Author: Writing your first novel-Some things you should know

You Can’t Believe Everything You Read

Writing your first novel-Some things you should know, 6 Comments

tumblr_ls7n23WrgF1r1ejbco1_500While I’ve been around for a little while now, I certainly don’t consider myself an expert. I consult the experts, and research everything I write to ensure I don’t spread inaccurate information.

As a new writer, we don’t always know if what we are reading is fact, fiction, or opinion. We are hungry for information that is going to help us become better writers, and more importantly, that is going to help us become successful and published.

When I began this journey, I was literally starting from scratch. I assumed like many of you, that anybody could write a novel. I had a great idea and put pen to paper, or I guess I should say fingers to keys.

It wasn’t until I submitted it to agents, that I discovered there were rules on POV, writing dialogue, plotting, use of description, setting scenes… I needed information. I needed accurate, easy to understand information from someone who knew what they were talking about.

I opened my computer and began typing. If it’s on the internet, it has to be correct, right? That’s what most of us think, at least that’s what I thought. If I was having problems with dialogue, one of my weaknesses,  I would type in dialogue and go for it. There were so many articles and blog posts to read. While most offered invaluable information, I would occasionally run into one that lead me astray, or left me more confused than I was before I started my research.

I feel like I’m rambling today, but my aim for this particular blog is to caution new writers. Just because something is written on-line, doesn’t mean it’s correct. Choose your sources wisely. Do your research. There is a lot of useful information out there, but you will occasionally run into something that is inaccurate, or so ambiguous you are left more confused than you were when you started your research.

My husband is always saying technology is wonderful. You have the world at your fingertips, but you can’t check your brain in at the door.

Something to think about.

-Jan R

 

 

You Can’t Believe Everything You Read

Dangling Modifiers :-)

Writing your first novel-Some things you should know, , 12 Comments

4803157_700bHave you ever read a sentence and stopped? You go back and read it again and again. Sometimes you probably laugh out loud, because it’s funny and definitely not what the author had in mind.

You want see those sentences in published work. By the time your manuscript hits the publishers desk, the sentences have been cleaned up.

So if you haven’t figured it out, I’m talking about sentences with dangling modifiers. A modifier describes, clarifies, or gives more detail about a concept.

A dangling modifier is misplaced because it doesn’t have anything to modify. The word or words a dangling modifier should modify have been omitted from the sentence. I know you hear professionals say cut, cut, cut, but some words should not be cut.

“Always suspect an -ing word of dangling if it’s near the front of a sentence; consider it guilty until proven innocent.” –Patricia O’Connor.

Incorrect: Reading the regulations, the dog did not enter the park.

  • “Reading the regulations” is a dangling modifier.
  • The dog cannot read the regulations; the word(s) that “reading the regulations” modifies have been omitted.

Correct: After reading the regulations, I did not enter the park with my dog.

And then there’s…

The kind mother, handed out bologna sandwiches to all the children in Ziploc bags. (What were they doing in Ziploc bags?)

The robber was in his late thirties and about 6’2″, with long curly hair weighing about 160 lbs. (I think I would cut a little bit of that hair.)

The homeowner chased the intruder wearing nothing but his underwear. (Who was wearing nothing but underwear?)

Just for laughs…..

  1. Coming out of the market, the bananas fell on the pavement.
  2. With his tail held high, my father led his prize poodle around the arena.
  3. I saw an accident walking down the street.
  4. Freshly painted, Jim left the room to dry.
  5. He held the umbrella over Janet’s head that he got from Delta Airlines.
  6. Lost: Antique walking stick by an old man with a carved ivory head.
  7. The company’s refrigerator held microwavable lunches for 18 employees frozen in the top compartment.

I know most of you have dangling modifiers down, but they are so much fun.

-Jan R

 

 

 

 

Dangling Modifiers :-)

Are Your Sentences Running Loose?

Writing your first novel-Some things you should know, 1 Comment

compound-sentences-7-728You’re probably sitting there wondering what in the world I am talking about. I know when I first read about loose sentences, I wondered what in the world the author was talking about. Well let me enlighten you. Loose sentences are sentences with the main concept at the beginning, followed by a string of related details.

For this blog, I am focusing on loose sentences that are composed of two clauses connected by a conjunctive or relative  (better known as the compound sentence). I use them all the time, and you probably do too. ( Yes, this is one.) There’s nothing wrong with a single sentence of this type every now and then. The problem is when you string a whole bunch of them together. A mistake many new writers make.

 ‘The Phantom of the Opera’ was performed at the downtown theater last evening, and a large audience was in attendance. The actors were right on cue, and the orchestra was spectacular. The props seemed to float through the air, as the scenes were set flawlessly. The play was a tremendous success, and I’m sure it will continue it’s run. The tickets are pretty expensive, but you won’t be disappointed.

There are probably a lot of things wrong with this example, but what I hope you focused on, was the string of loose sentences. They are trite, monotonous and annoying. I know this is an extreme example, but I wanted to make sure you understood what I was getting at.

Loose sentences are easy to correct. All you have to do is rearrange some of the sentences in the paragraph to take away the monotony.  Make them simple, short, single phrases, or drop the conjunction and add a semicolon.

It’s okay to have loose sentences, but be mindful of the frequency and placement of them.

Most of the information for this blog came from ‘The Elements of Style’ by Strunk and White. If you don’t have a copy of the book, I would highly recommend it. It is short and concise. They don’t waste a single word.

Something else to think about 🙂

-Jan R

Are Your Sentences Running Loose?

What’s Your Character’s Motivation?

Writing your first novel-Some things you should know, , 3 Comments

Thomas-Mann-quote-on-character-motivesIf your villain shoots down sixty people, blows up an airport terminal, hijacks a jet and then crashes it into the White House–all because his Social Security check arrived one day late, you’re going to have trouble selling your novel. Dean R. Koontz

When an editor rejects a book for implausibility, he is looking at the motivation of the character, not the plot. In other words, when a novel fails because of implausibility,  the reader had a hard time believing the character would do, in real life, the things the author has him doing.

What’s his motivation? If you have your character doing something bizarre, you had better convince your reader that he in fact would blow up an airport terminal because his Social Security check arrived a day late.

Most Common Character Motivators

Love- is a strong motivator for your lead character. This universal and adaptable motivator can be found across genres. Remember almost all of your readers want to love someone, be loved, or fall in love. They are predisposed to accept love as a plausible motivation for a hero’s or a heroine’s actions. This motivator  works best when paired with another motivating force.

Curiosity-  is responsible for every important discovery since man tamed fire. Like love, it works better paired with another motivator. Throw in some self-preservation, greed, love, or duty. Your reader will not believe that a rational character would willingly die merely to satisfy his curiosity, and yes, your main character must be rational.

Self-preservation- is the most common character motivation in both popular mainstream and genre fiction. If your hero’s life is at stake, anything he does to preserve it will seem plausible to the reader, which makes this the easiest of the motivators for new writers to handle. Also it should be noted, that self-preservation can be construed to mean preservation of one’s self-image and self-respect.

Greed- as you probably guessed, this is not a good motivator for your hero or heroine unless they are a bandit. It works as an excellent motivator for your antagonist. If your antagonist is trying to destroy your hero financially and get control of his business at a bargain price, greed might very will be his primary motivation, but by throwing in another motivation, the story would have much more depth. Suppose we find out the antagonist also hates the hero, because the hero won the hand of the woman they both loved. The antagonist instantly becomes a more believable and interesting character.

Revenge- is an excellent motivator for a villain, but should not be used to motivate the protagonist, unless you can show the hero is justified in his actions.  Maybe the police and courts have utterly failed in their duties to society and to victims of violent crime, and then the hero steps in.

These are not the only character motivators, but they are the most common. Remember, your character should never be motivated by something that is inconsistent with their personality. Much more on this subject but hope this got you thinking.

-Jan R

What’s Your Character’s Motivation?

Head Hopping Again? (Revised)

Writing your first novel-Some things you should know, , Leave a comment

headhoppingI had a segment of my book critiqued today and got dinged on the POV. I couldn’t believe it. The reviewer was correct. I was jumping into the head of several of my main characters throughout the segment.

I know that for whatever reason, this writing 101 concept does not come easy for me. I also know, that if you want a book published, you had better get the POV under control.

I sent my novel to an agent, prematurely I might add, and she was kind enough to reject it with reasons why. I was head hopping. To be honest, I had never heard that term before. Being a novice, untrained in the art of creative writing, I’ve had to learn my way around this world. There’s a lot more to it than being able to string a group of sentences together.

The secret to making your POV work is limiting it to one perspective per scene, chapter, or book. When you start jumping around from one POV character to another in the same scene/paragraph/sentence you have committed a cardinal sin. HEAD HOPPING.

If you are writing in Third Person, which I do,  and Lauren is your POV character, you can’t write–Lauren said she would meet Janie at the mall, but Janie didn’t believe her. I was just in Lauren’s head and Janie’s head. How am I suppose to know what Janie is thinking, if I’m limited to Lauren’s POV? What you could write is –Lauren said she would meet Janie at the mall, but she could tell from her friend’s response, that she didn’t believe her.

Hope this helped somebody.

-Jan R

Head Hopping Again? (Revised)

Adverb or Not To Adverb? (Repost)

Writing your first novel-Some things you should know, , Leave a comment

Nouns-and-VerbsI do a lot of critiques for different writers during the week. Some of the writers are very polished; others, not so much.

The one thing I’ve noticed in all levels, is an abundance of adverbs. I must admit, I get jealous at how prettified some of those sentences read. I can’t write like that. My brain isn’t wired that way.

According to William Noble, many inexperienced writers, and I will add-unpublished but have been around the block a few times writers, throw in “pretty” words(adverbs or adjectives) to make their prose more dramatic and meaningful. These cosmetic touch-ups often turn out to be  redundant or simply uninspiring. They bog down your story without adding meaning.

Is the adverb necessary?

He zoomed around the oval speedily.-Is it possible to zoom without speeding?

He stuttered haltingly.-Can you stutter without doing it haltingly?

What about ‘show don’t tell’?  Adverbs encourage lazy writing.

He whispered to her lovingly. (Telling)

He whispered words of love…my sweet, dear lover, my angel…(Showing)

Remember, there are better ways to prettify your prose, and using adverbs isn’t one of them. You’re going to have to roll up your sleeves and get to work. Start showing not telling.

I am not a NEVER ADVERBS person. Sometimes they are necessary to provide detail or clarity.

The man sang loudly.

The girl was really cute.

When a writer needs to set up a scene and move through it quickly, then the adverb shortcut isn’t a bad idea. The problem comes when the shortcut becomes the norm, and your reader is left with an uninteresting experience.

What’s wrong with Adverbs? Nothing as long as you don’t abuse them.

-Jan R

Adverb or Not To Adverb? (Repost)

Don’t Muddle Through The Middle

Writing your first novel-Some things you should know, , 4 Comments

beginmuddleend4When you write a novel, one of the things you’re probably going to experience, is the mayhem in the middle. You have a great story idea, with a great beginning and a great ending. The only problem is, you haven’t thought about what happens when you get to the middle.

Most people who fail to complete their novel, become lost in the middle. They bail when they realize they don’t have enough cool stuff to fill the pages. They may attempt to add scenes, but become bored, and know readers will be too.

Every book becomes a challenge a few chapters in. Trying to keep up the tension and pace gets harder and harder. But don’t panic or do anything rash, like give up.

What can you do? If you’re one of those people who hasn’t developed an outline, thinking it would just come to you as you muddled through, maybe you should consider backing up and doing one.

An outline to set every scene gives you a blueprint of what will happen next. If the action starts to wane, think about a subplot or introduce tension between your main characters. Maybe there was a misunderstanding, or maybe that one minor character that was suppose to be the good guy, isn’t what he appears. Maybe the butler did it, but nobody knows.

You can have so much fun with subplots. Just keep them believable and resolve them all in the end.

Hope this helped.

Jan R

 

 

Don’t Muddle Through The Middle

Romance, Science Fiction, Mystery….You Should Read Them All

Writing your first novel-Some things you should know, , 8 Comments

Genre.htmI read and write romance novels. I have to admit I’m a hopeless romantic. I just love stories where boy meets girl, you throw in a little conflict (okay a lot), but everything works out in the end, and they live happily ever after.

There’s nothing wrong with romance and wanting the happily ever after. The only thing I’m doing wrong is limiting myself to reading romance novels. I never really thought that much about it, until I read a blog on why I should be reading all genres.

From my perspective, I write romance. I need to know what’s out there and what’s selling. How do other romance authors handle the physical and emotional sides of the relationships?

All of these reasons are valid, and I should be reading romance. But you know what? That novel has a lot more than romance in it. At least it had better have, if I want to keep my readers’ attention.

I may be great at developing a romantic relationship between my hero and heroine, but I had better be able to create the mystery and suspense necessary to keep my readers’ turning the page.

You may be writing a sci-fi novel, but odds are there’s a romance between your two main characters, and no one can explain why the lab assistant is lying on the floor dead, and there’s a  hole in the wall leading into the parking lot.

You can’t just read sci-fi and expect to be a well rounded writer. You might find yourself creating awesome aliens, but lacking when it comes to developing a relationship between the hero and heroine.

Reading different genres will make you a stronger writer. You’ll be introduced to new worlds and situations that would never arise in your typical horror, sci-fi, romance, or fantasy. Reading different genres will open your mind and encourage you to take risks that you may have never considered.

If that’s not enough, Reading different genres will also allow you to read as a reader. Instead of focusing on the author’s style, you can simply enjoy the experience of reading 🙂

Hope this helped.

-Jan R

 

 

Romance, Science Fiction, Mystery….You Should Read Them All

That First Sentence: It Matters!

Writing your first novel-Some things you should know, , 11 Comments

imagesYou want to write a novel, and you have a great idea, but you’re not sure how to start. Everybody knows that first line, that first sentence, is extremely important. It has to be right.

If you’re stuck because of the pressure of crafting the perfect opening line, you’re not alone. And neither is your angst misplaced.

I was reading the blog of one of my favorite authors, Jerry Jenkins, this morning when I ran across this post. I have read it before, but sometimes I think we all just need a refresher. If you’re like me, you have so much information being thrown at you, you can’t possibly retain it all.

Most great opening lines fall into one of four categories.

  • Surprising

Fiction: “It was a bright cold day in April, and the clocks were striking thirteen.”-                George Orwell, Nineteen Eighty-four

Nonfiction: “By the time Eustace Conway was seven years old, he could throw a knife       accurately enough to nail a chipmunk to a tree.”-Elizabeth Gilbert, The Last American       Man

  • Dramatic Statement

Fiction: “They shoot the white girl first.” – Toni Morrison, Paradise

Nonfiction: “I was five years old the first time I ever set foot in prison.” – Jimmy                  Santiago Baca, A Place to Stand

  • Philosophical

Fiction: “Happy families are all alike; every unhappy family is unhappy in its own              way.” – Leo Tolstoy, Anna Karenina

Nonfiction: “It’s not about you.” – Rick Warren, The Purpose Driven Life

  • Poetic

Fiction: “When I finally caught up with Abraham Trahearne, he was drinking beer            with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of      Sonoma, California, drinking the heart right out of a fine spring afternoon. -James              Crumley, The Last Good Kiss

Nonfiction: “The village of Holcomb stands on the high wheat plains of western                Kansas, a lonesome area that other Kansans call ‘out there.'” -Truman Capote, In Cold        Blood.

This link will take you to some more great opening lines, and one of Jerry Jenkins’s blogs. Here’s a list of famous openers.

Hope this helped!

Jan R

That First Sentence: It Matters!