Don’t Rush To Get Published

If you’re new to the process, you’re going to make mistakes. I’ve made them all. Well, I haven’t tried to self-publish so maybe that was an over-exaggeration, but not by much:-)

Everybody wants to get published. Once my story was written, I didn’t hesitate to send it out. I knew it had a few grammatical errors. There’s no way you can catch them all. That’s what an editor is for – right? My story was so good, or so I thought, an agent would jump on it and make sure mistakes were corrected so it was ready for publication.

Well, that wasn’t exactly what happened. I’ve written numerous posts outlining the errors I made in that first very rough draft. When you begin your writing career, odds are you don’t know what you don’t know.

I received a rejection letter from every agent I submitted to with the exception of one, who I like to think saw a promising new author in that mess somewhere. She rejected my work as well, but praised what was right and pointed out what was wrong.

Her list was long and I was more than a little shocked once I realized how rough that first draft was. She used words like head-hopping, writtenese, and dragging dialogue. That didn’t even count the grammatical and structural errors. You know, the ones the editor was going to correct 🙂

Do your homework and remember, that the first draft is the first draft. Get it done, then get it good.

Something to think about.

-Jan R

Don’t Rush To Get Published

I Hope Red Ink Runs In Your Veins!

the-doormanYou just finished that first novel or at least you thought you did. Now the work begins. Pull out the pen and start cutting. Hopefully, red ink runs in your veins. You’re going to need a lot of it.

How do you know what to cut? You put a lot of thought into those words, and it all sounds good and provides useful information to help the reader follow what’s going on.

It comes down to two things.

  1.  Is it essential to the story?
  2.  Does it move the story forward?

I love Jerry Jenkins. We all have our favorite bloggers and teachers of the craft. Jerry Jenkins is probably my favorite. Why? Because he’s clear, concise, and easy to follow.  I’m using an example from one of his blogs to help you understand editing. I would encourage you to visit his sight. You won’t be disappointed.

Paige’s phone chirped, telling her she had a call. She slid her bag off her shoulder, opened it, pulled out her cell, hit the Accept Call button and put it to her ear.       

“This is Paige,” she said.

“Hey, Paige.”

She recognized her fiancé’s voice. “Jim, darling! Hello!”

“Where are you, Babe?”

“Just got to the parking garage.”

“No more problems with the car then?”

“Oh, the guy at the gas station said he thinks it needs a wheel alignment.”

“Good. We still on for tonight?”

“Looking forward to it, Sweetie.”

“Did you hear about Alyson?”

“No, what about her?”



Here’s a good example of how that scene should be rendered:

Paige’s phone chirped. It was her fiancé, Jim, and he told her something about one of their best friends that made her forget where she was.

“Cancer?” she whispered, barely able to speak. “I didn’t even know Alyson was sick. Did you?”

We don’t need to be told that the chirp told her she had a call, that her phone is in her purse, that her purse is over her shoulder, that she has to open it to get her phone, push a button to take the call, identify herself to the caller, be informed who it is.  I think you’re getting the point.

This is a good example of dragging dialogue as well.  It’s not necessary and adds fluff without any real purpose. Don’t distract with minutia. Give the reader the adventure they signed up for when they chose to purchase your book. Take the reader with Paige when she says:

“I need to call her, Jim. I’ve got to cancel my meeting. And I don’t know about tonight…”

Something to think about.

-Jan R


I Hope Red Ink Runs In Your Veins!