Why I Enter Writing Contests and You Should Too!

I published this blog a couple of months ago and got little traffic, even though I thought it was one of my most informative blogs to date. Maybe the title wasn’t catchy enough or wasn’t reflecting what I was trying to say. So, I decided to repost under a different name. For the newbies out there, the title does matter.

I entered the ACFW Genesis contest a couple of months ago and received the results from the judges this past week. I did not win, but received a plethora of information that I could use to improve my novel as well as future endeavors.

I’m posting the tally sheet with the middle score and judge who offered the most commentary. Two of the judges really seemed to like my work, and one did not. But I’m leaving that for a future blog post 🙂

They were judging my summary and the first fifteen pages of the novel. Along with the scorecard, they provided commentary on those pages, pointing out the reason I received the scores that I did and ways to improve my writing.

The judges were editors and published authors. They were people with experience. If you’re like me, you’ve had friends and family review your work. While they can tell you if it’s a good story or not, they probably don’t have a clear understanding of the mechanics or expectations a book requires to be published.

It was $35 dollars well spent. I got invaluable information, and a chance to get my work in front of professionals in the field.

The takeaway from their reviews is that it is a great story but needs some polish 🙂

Entry: Ariel’s Revenge

Judge #: GHRJ298 | File Name: 000069014.docx

QuestionScoreComment
Does the entry hold your interest to the end?5.00Yes, I found the summary very interesting! Love that it’s a complex adventure with mystery.
Is the point of view consistent? Are POV changes smooth and logical?5.00Yes, each is well-placed.
Do sensory details (sight, sound, touch, smell, taste) enhance the scenes?4.00It is mostly smell and feel.
Is there a sense of time and place?4.00I can tell by the way they speak and transportation that it’s like the 1700s, but I’m not sure when exactly.
Do the scenes move the story forward?3.00Yes, but Ariel reflects and comments too much and repeats those that they slow down the story and tension. I have pointed this out in the Word doc.
Is there an opening line that immediately hooks the reader into the story?5.00Yes, I like that it starts with Ariel speaking and it gives mystery to why she’s doing what she’s doing that I want to keep reading to find out.
Is the writing fresh and original?4.00Mostly, it just gets weighed down by all the commentary and repetition. I’d like to see some beautifully written lines. But the POVs do have personality.
Does the writer utilize showing and telling?4.00Mostly so.
Is the author’s voice distinct?4.00Mostly because of the strong personalities of POVs.
Do you get a strong sense of what the story will be about?5.00Yes, and not just because of the summary. I can tell her plans won’t work out the way she’d like, that Blake will butt heads with her but they will fall in love, and that her step-uncle will be hot on her trial and catch up to her and reveal who her father really was and how he was murdered.
Does the author have a command of the elements of grammar, punctuation, and spelling?5.00Yes. There were only like 3 places that needed fixing.
Does the manuscript reflect Christian worldview? Are the story and plot elements compatible with the genre category?5.00Yes, although, so far, it is only Ariel who prays and exudes Christian-like attributes.
Is the dialogue between characters strong, revealing plot and emotion in a way that creates tension? Does it help move the story forward?4.00Yes, but I’d like for Ariel to have someone like her handmaid help her escape just so she has some real dialogue and someone to talk to. I get that she’s on her own, but her scenes feel very isolated.
Are the characters’ voices distinct and appropriate for the setting (time period or scenario?)4.00Mostly so. They each speak in a way and use terms for that time period. There were only a few lines that didn’t seem to fit the way they are worded.
Is the narrative necessary and well-placed with the dialogue?5.00Yes, each POV comes across as well-placed with strong motives and something to add to the story.
Are character motivations powerful enough to create sufficient conflict?4.00Yes, however, I know the most about the antagonist, her step-uncle, in what he wants and why and how he’s going to get it and what stands in his way. I only know that Ariel doesn’t want to marry him but not really what she thinks about marriage or what she wants for herself or even how she plans to clear her father’s name. I know that Blake wants to avenge his fallen comrades and get to what really happened that night, but so far I do not get the sense from what I know from the summary that he’s a rake. I’m not sure what he wants exactly or why he’s a spy.
Is the tension and conflict discernable enough to tell what the story will be about?4.00Yes, although if Ariel, Blake, and Charles’s motives were clearer, we’d have more specific conflicts.
Is the goal and purpose of the main character identifiable? Do you get a sense of what he/she wants?4.00Mostly, see my explanation above about their motives.
Do secondary characters contribute to the story?4.00Yes, they add important dialogue and tension.
Do characters’ emotions seem believable by providing understandable motive?5.00Yes, I get a sense of urgency from Ariel, sadness from Blake, and anger from Charles.
Total Score:87.00 

Hope this helps someone.

-Jan R

Why I Enter Writing Contests and You Should Too!

Writing a Proposal!

Writing a proposal sounds easy enough. I recently sent out queries for my second novel and received a request for a complete proposal. No problem. At least that’s what I thought. I’ve sent out proposals before and I had all the information saved. All I had to do was cut and paste.

Well, I got that one wrong. Something to keep in mind, different agents have different requirements. One agent’s idea of a proposal is completely different from another’s idea. Read their submission requirements before you respond.

This is not the time to be cute. If they are asking for a complete proposal, you piqued their interest. You don’t want to blow that by ignoring their request and providing what you think will give you the best shot. Your proposal idea will more than likely end up in the trash. You just proved to that literary agent/publisher, that you either can’t follow instructions or are going to be difficult to work with. Give them what they want!

So, what did my literary agent request in the proposal?

The Hook – 50 words or less. It was to include a concise summary and why a reader should buy the book. 50 words!

Synopsis – A summary of the story 1-2 pages long with a clear presentation of the plot outline and action. That was an easy one. A definite cut and paste 🙂

Market – Who will buy the book? How can you contribute beyond your circle of friends? Do you have a blog or website where you can post a teaser chapter? This is where the platform comes in. Most of us have a twitter or Facebook account, which is good, but be prepared to explain how far your reach is. Start that blog and work on building your platform.

Uniqueness – What makes your book different from other novels out there? Name 3-4 similar titles. Easy enough, you just need to be prepared to explain.

Author Creds. – What qualifies you to write this novel? Education, Journalism, or Writer training? Research? Reading patterns? A short biography about yourself in relation to your work.

Characters – A list of the key characters with brief descriptions. Probably the easiest question of them all to answer. You wrote the book. You know your characters, so just spit it out 🙂

Expanded Table of Contents – I definitely didn’t see this one coming, and it was probably the hardest for me to complete. What the agent wanted was a two to three sentence summary of each chapter. Well, I have 26 chapters in this novel and if that isn’t bad enough, I had no idea how I would break a chapter into 2-3 sentences when there was so much going on.

Why do literary agents need all of this information? If they accept you as a client and are presenting your work to a publisher, they need to be able to pitch your premise and support its marketability.

Something to think about.

-Jan R

Writing a Proposal!

Sentences – Length and Cadence Matter!

When you’re writing, you need to mix things up.  You don’t want to be the one that puts your reader to sleep.

You know what I’m talking about. We’ve all had teachers or sat through sermons that literally put us to sleep. How embarrassing! You can’t hide the little jerk of the head when you catch yourself and attempt to shake it off. You know what I’m talking about.

There are many different things you can do to add a little excitement and keep your reader’s attention, but one thing you have to avoid is monotony. Change those sentences up.  Use structure and length for change of pace to slow down or speed up your prose.

WHAT NOT TO DO!

Suzie entered the boutique. She looked around for dresses. She walked over to the semi-formals. The store owner said hello. She picked the one she liked. She walked over to the counter. The owner rang her up. She handed her the money. She left with a smile.

Now there’s a lot of things wrong with this paragraph from the style perspective, but there are no grammatical or structural errors, I hope :-). It has strong verbs and nouns. They are both good and necessary elements, but something isn’t quite right.

It’s a string of segregated sentences that can stand on their own. It’s also composed of sentences similar in length and cadence.

You need to vary the length. Change the beat every now and then. 7-14 word sentences are recommended as they feel more natural. Nobody talks like that paragraph was written. Well, nobody except that boring teacher or preacher that put you to sleep 🙂

By the way, did you finish reading that short paragraph? 🙂

Something to think about.

-Jan R

Sentences – Length and Cadence Matter!

Settings Are More Than a Place – Revisited

When you hear the word setting, you think of a time period and place, but settings do so much more than that.

With sci-fi and historical novels, the setting becomes an important part of the story. The setting doesn’t have to be real but it does have to be believable.

Writing historical novels, do your research and throw in some things that you would expect to see during the time period.

Writing Sci-Fi, you’re creating a world. Your setting needs to be detailed. Help your reader to visualize it. Draw them in.

Settings should be visceral and vivid and allow us to experience the world the author is building as if we are one of the characters within the narrative.

Settings evoke a mood. In horror stories, your description of a haunted house should evoke fear in your readers.  In a mystery, your setting should evoke suspense and curiosity. In a comedy, your setting should evoke laughter or an anticipated thrill.

Settings provide information about your characters. How does their home look? Is it messy, neat, compulsively organized? Do they surround themselves with darkness or light?

Settings can also be used to evoke the passage of time and movement. The saplings we had planted in our youth towered above the two-story house. This was home, at least the house that I remembered.

Who knew there was so much to writing. I hope this evoked thought and helped you better understand the use of settings in your novel.

Something to think about.

-Jan R

Settings Are More Than a Place – Revisited