I pray often for my home to be blessed with love, joy, and peace. For those who are wondering, it is. Who wouldn’t want a peaceful stress-free home environment, especially after a crazy day at the office?
However, I don’t want love, joy, and peace, in the novels I read. I want action, adventure, and adversity. Who wants to read a hum drum book about a couple meeting, falling in love, and getting married? That’s sweet, but it’s a little too sweet.
Without conflict, your story is going to be rejected. We all want the happily ever after ending. So make sure you have it, but it’s the conflicts and challenges your couple faces along the way that keeps your reader turning the page.
Keep in mind, conflict shouldn’t be something that shows up at the climax of your novel, you are going to lose your readers before they get that far.
Conflict should be evident in every scene and practically every page. It’s the engine that propels your story forward and keeps your reader engaged.
Most novels have one major conflict, but then each character will have one or two of their own conflicts. All of these conflicts go hand in hand to create an even bigger problem.
When you do introduce conflict, it has to be a natural extension of your plot or your character. The conflict has to be something that prevents your hero or heroine from achieving their goals. It can’t be something you just magically pull out of the air.
It’s okay to have a flat tire or an unforeseen traffic jam that prevents your character from making that all important meeting. Just remember, too many coincidences like these are not directly related to your character or plot and can sound contrived.
One flat tire is acceptable, but if you are going to have more, then you had better find a way to make it a part of your story. Maybe someone is purposely flattening the tires of the main character to prevent them from meeting their goal.
Something to think about.
-Jan R
Are your scenes dead, or do they just need a little get up and go? If you want to turn off an agent, front load your work with backstory and boring narrative.
Am I the only person who has a problem with who versus whom? Fortunately, I don’t use sentences requiring these words that often, but when I do, I become paralyzed. I’m not sure. I usually read through the sentence a few times using both words and pick the one that sounds better to me. There is nothing scientific about that. It simply boils down to preference.
Several years back I was doing a critique on a ladies work, and the number of times she entered his or her, he or she, was distracting and cumbersome. In my write up of suggestions, I recommended she go with the masculine pronoun to refer to either sex.
I like to highlight my mistakes. I guess my thought is, if I’m doing it, there are plenty of newbies out there doing the same thing. I like to think I’m not alone 🙂
Not to long ago I picked up my first completed manuscript, shook off the dust, and began the revision process yet again. I had become discouraged and didn’t want anything to do with the story.
I got tickled when I first saw this word. I have to admit, I have dealt with rewrite-itis. What is it? It’s a severe condition that effects both published and unpublished writers according to The Everything Guide To Writing A Romance Novel. It means your are unable to call a book, chapter, or even a scene finished. So what causes the condition? A fear of failure or success. For me it is definitely failure.
I haven’t sent my work out to writing contests, but I know many unpublished authors have used them as a tool, and they can be an effective avenue for getting noticed.