Description is Icing on the Cake

ccf_lindasfudgecakeI’m not very good at writing description and have a tendency to avoid it. This is reflected in critiques that I receive on my work. ‘You need to help me picture the setting in my mind. Where is your MC? It’s like looking at a blank canvas. There’s nothing there’.

You may be like me or you may be on the opposite side of the spectrum. I have critiqued some beautifully ridiculous descriptives. I’m sure many of you know what I’m talking about. Imagine your reader picking up a book at the bookstore and reading page after page of description on the gowns at a regency ball or the inner hull of a slave ship. They, like me, would probably put it down immediately.

Think of bad description as that one teacher you had in high school who went on and on putting the class to sleep. Good description is more like the teacher that got everybody involved in the action. She provided the information we needed but didn’t bog us down with a lot of fluff.

Avoid Huge Lumps of Description

In the past, Authors could get away with this but in today’s society, unless a reader was actively seeking out writers known for lyrical descriptive passages, they wouldn’t put up with it. That doesn’t mean there aren’t a few who get away with it, but it’s only because they are really good, and in all reality, many of their fans are skimming those passages.

Make Description an Active Part of Your Story

You must find a way to use description in combination with action . Descriptions that come out of nowhere and do nothing but describe, are known as ‘narrative lumps’. A great example I read during this research is as follows:

Zara grabbed her mug and gulped it down, shivering when a few drops of the ale trickled under her leather top. I didn’t have to say….The ale was cold or She wore a leather top. That information was provided in the action sequence.

Describe what your Characters Would Notice

Remember you are seeing the world through the eyes of your main character. If that character works and goes to the same office everyday, they aren’t going to stare at the craftsmanship and detail of the bookshelf housing a  wall of books in the office library. They see it everyday, but they are going to notice if a substantial number of volumes were removed. They aren’t going to look around their office and go on and on about the lavishly decorated room-unless they just had it up fitted. They will notice  a vase of red roses sitting on their desk.

Words, Words, Words

Use Strong, active, concrete words. The stronger the writing the better the description. Remember, nouns and verbs are your friends. Adjectives and adverbs can be your friends, depending on how you use them.

Avoid adjectivitis. I wish I could claim this word, but again I read it during my research. Adjectivitis is when you use to many adjectives to describe something. The rule of thumb is no more than two.

And you also want to limit your trips to the thesaurus. I know what it’s like to try to come up with different words, to avoid overuse. But when I have to stop reading a prose to look up the word the author has written, or I stumble over a  rarely used word, chances are, that author took one to many trips to the thesaurus.

Use all the senses

Most writers concentrate on sight and sound but you can really bring a scene to life by incorporating the other senses. Don’t forget about touch, smell and taste.

Fit the Description to the Type of Story

Fast paced action novels will have less descriptive as you are trying to get your main character from point A to point B in a hurry. Slower paced novels may take the opportunity to smell the roses, but be mindful of how long they are smelling them.

Avoid Excessive Name-dropping

It’s all right to use brand names in your story. But there are a few basic rules: Get the name right and do not portray the product in a disparaging light. Do not say your main character got food poisoning from the Golden Corral. (Go to the Publishing Law Center website for more information)

You don’t want to go overboard with brand names, but it is a  way to provide your reader with a good concrete description. When you say Chevy Silverado-people know instantly and can picture it in their minds.

Don’t Let Description Hang You Up During a First Draft

Remember you can always go back and add it later. When I started writing my novel, I had a great plot idea and my characters sketched out in my head. I put pencil to paper and wrote until completion.

As a matter of fact, that is were I am, and why I am writing this article. I have completed my first draft and am now beginning the process of icing my cake.

I hope this review on description helps you as much as it helped me.

-Jan R

Description is Icing on the Cake

No Power? You’ve Got to be Kidding!

454749So it’s been a crazy week so far. I live in the hurricane Mathew zone, and we had no power or internet for the last two days. It was like an unplanned camping trip. We do have a generator, so we didn’t have to rough it in the sense that many of our neighbors did, but it was definitely an inconvenience.

I was so thankful to all of our friends who reached out offering encouragement, a hot shower, and a warm, comfortable, place to stay.

We are so blessed, and don’t really realize how much so, until it is taken away.  Going through a situation like this, only reminded me of how much I take for granted. I pray that we do not become so complacent with our everyday lives, that we forget to Thank God for the favor he has lavishly poured on this nation.

Stay safe, and for those of you who are still dealing with the aftermath of Mathew, you are in my prayers.

-Jan R

 

 

 

No Power? You’ve Got to be Kidding!

Creating Multidimensional Characters

imagestjy0h2vcI’ve just completed the God knows what number revision of my novel(I lost count a long time ago). While I have to admit it is one-hundred times better than the first draft, it is still not where it needs to be.

I hope this isn’t coming across too negative. To be honest, while I’m not where I want to be, I’m a lot closer than I use to be, and from my way of thinking, I have a cake that needs to be iced. My icing is a mixture of character development and imagery.

I made a comment not too long ago that my characters were just too good. Nobody’s that perfect. So I did some research on character development to find out what I needed to do to rough them up and give them some dimension.

There are actually three dimensions of  character development. I’ve used them all at times, but never made a concerted effort to  put them all together in one particular character until now. Yeah I seem to do everything the hard way. Comes from inexperience.

So what are the three dimensions I’m working on?

The first dimension is surface traits, quirks and habits.

This one is easy. We all know we’re suppose to describe our characters and help the reader picture them in their mind.  Is their hair blonde, red or brown.  Do they have blue eyes, green eyes or brown eyes. What about that annoying mole on the chin that makes you think of a witch.

Maybe they have an annoying laugh, or have a nervous habit of tapping their left foot up and down. I play with paper clips when I’m the lead in a group meeting. It calms my nerves.

These are all things you can see, when you look at the person.

The second dimension is backstory and inner demons.

Backstory allows us to see where they came from, and why they act the way they do. We see the scars, the memories, and the dashed dreams that leave them with resentment, fear, and weakness.

We understand where they came from so we can empathize with them and form an emotional attachment.

The third dimension is action, behavior, and world view.

This dimension looks at moral substance or lack thereof. It’s defined not by backstory or inner demons, but by actions and behaviors.

A hero takes a stand, takes risks, and makes decisions.

A villain rationalizes behavior and is insensitive. He refuses to take responsibility.

As a story teller, it is your job to integrate all three realms of character development convincingly and compellingly. Nobody wants to read a story with one dimensional or shallow characters.

What’s your thoughts. Any suggestions or tips that might help me flesh out my characters during this revision.

-Jan R

 

 

 

 

Creating Multidimensional Characters

Writer or Author-You Decide

Authors who are published take the craft of writing seriously.  They understand the work involved to prepare your manuscript and aren’t afraid to roll up their sleeves and dive in. So what do they do?

They read countless stories and analyze what’s going on in them to make them successful. When they read, they  ask themselves the following questions.

  • How does the author make me want to turn the page?images-8
  • Why am I drawn to the lead character?
  • What makes the scene work?
  • What’s the key conflict?
  • How does the author handle dialogue?
  • How does the author integrate minor characters?
  • How’s the pace, can you feel the tension building?

Authors also read books on writing, take classes, and apply what they have learned. They have people give them feedback-editors, critique groups(Scribophile, Writers.com), trusted and objective friends. They work at becoming better writers.

You will never get where you need to be to publish that first novel, if you don’t learn your craft. Like any other job, writing requires work. You don’t wake up one day  and you’re an author, just like you don’t wake up one day a brain surgeon.  Just because you want it to be doesn’t make it so. Pay your due diligence and learn the craft. It will save you so much time and heartache in the long run.

Being the novice with a really good idea, I thought all I had to do was write my story down on paper. I knew how to string sentences together.  I did a minimal amount of research, and got a mediocre story set up for rejection.  The responses I got from the literary agents shocked me and hurt my feelings. I didn’t realize how bad the work was at the time, because I didn’t know any better, and I obviously didn’t take the time to learn the rules. Yes there are rules! Hard fast rules! I broke every one of them.

One of my rejections letters was from an agent who I’m sure knew I was new at this writing thing, and she took the time to point out the major issues with my work. “It’s just not ready. You have a really good premise, but it is riddled with grammatical and structural errors. You are head hopping,  and your dialogue is dragging.”

What was I suppose to do with that? I didn’t even know what head hopping was, and I understood dialogue, but I never knew it could drag. If I had researched and taken the time to learn the proper way to write a novel, I would have known exactly what she was talking about.

The question you need to ask yourself: Do I want to just write or do I want to be published?

 

-Jan R

Writer or Author-You Decide

“Into” or “In to”

images-2You would think after five years, I would have this one figured out. Well apparently not. I have been having sections of my novel critiqued for the last 6 months. I seem to have the same issues over and over which is very frustrating.

Just when I think I have the “into” word figured out, I get a critique back citing it, because it was used incorrectly. I’ve developed some friends/ followers on the critique site I use. One of those friends commented just recently, “you’re consistent, I’ll give you that.” Unfortunately, she meant consistently wrong 😦

So I did some research, to hopefully put this one to rest. Thought I would share my findings with you. I have no doubt, I’m not the only person with this problem.

“Into”    is a preposition that expresses movement or something toward or into something.

  • I fell into the puddle.
  • I put the money into my pocket.

“In to”   is the adverb “in” followed by the preposition “to”. They aren’t related and only happen to fall next to each other.

  • She came in to pick up her laundry.
  • He went  in to see if it was true.

A quick check if you’re still questioning your decision…

Look at your sentence and replace ‘into’ or ‘in to’ with ‘where’. If the second half of the sentence answers where, then use ‘into’.

If that doesn’t work, replace the ‘in to’ with ‘in order to’. If it works, use ‘in to’.

“Into” answers ‘where’.

  • I fell ‘where?’-into the puddle.
  • I put the money ‘where?’-into my pocket.

 

“In to” is short for ‘in order to’.

  • She came  ‘where?’-to pick up her laundry. That doesn’t make sense. It answers ‘why’ not ‘where’.
  • She came ‘in order to’-pick up her laundry. Uses ‘in to’.
  • ——————————————————————–
  • He went  ‘where?’ to see if it was true. Again that doesn’t make sense. It’s not answering ‘where’ but ‘why’.
  • He went ‘in order to’ see if it was true. Uses ‘in to’.

Hope this clears thing up. I won’t be making that mistake again 🙂

-Jan R

 

 

 

 

“Into” or “In to”

Are You an Opener or a Finisher?

Unknown3I read an article recently that described openers and finishers. I had never really thought about it, though if I had to identify with one of the two, it would definitely be finisher.

An opener is someone with grand ideas, too many grand ideas. They get bogged down and jump back and forth between projects, never to finish one, or they allow themselves to become discouraged and quit before crossing the finish line.

A finisher as you may have all ready guessed, finishes what they start. They primarily stick to one project at a time and move at a slow consistent pace until they have completed their work or met their goal.

When I read this article, I couldn’t help but think about ‘The Tortoise and The Hare’.  The Hare was enthusiastic and fast but he allowed distractions(other projects for my analogy) to get in his way, and he looked for shortcuts to help him catch back up. Of course, we all know how that went.

The Tortoise on the other hand, stood at the starting line with one thing in mind, finishing the race. He didn’t try to take any shortcuts(which could result in inferior work). He was in for the long haul. He wasn’t giving up.

Since my adventure began five years ago, I have read numerous stories from well known authors about their journeys to becoming published.  The one common theme in all of their stories was perseverance. I put so much time and effort into my craft, I can’t help but feel discouraged at times. It helps and encourages me to know that I am not alone but in great company.

If you have a high quality, marketable piece of work, persevere and you will eventually find an agent and get published. Kathryn Stockett wrote, ‘The Help’ over a five year period of time, then had three and a half years worth of rejections-60 in all. It was agent number 61 who took her on. The book spent 100 weeks on the best seller list.

The agent that took the time to work with me, always ended her critiques with don’t give up.

We all know who won that race. Are you an Opener or a finisher?

-Jan R

 

Are You an Opener or a Finisher?

Elevator Speech?

images-2I attended a conference with my husband this past week. It was a great get away for me and a chance to focus on my novel without the distractions of home. Needless to say I was enjoying myself and making some significant progress.

I was asked to join my husband and some of his peers for supper the evening before we were scheduled to leave. I was surrounded by men talking shop, so all I had to do was smile and display exemplary dining skills-or so I thought.

About half way through the meal, one of the men looked over at me, and said, “Your husband told us what you do during the day while he is at the conference. We would love to hear a little more about your book. What’s it about?”

Well, I froze, my mind went totally blank, and it was all I could do to control my suddenly out of whack emotions, as I turned to face this man who had the audacity to ask me such a question.

I wasn’t prepared. I didn’t have an Elevator Speech. I didn’t think I needed one. My novel is complete, and I am in the revision process, but it’s not ready for prime time.

I’m working on that Elevator Speech now. I felt foolish and was totally caught off guard. You never know when you’ll come across someone who will ask you what your book is about. I’ll be prepared the next time. Plus, it will also give me practice for when I do attend that writing conference, or get the opportunity to speak to an agent/author I just happened to run into at the airport.

Some things to keep in mind :

  • Remember when you are crafting your speech, you are talking to another human being.
  • You only have 30-60 seconds. Don’t try to tell them the entire story.
  • Content is as important as delivery. It doesn’t matter if it’s well delivered if it’s boring and uninspiring. Make them want to hear more!
  • If you are attending a conference, you don’t want to accost agents/editors-wait for an invite or an appropriate opening. They know why you are there. Introduce yourself. Engage in small talk, they will usually ask.
  •  Practice, practice, practice. You don’t want to memorize every word and sound like a robot or like you’re reading a teleprompter, but you do want your Elevator Speech to flow and be cohesive. You want it to sound natural.
  • Always be prepared and show passion.

If you haven’t prepared your speech, you need to start working on it. It’s just a matter of time . Somebody is going to ask.

-Jan R

 

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Elevator Speech?

I’m Not a Doctor, Lawyer, or Engineer, I am a Writer!

images-7As a writer, have you ever stopped to think about the contributions you make to society. You’re not a Doctor, Lawyer, or Engineer, you are a Writer/Author right? I think many times we get so invested in our work and coming up with a viable manuscript, that we don’t take the time to pat ourselves on the back for the joy and satisfaction we bring to others, or the importance of our role in society.

I recently responded to a blog post, and while I was answering the question, I got to thinking about all of you writers out there. I wondered if you had any idea the number of lives you touch in a profoundly positive way. The service you provide to your readers.

When I was growing up we were very poor. My father was killed in an accident when I was 12, leaving my mom with 6 children to raise on her own. Needless to say, we were not going to Disney World. As a matter of fact, my world would have been pretty bleak, if it hadn’t been for my love of reading and the numerous novels that took me on adventures far and beyond anything I could have ever imagined. I remember my first novel was ‘King Arthur’, pretty heavy for a kid, but I loved it.

I’m not that young girl anymore, I can go to Disney World if I want to, but my love for books and the sense of adventure has never left. That was something cultivated by my mother, who I’m sure, loved reading novels for the same reason.

My mother is elderly now, and due to extensive medical issues, unable to get out and enjoy life and experiences that she once could. That’s okay with her though, as long as she has a good book to read. Her books take her to places she could never go and as long as she can read, she is never just stuck at home.

I wrote this blog as a ‘Thank You’ and a reminder of how important you are. I’ve provided stories from my personal life, but there are millions of people out there with the same story.

Know that you are important, you are needed, and you provide a vital role in our society!

-Jan R

 

I’m Not a Doctor, Lawyer, or Engineer, I am a Writer!

Are Readers Skipping Crucial Parts Of Your Story?

images-11I love doing critiques. Sometimes I think I should have been an editor or professional proofreader.

The one issue that bothers me more than any other, when I do critiques, is descriptive overloads, dumps, what ever you want to call them. If you are reading this, you know exactly what I’m talking about. I realize some description and imagery are necessary to help the reader visualize the story, but some people provide page after page of it.

I’m a skipper/skimmer. I own up to it and have stated it as fact in many of my blogs. I don’t want to be and don’t like the idea of skimming through pages of writing to get to the good stuff. As a matter of fact, if I pick up a book or go to someone’s writing posted for critique and all I see is paragraph after para graph of descriptive, I’m not touching it.

Jerry Jenkins says it’s a sin to ask a paragraph of description to stand on its own. Your readers eyes glaze over and then they are gone. He’s written nearly 190 books, so I listen when he speaks.

So, what’s the solution? It’s your job to set the scene, but you want to make sure your readers aren’t skimming the descriptives, or worse, skipping them altogether.

You have to make the description part of the action:

Randall wanted only David to know his scheme, so he pulled him away from the others and onto the deck where he had to raise his voice over the pounding waves. He hunched his shoulders against the whipping wind and wished he’d thought to grab a jacket, knowing they wouldn’t be able to stand it out there for long.

In this example we know the setting because it was incorporated into the action. The author did not take a paragraph to discuss the severity of the storm that was causing massive waves and packing winds at 20 miles an hour.  While Randall is whispering his nefarious plan, your reader is skipping nothing.

I wish I could say I’ve mastered this skill, but I have not. It is a technique I continue to work on. A place I aspire to be one day.

-Jan R

 

 

Are Readers Skipping Crucial Parts Of Your Story?

How Do I Grow My Blog?

blogI’ve followed all the rules for a successful blog. So what’s the problem?

I’ve consistently posted twice a week, and I offer some valuable information that I’ve learned through research or experience.

Howbeit I’m not the funniest  writer in the world, but I like to think I’m easy to follow. I don’t use million dollar words, I’m not technical, but my writing is usually grammatically and structurally sound.

I’ve attached Tags to each post. Tags that I thought would attract other people. My thought was, if I could just get them to read a few posts, they would realize I did have something to offer and hang around-become a follower.

Well it turns out, just writing a really good blog and waiting for somebody to show up does not work. You have to actually engage and purposely seek out followers.

How do you do this? I just recently started taking my blog seriously, because I was tired of writing to myself. Yes it was good practice, but nobody wants to have a blog with no followers. It wasn’t quite that bad but close.

So what did I do that tripled my blog following in less than a month? I reached out to fellow bloggers. Like me, they are trying to build their platforms as well. I started visiting the websites of bloggers who shared the same interests that I did. Not only did I gain some great information in the process but I picked up followers. I didn’t have to ask people to join me. I read their blogs, offered comments on their writing, and they responded by checking my site out and doing the same.  I discovered this was a win, win for all involved.

A delightful surprise, was the friendships that arise from exchanges with other writers.  Totally unexpected.

I have added a block of time to my weekly schedule to read blogs of fellow bloggers (those I follow, as well as new ones I would like to follow). It’s not a chore, it’s fun!!! and you will build your following 🙂

So what works for you?  I would love suggestions on how to increase my following.

-Jan R

How Do I Grow My Blog?