Author: Writing your first novel-Some things you should know

Maybe You Should Consider Biting The Bullet!

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imageI’ve been working on Always And Forever for about nine years now. Well to be honest, I became discouraged on many occasions. Especially when I received rejections from newly solicited agents. I had gone through the novel for the umpteenth time, and I knew I had corrected every little mistake that could have possibly been overlooked during previous reviews. So, it would probably be more accurate to say I worked on the book for nine years off and on. Some of those offs were many months in duration.

I’ve tried to walk away from the book, but I can’t.  It’s a great story waiting to be told. It’s also a thorn in my side. As much as I try to push it away and move on, I find myself drawn back into the story and a desire to see it published.

One of the Agents I sent my work to, said I had a great premise but the story was riddled with grammatical and structural errors, head hopping, and dragging dialogue. It wasn’t ready for publication.

I took her constructive criticism to heart and took courses, read books, and worked on my manuscript feverishly in an attempt to make it publishable. Well here we are Nine years later and I still have a piece of work riddled with grammatical and structural errors, with no head hopping, and forward moving dialogue.

I’ve had friends read my novel and point out mistakes. I’ve used several online grammar programs, but I still have a piece of work with an unacceptable number of grammatical errors. It’s not ready.

A month ago, a lady that I know started an editing business and said she would love to look at my work. As a favor to me, she reviewed and provided corrections to my prologue and first chapter no charge.

I was appalled at the number of errors she cited. I have no idea how I could have missed so many small things. I was seeing for the first time what the literary agents were seeing when they reviewed my work, and I fully understood what the one agent had offered when she said it wasn’t ready.

Needless to say, I have hired her to help me with the rest of the book. It is an expense, but I’ve come to realize that we can’t edit our own work. As authors, we are to close and can’t see what jumps off the page for people with trained eyes.

Maybe it’s time to bite the bullet. And yes I know that’s a cliché,  but it sums up perfectly what I’m trying to say 🙂

Something to think about.

 

-Jan R

 

Maybe You Should Consider Biting The Bullet!

Maybe You Should Rethink That Title

Writing your first novel-Some things you should know1 Comment

Always and forever 3Thinking of a title for your current piece of work? I went to google and typed in the name of  the title I was planning on using for my novel, ‘Always and Forever.’ Two books came up with the same title. I thought that wasn’t too bad, but decided to go to Amazon and type the title in to see always and forever 1what they had. Well, I stopped at ‘Always and Forever’ number 20, and passed quite a few ‘Forever and Always’ along the way.

There isn’t a problem with my choice from a legal perspective. A title can’t be copyrighted, so it’s fair game. The question is, do I want to use a title that is so obviously overused?

One of the pros would be that the first two ‘Always and Forever’ titles I ran across were always and forever 2best sellers. This means people who liked those books, may have a positive view of mine, or at least a curiosity to check it out. What do you think? Would you keep the title or change it?

On a related note, I saw a headline that read-Confused buyers make World War II book, ‘Fire and Fury’ surprise bestseller. I’m not going to get political, but I did find that funny, and since it fell in line with my blog this morning, I thought I would use it 🙂

I’m not sure I want people to buy my book because they confused it with another one. I would hope the back cover description caught their attention, and the novel itself kept them reading.

-Jan R

Maybe You Should Rethink That Title

Do You Have Rewrite-itis?

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I got tickled when I first saw this word. I have to admit, I have dealt with rewrite-itis. What is it? It’s a severe condition that effects both published and unpublished writers according to The Everything Guide To Writing A Romance Novel. It means your are unable to call a book, chapter, or even a scene finished. So what causes the condition? A fear of failure or success. For me it is definitely failure.

What are the symptoms?

  • Rewriting the same scene, chapter, or book more than ten times
  • Never finishing a book, because you keep going back to polish the first chapter
  • Constantly having others read your book with the hopes they will give you some revisions to do
  • Taking your finished manuscript to the post office to mail, only to return home with it in hand for further revision

So what do you think? Do you have a case of rewrite-itis?

Rewrite-itis has a close cousin – Research-itis. Maybe you have that one too. True research is crucial to any novel, but an author needs to know when to say “Enough is enough.”

So what is the cure? Set goals and deadlines and stick to them. Remember your manuscript is your baby, but sooner or later you have to turn it loose.

Just something to think about.

-Jan R

Do You Have Rewrite-itis?

Write A Page Turner!

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images9B8IY8URI love Writer’s Digest. If you’re seriously pursuing a writing career,  you should consider subscribing to the magazine. They have great articles from published authors that cover a multitude of subjects – related to writing of course 🙂

I recently picked up a copy of one of my older publications and reread an article by Jordan Rosenfield on building tension, or I guess I should say, quick tips for infusing scenes with tension.

Dramatic tension relies on the reader’s knowledge that something is about to go down – but the details for how or when have yet to be revealed. To create it, you must:

  • Thwart your protagonist’s goals and delay satisfaction.
  • Include unexpected changes without immediate explanation.
  • Shift power back and forth.
  • Throw in a piece of plot information that changes or alters your protagonist.
  • Create a tense atmosphere through setting and senses.

Tension keeps the reader waiting with baited breath, wondering if the protagonist is going to survive, find love, or achieve his/her goal.

Remember tension keeps your reader turning the page.

Something to think about.

– Jan R

Write A Page Turner!

Are You Giving Your Reader What They Want?

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Book imageSpoiler alert! If you were one of the eight people that read this blog following its previous publication, you are experiencing de ja vu. I thought it was a good blog, but one thing I’ve learned over the last few years, is the title can make you or break you.

It was initially titled ‘Show Don’t Tell’. I guess that sounded kind of boring or maybe just to repetitious. Goodness knows how many ‘Show Don’t Tell’ blogs are out there. So I decided to repost it under a new name 🙂

Here goes!

I can’t count how many times I’ve heard the phrase – show don’t tell. You probably saw the title and questioned even reading this blog. Everybody knows you are suppose to show and not tell. You want the reader to experience the scene as if they are one of the characters walking through the story beside the hero/heroine.

If you’re like me, you understand the expectation, but you don’t really know what to do to make it happen. How do I show and not tell? It’s a lot harder than it seems, or if you’re an overachiever, you’re thinking it’s a lot easier than it seems :-). Once you start writing that novel, you’ll understand what I’m talking about.

There are 5 tools for showing

  • Dialogue
  • Action
  • Interior dialogue
  • Interior emotion
  • Description-Sensory

If you’re doing anything that’s not one of these 5 things, you’re not showing.

Why is it so important to show versus tell? Showing provides your reader with a powerful emotional experience. If you want to be a best selling author, that’s what you have to do.

It doesn’t matter how great you do everything else in that novel, if you’re missing that emotional experience, you lose. If everything you did is bad, but you have a great emotional experience, you may still win.

It all comes down to the take away. Every great novelist will tell you, you have to give your reader that powerful emotional experience, or they wont be coming back.

-Something to think about 🙂

-Jan R

Are You Giving Your Reader What They Want?

Perseverance Is The Key!

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Cb3l1HoVAAEOgtTI wrote this blog a few years ago, but for you newbies who haven’t been around that long, I thought it was worth another go round. Hope this offers some encouragement, and a reminder to never give up. For those like myself who have walked around the block a few times, I hope this puts writing into perspective for you as well. I know how easy it is to become discouraged.

I received two rejections this week, and while they were nice well written form letters, that’s what they were. You know the ones that thank you for considering their agency, and assure you that they will give your work a thorough going over before they make a decision. And then they add, if you haven’t heard from us in two weeks, assume we are not interested, and your work isn’t a good fit for us…

I have to admit besides being a little disappointed, I was skeptical and mad. I’ve put a lot of work into my manuscript. I’ve edited so many versions, that it doesn’t even look like it’s former self.  It really is that much better than the original completed work. So what’s the problem?

I’ve heard over and over not to take it personal. It’s business, and truth be known, it may have nothing to do with your manuscript. If there are no obvious flaws with your work, send it out to other agents. Just because you were rejected by one agent, doesn’t mean you will be by the next.

The New York Times best selling author of “The Help”, was rejected by 60 different agents. You read that right. Her 61st attempt was a success. The book was on the best seller list for the entire year and eventually made into a movie.

So why do books get rejected?

Maybe your manuscript just isn’t ready.

  • The author can’t format, spell, and doesn’t understand grammar. The result is  incomprehensible sentences that leave the reader confused, pulling them completely out of the story.
  • Dragging dialogue, head hopping, poor character development, plot holes, info dumping…
  • Maybe your work isn’t that bad and with competent editing, it’s publishable. Staff editors don’t have the time and sometimes don’t even have the necessary experience to clean your work up. Hire an editor before you send your manuscript out for consideration if self-editing isn’t an option.

Maybe your manuscript is ready but….

  • The agent/agency has an abundance of the genre you just submitted, and they are not accepting anything new in that genre until their inventory decreases.  You really weren’t a fit for what they were looking for.
  • Maybe the agent/publisher reviewing your work is in such a bad mood, they would turn down  Nicholas Sparks “The Notebook”,  even if it was handed to them on a silver platter – twenty four did. Agents make mistakes.
  • Maybe the storyline/subject matter you’re writing about isn’t selling right now. Zombie books are getting old. People want something new.
  • The publisher could literally be in a cash crunch, and no matter how great your book is, they can’t purchase it right now. They have a freeze in place until some books start selling, and they can build up their reserves.

What I’m trying to say, is there are a lot of reasons books get rejected, and they may have nothing to do with your work. I’ve read more than once, that perseverance is the key.

If you have a great, publishable piece of work, don’t give up, submit it to other agencies for review. If you have less than perfect work, roll up your sleeves and get to work. Don’t expect someone to fix it for you. They won’t.

Don’t give up!!!

-Jan R

Perseverance Is The Key!