
Something to think about.
-Jan R

Something to think about.
-Jan R
Iβve been working on Always And Forever for about nine years now. Well to be honest, I became discouraged on many occasions. Especially when I received rejections from newly solicited agents. I had gone through the novel for the umpteenth time, and I knew I had corrected every little mistake that could have possibly been overlooked during previous reviews. So, it would probably be more accurate to say I worked on the book for nine years off and on. Some of those offs were many months in duration.
Iβve tried to walk away from the book, but I canβt. Β Itβs a great story waiting to be told. Itβs also a thorn in my side. As much as I try to push it away and move on, I find myself drawn back into the story and a desire to see it published.
One of the Agents I sent my work to, said I had a great premise but the story was riddled with grammatical and structural errors, head hopping, and dragging dialogue. It wasnβt ready for publication.
I took her constructive criticism to heart and took courses, read books, and worked on my manuscript feverishly in an attempt to make it publishable. Well here we are Nine years later and I still have a piece of work riddled with grammatical and structural errors, with no head hopping, and forward moving dialogue.
Iβve had friends read my novel and point out mistakes. Iβve used several online grammar programs, but I still have a piece of work with an unacceptable number of grammatical errors. Itβs not ready.
A month ago, a lady that I know started an editing business and said she would love to look at my work. As a favor to me, she reviewed and provided corrections to my prologue and first chapter no charge.
I was appalled at the number of errors she cited. I have no idea how I could have missed so many small things. I was seeing for the first time what the literary agents were seeing when they reviewed my work, and I fully understood what the one agent had offered when she said it wasnβt ready.
Needless to say, I have hired her to help me with the rest of the book. It is an expense, but Iβve come to realize that we canβt edit our own work. As authors, we are to close and canβt see what jumps off the page for people with trained eyes.
Maybe itβs time to bite the bullet. And yes I know that’s a clichΓ©,Β but it sums up perfectly what I’m trying to say π
Something to think about.
-Jan R

-Jan R
Thinking of a title for your current piece of work? I went to google and typed in the name ofΒ the title I was planning on using for my novel, ‘Always and Forever.’ Two books came up with the same title. I thought that wasn’t too bad, but decided to go to Amazon and type the title in to see
what they had. Well, I stopped at ‘Always and Forever’ number 20, and passed quite a few ‘Forever and Always’ along the way.
There isn’t a problem with my choice from a legal perspective. A title can’t be copyrighted, so it’s fair game. The question is, do I want to use a title that is so obviously overused?
One of the pros would be that the first two ‘Always and Forever’ titles I ran across were
best sellers. This means people who liked those books, may have a positive view of mine, or at least a curiosity to check it out. What do you think? Would you keep the title or change it?
On a related note, I saw a headline that read-Confused buyers make World War II book, ‘Fire and Fury’ surprise bestseller. I’m not going to get political, but I did find that funny, and since it fell in line with my blog this morning, I thought I would use it π
I’m not sure I want people to buy my book because they confused it with another one. I would hope the back cover description caught their attention, and the novel itself kept them reading.
-Jan R

-Jan R
I got tickled when I first saw this word. I have to admit, I have dealt with rewrite-itis. What is it? It’s a severe condition that effects both published and unpublished writers according to The Everything Guide To Writing A Romance Novel. It means your are unable to call a book, chapter, or even a scene finished. So what causes the condition? A fear of failure or success. For me it is definitely failure.
What are the symptoms?
So what do you think? Do you have a case of rewrite-itis?
Rewrite-itis has a close cousin – Research-itis. Maybe you have that one too. True research is crucial to any novel, but an author needs to know when to say “Enough is enough.”
So what is the cure? Set goals and deadlines and stick to them. Remember your manuscript is your baby, but sooner or later you have to turn it loose.
Just something to think about.
-Jan R

-Jan R
I love Writer’s Digest. If you’re seriously pursuing a writing career,Β you should consider subscribing to the magazine. They have great articles from published authors that cover a multitude of subjects – related to writing of course π
I recently picked up a copy of one of my older publications and reread an article by Jordan Rosenfield on building tension, or I guess I should say, quick tips for infusing scenes with tension.
Dramatic tension relies on the reader’s knowledge that something is about to go down – but the details for how or when have yet to be revealed. To create it, you must:
Tension keeps the reader waiting with baited breath, wondering if the protagonist is going to survive, find love, or achieve his/her goal.
Remember tension keeps your reader turning the page.
Something to think about.
– Jan R

Spoiler alert! If you were one of the eight people that read this blog following its previous publication, you are experiencing de ja vu. I thought it was a good blog, but one thing I’ve learned over the last few years, is the title can make you or break you.
It was initially titled ‘Show Don’t Tell’. I guess that sounded kind of boring or maybe just to repetitious. Goodness knows how many ‘Show Don’t Tell’ blogs are out there. So I decided to repost it under a new name π
Here goes!
I can’t count how many times I’ve heard the phrase – show don’t tell. You probably saw the title and questioned even reading this blog. Everybody knows you are suppose to show and not tell. You want the reader to experience the scene as if they are one of the characters walking through the story beside the hero/heroine.
If you’re like me, you understand the expectation, but you don’t really know what to do to make it happen. How do I show and not tell? It’s a lot harder than it seems, or if you’re anΒ overachiever, you’re thinking it’s a lot easier than it seems :-). Once you start writing that novel, you’ll understand what I’m talking about.
There are 5 tools for showing
If you’re doing anything that’s not one of these 5 things, you’re not showing.
Why is it so important to show versus tell? Showing provides your reader with a powerful emotional experience. If you want to be a best selling author, that’s what you have to do.
It doesn’t matter how great you do everything else in that novel, if you’re missing that emotional experience, you lose. If everything you did is bad, but you have a great emotional experience, you may still win.
It all comes down to the take away. Every great novelist will tell you, you have to give your reader that powerful emotional experience, or they wont be coming back.
-Something to think about π
-Jan R