I read an article today on the importance of eavesdropping. It reminded me of an online workshop I viewed several years ago.
At the time an agent had responded to a submission I made. One of her concerns was with my dialogue. It was dragging and not moving the story forward.
She was right of course. It was dragging, and doing a lot of other things that I will share in an upcoming blog, but for now I will focus on the importance of eavesdropping.
To write good dialogue, you have to understand the art of conversation. What better way to research and sharpen your skills, than to eavesdrop on conversations going on around you.
Some of the best places to eavesdrop are in restaurants and coffee shops. Take a pencil and pen, or computer, and be prepared to take notes.
The number one rule to eavesdropping, as you may guess, is to be inconspicuous. You may not want to sneak a peak of the conversationalists until after you’ve listened for a while.
Eavesdropping can provide inspiration for your character’s dialogue. Below is a list of things to pay attention to while eavesdropping.
- Notice difference in speech patterns
- Word repetitions
- Voice inflection
- Word choices
- Differences in male and female conversation
- Words that reflect mood
- The lack of sentence structure, poor grammar, such as incomplete sentences
You can tell a lot about a person just by listening to how they talk. Are they educated? What part of the country do they come from? Are they depressed, manic, a busy body, positive, negative, happy, sad, rich, poor, . . .?
Keep in mind that dialogue isn’t conversation, but you could say that conversation is the rough draft of dialogue. Conversation includes ‘uhs’ and ‘you knows’, as you gather and consider your words. Dialogue is direct, to the point, and punchy.