what they were talking about.

I opened my computer and began typing. If it’s on the internet, it has to be correct, right? That’s what most of us think, at least that’s what I thought. If I was having problems with dialogue, one of my weaknesses,  I would type in dialogue and go for it. There were so many articles and blog posts to read. While most offered invaluable information, I would occasionally run into one that lead me astray, or left me more confused than I was before I started my research.

I feel like I’m rambling today, but my aim for this particular blog is to caution new writers. Just because something is written on-line, doesn’t mean it’s correct. Choose your sources wisely. Do your research. There is a lot of useful information out there, but you will occasionally run into something that is inaccurate, or so ambiguous you are left more confused than you were when you started your research.

My husband is always saying technology is wonderful. You have the world at your fingertips, but you can’t check your brain in at the door.

Something to think about.

-Jan R

Just A Reminder-Don’t Believe Everything You Read

Dangling Modifiers (Just for Laughs)

Writing your first novel-Some things you should know1 Comment

I needed a laugh today and reread one of my old posts. I thought I would share it with you, as many of my followers are new and may have never read it 🙂

Have you ever read a sentence and stopped? You go back and read it again and again. Sometimes you probably laugh out loud, because it’s funny and definitely not what the author had in mind.

You want see those sentences in published work. By the time your manuscript hits the publishers desk, the sentences have been cleaned up.

So if you haven’t figured it out, I’m talking about sentences with dangling modifiers. A modifier describes, clarifies, or gives more detail about a concept.

A dangling modifier is misplaced because it doesn’t have anything to modify. The word or words a dangling modifier should modify have been omitted from the sentence. I know you hear professionals say cut, cut, cut, but some words should not be cut.

“Always suspect an -ing word of dangling if it’s near the front of a sentence; consider it guilty until proven innocent.” –Patricia O’Connor.

Incorrect: Reading the regulations, the dog did not enter the park.

  • “Reading the regulations” is a dangling modifier.
  • The dog cannot read the regulations; the word(s) that “reading the regulations” modifies have been omitted.

Correct: After reading the regulations, I did not enter the park with my dog.

And then there’s…

The kind mother, handed out bologna sandwiches to all the children in Ziploc bags. (What were they doing in Ziploc bags?)

The robber was in his late thirties and about 6’2″, with long curly hair weighing about 160 lbs. (I think I would cut a little bit of that hair.)

The homeowner chased the intruder wearing nothing but his underwear. (Who was wearing nothing but underwear?)

Just for laughs…..

  1. Coming out of the market, the bananas fell on the pavement.
  2. With his tail held high, my father led his prize poodle around the arena.
  3. I saw an accident walking down the street.
  4. Freshly painted, Jim left the room to dry.
  5. He held the umbrella over Janet’s head that he got from Delta Airlines.
  6. Lost: Antique walking stick by an old man with a carved ivory head.
  7. The company’s refrigerator held microwavable lunches for 18 employees frozen in the top compartment.

I know most of you have dangling modifiers down, but they are so much fun.

-Jan R

Dangling Modifiers (Just for Laughs)

Adverb or Not to Adverb? (Revisited)

Writing your first novel-Some things you should knowLeave a comment

I do a lot of critiques for different writers during the week. Some of the writers are very polished, others, not so much.

The one thing I’ve noticed in all levels, is an abundance of adverbs. I must admit, I get jealous at how prettified some of those sentences read. I can’t write like that. My brain isn’t wired that way.

According to William Noble, many inexperienced writers, and I will add-unpublished but have been around the block a few times writers, throw in “pretty” words(adverbs or adjectives) to make their prose more dramatic and meaningful. These cosmetic touch-ups often turn out to be  redundant or simply uninspiring. They bog down your story without adding meaning.

Is the adverb necessary?

He zoomed around the oval speedily. Is it possible to zoom without speeding?

He stuttered haltingly. Can you stutter without doing it haltingly?

What about ‘show don’t tell’?  Adverbs encourage lazy writing.

He whispered to her lovingly. (Telling)

He whispered words of love…my sweet, dear lover, my angel…(Showing)

Remember, there are better ways to prettify your prose, and using adverbs isn’t one of them. You’re going to have to roll up your sleeves and get to work. Start showing not telling.

I am not a NEVER ADVERBS person. Sometimes they are necessary to provide detail or clarity.

The man sang loudly.

The girl was really cute.

When a writer needs to set up a scene and move through it quickly, then the adverb shortcut isn’t a bad idea. The problem comes when the shortcut becomes the norm, and your reader is left with an uninteresting experience.

What’s wrong with Adverbs? Nothing as long as you don’t abuse them.

Something to think about.

-Jan R

Adverb or Not to Adverb? (Revisited)

Are You the Tortoise or the Hare?

Writing your first novel-Some things you should know, , Leave a comment

I read an article recently that described openers and finishers. I had never really thought about it, though if I had to identify with one of the two, it would definitely be finisher.

An opener is someone with grand ideas, too many grand ideas. They get bogged down and jump back and forth between projects, never to finish one, or they allow themselves to become discouraged and quit before crossing the finish line.

A finisher as you may have already guessed, finishes what they start. They stick to one project at a time and move at a slow consistent pace until they have completed their work or met their goal.

I usually have two projects going at one time. The primary work in progress, and the secondary project, that I plan to continue as my next novel. This allows for a break when I just need to get away from my primary work, and it allows me to continue moving forward. If other great ideas jump into my head while I am working on these two projects, I simply jot them down, so I don’t forget. I can pick them up later.

When I read this article, I couldn’t help but think about ‘The Tortoise and The Hare’.  The Hare was enthusiastic and fast, but he allowed distractions (other projects) to get in his way, and he looked for shortcuts to help him catch back up. Of course, we all know how that went.

The Tortoise on the other hand, stood at the starting line with one thing in mind, finishing the race. He didn’t try to take any shortcuts, which could result in inferior work. He was in for the long haul. He wasn’t giving up.

Since my adventure began, I have read numerous stories from well-known authors about their journeys to becoming published.  The one common theme in all of their stories was perseverance. I’ve put so much time and effort into my craft, I can’t help but feel discouraged at times. It helps and encourages me to know that I am not alone but in great company.

If you have a high quality, marketable piece of work, persevere and you will eventually find an agent and get published. Kathryn Stockett wrote, ‘The Help’ over a five-year period of time, then had three and a half years’ worth of rejections-60 in all. It was agent number 61 who took her on. The book spent 100 weeks on the best seller list.

The agent that took the time to work with me, always ended her critique s with the phrase don’t give up.

We all know who won that race. Are you the Tortoise or the Hare?

Something to think about.

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Are You the Tortoise or the Hare?