Settings Are More Than a Place – Revisited

When you hear the word setting, you think of a time period and place, but settings do so much more than that.

With sci-fi and historical novels, the setting becomes an important part of the story. The setting doesn’t have to be real but it does have to be believable.

Writing historical novels, do your research and throw in some things that you would expect to see during the time period.

Writing Sci-Fi, you’re creating a world. Your setting needs to be detailed. Help your reader to visualize it. Draw them in.

Settings should be visceral and vivid and allow us to experience the world the author is building as if we are one of the characters within the narrative.

Settings evoke a mood. In horror stories, your description of a haunted house should evoke fear in your readers.  In a mystery, your setting should evoke suspense and curiosity. In a comedy, your setting should evoke laughter or an anticipated thrill.

Settings provide information about your characters. How does their home look? Is it messy, neat, compulsively organized? Do they surround themselves with darkness or light?

Settings can also be used to evoke the passage of time and movement. The saplings we had planted in our youth towered above the two-story house. This was home, at least the house that I remembered.

Who knew there was so much to writing. I hope this evoked thought and helped you better understand the use of settings in your novel.

Something to think about.

-Jan R

Settings Are More Than a Place – Revisited

Narrative Vs. Exposition – Tell Vs. Show

I remember when I first started taking my writing seriously. I did a lot of research and read a lot of information on how to write a publishable novel. Somewhere along the way, I missed the part were narrative and exposition were not the same. As a matter of fact, I used the two interchangeably.

In response to one of my earlier blogs, a fellow blogger commented that she thought I was wrong in reference to a statement I had made concerning exposition and narrative. She, of course, was right, and as a result, I took a closer look at these two concepts.

Narrative

  • Narrative is your voice as the writer sharing information with your readers.
  • It tells the reader instead of showing.
  • Narrative lets you set the scene and give background information.
  • Used for transitions, it moves the reader from one scene to another.
  • It slows the pace.

Exposition

  • Exposition provides the detached, third-party perspective on a story.
  • Shows the reader what is happening, doesn’t tell them.
  • Uses description to inform and move the story forward.
  • Exposition gives the reader more information, more emotion, and helps with active scenes by quickening the pace.
  • Allows us to hear character thoughts.

In a nutshell, narrative is telling, exposition is showing. I found the following example during my research and thought it did a good job of showing what I am trying to explain.

Exposition: Brian stopped and reached into his pants pocket. He pulled out a lighter. Then, he reached into his lapel pocket for his pack of cigarettes and took one out. He placed the cigarette between his lips, cupped his hands, and lit it. After putting his lighter back in his pants pocket, he resumed walking.

Narration: Brian stopped to light a cigarette and resumed walking.

So much info on this subject. It still can be confusing, and it seems everyone has a different opinion. I would encourage you to do your own homework and think twice about using the two concepts interchangeably. They are not the same.

Something to think about.

-Jan R

Narrative Vs. Exposition – Tell Vs. Show

Don’t Leave Your Reader Behind!

I’ve written several blogs patting authors on the back and thanking them for the joy they provide to people like my mom.

She is elderly and can’t go to the places she would like to visit, but my mom loves books. They take her not only to places she would like to go but places she could only go to in her dreams.

Consider this! Your novel is a journey. You aren’t just walking through that journey. You are the tour guide, and you’re taking your reader with you.

When you write that novel, you are doing at least one of several things.

  1.  Taking the reader somewhere they cannot personally go.
  2. Showing your reader new aspects of a place they are already familiar with.
  3. Suggesting a place your reader could not even imagine existed.
  4. Reflecting on places, people, and situations that your reader may be familiar with, but are unable to put into words with your particular expertise.

Enjoy the journey and be cognizant of those who are with you. Remember, they can’t read your mind. It’s your job to put the story in writing and make sure that your reader is following the intended path. You are the guide! You are their eyes and ears!

Something to think about.

-Jan R

Don’t Leave Your Reader Behind!

The Five Tools of Showing

There are 5 tools for showing.

  • Dialogue
  • Action
  • Interior dialogue
  • Interior emotion
  • Description-Sensory

If you’re doing anything that’s not one of these 5 things, you’re not showing you are telling.

Why is it so important to show versus tell? Showing provides your reader with a powerful emotional experience. If you want to be a best selling author, that’s what you have to do.

It doesn’t matter how great you do everything else in that novel, if you’re missing that emotional experience, you lose. If everything you did is bad, but you have a great emotional experience, you may still win.

Every great novelist will tell you; you have to give your reader that powerful emotional experience, or they won’t be coming back.

-Something to think about 🙂

-Jan R

The Five Tools of Showing

Show Don’t Tell!

anton-chekhov-moon-is-shining-quote-630x473.png

I recently entered a writing contest and was surprised to see that most of the negative comments reflected my telling not showing.

While two of the three judges were very complimentary of my work, they joined the one who wasn’t, to point out places where I was telling and not showing.

I thought I could use a refresher on how to show and not tell, and of course, wanted to share it with you.

I can’t count how many times I’ve heard the phrase-show don’t tell. Everybody knows you’re supposed to show and not tell. You want the reader to experience the scene as if they are one of the characters walking through the story beside the hero/heroine.

If you’re like me, you know what you’re supposed to do, but it’s a lot harder than it seems. Once you start writing that novel, you’ll understand what I’m talking about.

There are 5 tools for showing:

  • Dialogue
  • Action
  • Interior dialogue
  • Interior emotion
  • Description-Sensory

If you’re doing anything that’s not one of these 5 things, you’re telling.

Why is it so important to show versus tell? Showing provides your reader with a powerful emotional experience.

It doesn’t matter how great you do everything else in that novel if you’re missing that emotional experience, you lose. If everything you did is bad, but you have a great emotional experience, you may still win.

It all comes down to the takeaway. Every great novelist will tell you, you have to give your reader that powerful emotional experience or they won’t be coming back.

-Something to think about 🙂

-Jan R

Show Don’t Tell!

Break The Rules!

 I have been criticized for touting the rules of writing. The person that criticized my blog was correct to a certain extent. Rules are guidelines, and while mainly true, there are times you should throw that rule book out the window.

I read an article a while back that made me stop and think. It went against everything I had been told, but it also supported everything I had been told. I know that was confusing so I’m going to clear it up for you.

We have all heard show don’t tell. Telling is a sell-out and the result of lazy writing. Right! Wrong!

Showing is the rule of thumb and I support it wholeheartedly. The problem is people who take it literally and want to show everything down to the most minute detail, or those who think you can never tell anything, and of course, that’s simply not true.

If you show every single detail, you will never finish that novel, and your reader will get lost in the minutia.

My husband is always telling me you can’t check your brain in at the door. Of course, he’s referring to my reliance on the GPS in my car, but it relates to every aspect of life.

Rules are great and give us guidelines to follow, but yes, rules are sometimes meant to be broken.

Something to think about.

-Jan R

Break The Rules!

Are You Giving Your Reader What They Want?

Book imageSpoiler alert! If you were one of the eight people that read this blog following its previous publication, you are experiencing de ja vu. I thought it was a good blog, but one thing I’ve learned over the last few years, is the title can make you or break you.

It was initially titled ‘Show Don’t Tell’. I guess that sounded kind of boring or maybe just to repetitious. Goodness knows how many ‘Show Don’t Tell’ blogs are out there. So I decided to repost it under a new name 🙂

Here goes!

I can’t count how many times I’ve heard the phrase – show don’t tell. You probably saw the title and questioned even reading this blog. Everybody knows you are suppose to show and not tell. You want the reader to experience the scene as if they are one of the characters walking through the story beside the hero/heroine.

If you’re like me, you understand the expectation, but you don’t really know what to do to make it happen. How do I show and not tell? It’s a lot harder than it seems, or if you’re an overachiever, you’re thinking it’s a lot easier than it seems :-). Once you start writing that novel, you’ll understand what I’m talking about.

There are 5 tools for showing

  • Dialogue
  • Action
  • Interior dialogue
  • Interior emotion
  • Description-Sensory

If you’re doing anything that’s not one of these 5 things, you’re not showing.

Why is it so important to show versus tell? Showing provides your reader with a powerful emotional experience. If you want to be a best selling author, that’s what you have to do.

It doesn’t matter how great you do everything else in that novel, if you’re missing that emotional experience, you lose. If everything you did is bad, but you have a great emotional experience, you may still win.

It all comes down to the take away. Every great novelist will tell you, you have to give your reader that powerful emotional experience, or they wont be coming back.

-Something to think about 🙂

-Jan R

Are You Giving Your Reader What They Want?

Are You Providing That Emotional Experience? (Revisited)

forbetterforworseimageI can’t count how many times I’ve heard the phrase, ‘show don’t tell’. We all know you’re suppose to show and not tell. Why? You want the reader to experience the scene as if they are one of the characters walking through the story with the hero/heroine.

If you’re like me, you know what you’re supposed to do, but you don’t really understand what to do to make it happen. How do I show and not tell? It’s a lot harder than it sounds. Once you start writing that novel, you’ll understand what I’m talking about.

There are 5 tools for showing:

  • Dialogue
  • Action
  • Interior dialogue
  • Interior emotion
  • Description-Sensory

If you’re doing anything that’s not one of these 5 things, you’re not showing.

Why is it so important to show versus tell? Showing provides your reader with a powerful emotional experience. If you want to be a best selling author, that’s what you have to do.

It doesn’t matter how great you do everything else in that novel if you’re missing that emotional experience, you lose. If everything you do is bad, but you have a great emotional experience, you may still win.

It all comes down to the takeaway. Every great novelist will tell you, you have to give your reader that powerful emotional experience or they won’t be coming back.

Something to think about 🙂

-Jan R

Are You Providing That Emotional Experience? (Revisited)

I Hope Red Ink Runs In Your Veins!

the-doormanYou just finished that first novel or at least you thought you did. Now the work begins. Pull out the pen and start cutting. Hopefully, red ink runs in your veins. You’re going to need a lot of it.

How do you know what to cut? You put a lot of thought into those words, and it all sounds good and provides useful information to help the reader follow what’s going on.

It comes down to two things.

  1.  Is it essential to the story?
  2.  Does it move the story forward?

I love Jerry Jenkins. We all have our favorite bloggers and teachers of the craft. Jerry Jenkins is probably my favorite. Why? Because he’s clear, concise, and easy to follow.  I’m using an example from one of his blogs to help you understand editing. I would encourage you to visit his sight. You won’t be disappointed.

Paige’s phone chirped, telling her she had a call. She slid her bag off her shoulder, opened it, pulled out her cell, hit the Accept Call button and put it to her ear.       

“This is Paige,” she said.

“Hey, Paige.”

She recognized her fiancé’s voice. “Jim, darling! Hello!”

“Where are you, Babe?”

“Just got to the parking garage.”

“No more problems with the car then?”

“Oh, the guy at the gas station said he thinks it needs a wheel alignment.”

“Good. We still on for tonight?”

“Looking forward to it, Sweetie.”

“Did you hear about Alyson?”

“No, what about her?”

“Cancer.”

“What?”

Here’s a good example of how that scene should be rendered:

Paige’s phone chirped. It was her fiancé, Jim, and he told her something about one of their best friends that made her forget where she was.

“Cancer?” she whispered, barely able to speak. “I didn’t even know Alyson was sick. Did you?”

We don’t need to be told that the chirp told her she had a call, that her phone is in her purse, that her purse is over her shoulder, that she has to open it to get her phone, push a button to take the call, identify herself to the caller, be informed who it is.  I think you’re getting the point.

This is a good example of dragging dialogue as well.  It’s not necessary and adds fluff without any real purpose. Don’t distract with minutia. Give the reader the adventure they signed up for when they chose to purchase your book. Take the reader with Paige when she says:

“I need to call her, Jim. I’ve got to cancel my meeting. And I don’t know about tonight…”

Something to think about.

-Jan R

 

I Hope Red Ink Runs In Your Veins!

Show Don’t Tell

anton-chekhov-moon-is-shining-quote-630x473.pngI can’t count how many times I’ve heard the phrase-show don’t tell. Everybody knows you’re supposed to show and not tell. You want the reader to experience the scene as if they are one of the characters walking through the story besides the hero/heroine.

If you’re like me, you know what you’re supposed to do, but you don’t really understand what to do to make it happen. How do I show and not tell? It’s a lot harder than it seems. Once you start writing that novel, you’ll understand what I’m talking about.

There are 5 tools for showing:

  • Dialogue
  • Action
  • Interior dialogue
  • Interior emotion
  • Description-Sensory

If you’re doing anything that’s not one of these 5 things, you’re not showing.

Why is it so important to show versus tell? Showing provides your reader with a powerful emotional experience.

It doesn’t matter how great you do everything else in that novel if you’re missing that emotional experience, you lose. If everything you did is bad, but you have a great emotional experience, you may still win.

It all comes down to the takeaway. Every great novelist will tell you, you have to give your reader that powerful emotional experience or they won’t be coming back.

-Something to think about 🙂

-Jan R

Show Don’t Tell