Maybe You Should Consider Biting The Bullet!

imageI’ve been working on Always And Forever for about nine years now. Well to be honest, I became discouraged on many occasions. Especially when I received rejections from newly solicited agents. I had gone through the novel for the umpteenth time, and I knew I had corrected every little mistake that could have possibly been overlooked during previous reviews. So, it would probably be more accurate to say I worked on the book for nine years off and on. Some of those offs were many months in duration.

I’ve tried to walk away from the book, but I can’t.  It’s a great story waiting to be told. It’s also a thorn in my side. As much as I try to push it away and move on, I find myself drawn back into the story and a desire to see it published.

One of the Agents I sent my work to, said I had a great premise but the story was riddled with grammatical and structural errors, head hopping, and dragging dialogue. It wasn’t ready for publication.

I took her constructive criticism to heart and took courses, read books, and worked on my manuscript feverishly in an attempt to make it publishable. Well here we are Nine years later and I still have a piece of work riddled with grammatical and structural errors, with no head hopping, and forward moving dialogue.

I’ve had friends read my novel and point out mistakes. I’ve used several online grammar programs, but I still have a piece of work with an unacceptable number of grammatical errors. It’s not ready.

A month ago, a lady that I know started an editing business and said she would love to look at my work. As a favor to me, she reviewed and provided corrections to my prologue and first chapter no charge.

I was appalled at the number of errors she cited. I have no idea how I could have missed so many small things. I was seeing for the first time what the literary agents were seeing when they reviewed my work, and I fully understood what the one agent had offered when she said it wasn’t ready.

Needless to say, I have hired her to help me with the rest of the book. It is an expense, but I’ve come to realize that we can’t edit our own work. As authors, we are to close and can’t see what jumps off the page for people with trained eyes.

Maybe it’s time to bite the bullet. And yes I know that’s a cliché,  but it sums up perfectly what I’m trying to say 🙂

Something to think about.

 

-Jan R

 

Maybe You Should Consider Biting The Bullet!

Perseverance Is The Key!

Cb3l1HoVAAEOgtTI wrote this blog a few years ago, but for you newbies who haven’t been around that long, I thought it was worth another go round. Hope this offers some encouragement, and a reminder to never give up. For those like myself who have walked around the block a few times, I hope this puts writing into perspective for you as well. I know how easy it is to become discouraged.

I received two rejections this week, and while they were nice well written form letters, that’s what they were. You know the ones that thank you for considering their agency, and assure you that they will give your work a thorough going over before they make a decision. And then they add, if you haven’t heard from us in two weeks, assume we are not interested, and your work isn’t a good fit for us…

I have to admit besides being a little disappointed, I was skeptical and mad. I’ve put a lot of work into my manuscript. I’ve edited so many versions, that it doesn’t even look like it’s former self.  It really is that much better than the original completed work. So what’s the problem?

I’ve heard over and over not to take it personal. It’s business, and truth be known, it may have nothing to do with your manuscript. If there are no obvious flaws with your work, send it out to other agents. Just because you were rejected by one agent, doesn’t mean you will be by the next.

The New York Times best selling author of “The Help”, was rejected by 60 different agents. You read that right. Her 61st attempt was a success. The book was on the best seller list for the entire year and eventually made into a movie.

So why do books get rejected?

Maybe your manuscript just isn’t ready.

  • The author can’t format, spell, and doesn’t understand grammar. The result is  incomprehensible sentences that leave the reader confused, pulling them completely out of the story.
  • Dragging dialogue, head hopping, poor character development, plot holes, info dumping…
  • Maybe your work isn’t that bad and with competent editing, it’s publishable. Staff editors don’t have the time and sometimes don’t even have the necessary experience to clean your work up. Hire an editor before you send your manuscript out for consideration if self-editing isn’t an option.

Maybe your manuscript is ready but….

  • The agent/agency has an abundance of the genre you just submitted, and they are not accepting anything new in that genre until their inventory decreases.  You really weren’t a fit for what they were looking for.
  • Maybe the agent/publisher reviewing your work is in such a bad mood, they would turn down  Nicholas Sparks “The Notebook”,  even if it was handed to them on a silver platter – twenty four did. Agents make mistakes.
  • Maybe the storyline/subject matter you’re writing about isn’t selling right now. Zombie books are getting old. People want something new.
  • The publisher could literally be in a cash crunch, and no matter how great your book is, they can’t purchase it right now. They have a freeze in place until some books start selling, and they can build up their reserves.

What I’m trying to say, is there are a lot of reasons books get rejected, and they may have nothing to do with your work. I’ve read more than once, that perseverance is the key.

If you have a great, publishable piece of work, don’t give up, submit it to other agencies for review. If you have less than perfect work, roll up your sleeves and get to work. Don’t expect someone to fix it for you. They won’t.

Don’t give up!!!

-Jan R

Perseverance Is The Key!

Speculative, Upmarket, Dystopian?

huhI’ve been reading literary agent biographies and blogs in an attempt to narrow my search and find a few I think would be a good fit for my novel.

While researching, I found myself going on-line and doing searches for words and abbreviations that were totally foreign to me: MG, Dystopian, MS, Upmarket, and so on. I guess I still have a lot to learn.

At any rate, I thought I could save you some time by sharing a list of not so common words and abbreviations that I found during my research.

  • MS:  Abbreviation for manuscript (the plural being MSS).
  • MG:  Middle grade-ages 8-12.
  • YA:  Young adult-ages 12-18.
  • NA:  New adult: features a protagonist 18-25 and focuses on the first struggles of adulthood.
  • Speculative Fiction:  Fiction that encompasses supernatural, fantastical, or futuristic elements.
  • Upmarket:  Fiction with a commercial appeal (book clubs) particularly women’s fiction.
  • Dystopian:  A futuristic, imagined universe, in which oppressive societal control and the illusion of a perfect society are maintained through corporate, bureaucratic, technical, moral, or totalitarian control.
  • Literary Fiction: Serious fiction, style and technique are often as important as the subject matter.
  • Commercial Fiction:  Written with the purpose of attracting as wide an audience as possible. It includes westerns, romance, mysteries, and horror genres.

I’m sure I missed a few. Who knew there were so many different categories?

I guess I’m old school. In my day it was westerns, romance, mysteries, comedies, and horror. Oh yeah, you can throw children books and youth in there as well.

-Jan R

Speculative, Upmarket, Dystopian?

Ask Questions!

imageI have to be honest, I just want an agent to say yes, I will represent you. I’ve had my fill of rejections, but I know, just like anything else in life, you need to do your homework.

Don’t be afraid to ask questions of a potential agent. Knowing the agents expectations in advance of agreeing to work together will help you avoid a nasty breakup.

Find someone who believes in your work, who loves your voice, and whose vision for your future matches your own.

Questions to ask:

  1. Does the agent require a signed agent-author agreement? If so, ask for a copy in advance and review it carefully. Also ask for a copy of the agency clause they will place in the publishing contract.
  2. How does the agent prefer to keep authors informed of submissions?
  3. What happens in the event of the agents death? Verify that the agent has provisions in place to protect your rights.
  4. How many authors does the agent and agency represent?
  5. Does the agent offer editorial feedback? Some authors like for the agent to critique their work.
  6. Does the agent offer career planning?
  7.  Does the agent handle sub-rights, ancillary rights and/or movie rights?
  8. What novels has the agent or agency sold in the past year?
  9. What is the agents normal turnaround time for responding to e-mails and phone calls?
  10. How can the agent-author contract be severed.

There’s no right or wrong answer to these questions with the exception of question 8. The purpose of asking questions is to provide you with the information you need to make  an informed decision and to clarify expectations for yourself and your agent.

Something to think about.

-Jan R

Ask Questions!