You’re an aspiring author. Your ultimate goal is to find a great agent and get published. Who doesn’t want to be the author of that blockbuster book/movie of the year with a million-dollar payout?
Newbies have a tendency to set unrealistic expectations. I’m not saying you won’t achieve your goal, but odds are, you’re going to have to start at the bottom and work your way up like the rest of us.
I’m not trying to discourage you. You can do this. I’m just trying to help you set realistic goals. I want you to be prepared not only for success, but the failures that you will most likely incur along the way.
There are some things you can and should be doing as you build your platform and prepare that first novel for publishing.
Some things to think about 🙂
I think you get the picture 🙂
Your main characters may need some work, but for this particular blog I would like to focus on those ‘fly by’ characters that step into your novel, do what you want them to do, and then disappear never to be heard of again.
I received a critique a while back in regards to four minor characters in my novel. “A lot of new characters have been introduced, and they all run together in my mind. I think more time needs to be spent developing these characters as individuals rather than some generic group of friends.”
The lady that provided the critique was right. I didn’t provide any description of these characters. Except for the fact that they had names, you would have had no idea which one I was using in the scene. I didn’t think descriptions were necessary. They served one purpose and one purpose only. They did their job and disappeared.
Well shortly after receiving the critique, I bumped into an article on Minor Characters in the Writers Digest I was reading. Maybe somebody was trying to tell me something.
According to Elizabeth Sims, who wrote the article, if the person is important enough to exist in the world of your story, let your readers picture that existence.
When you introduce minor characters, you should have one or better two details. He was as wide as he was tall, and talked with a lisp.
Even characters who exist in passing should exist in the readers eye. For a literally glancing description, make it visual. The freckle faced boy stuck his tongue out at us, then turned to go inside.
If you have a group-Pan the crowd and then zoom in. Give one or two details describing them all, and then move in to one person as the representative. The demonstrators walked down Main street waving their signs and shouting obscenities. “Where is Mayor Blackman? ” shouted a tall, gray haired man at the front of the line.
Something to think about 🙂
One of my favorite posts deals with ‘ing’ words. They’re there. Sometimes they take over your story without you even realizing it, and other times they get lost in the background. Take a closer look at your prose. Especially in those areas that aren’t reading as smoothly as you would like. Maybe you will discover you are having a love affair with ‘ing’. These ‘ing’ words are all over the place.
Once I discovered my love affair with ‘ing’, I stopped the revision process and did some research on ‘ing’. I remembered reading somewhere, that the overuse of ‘ing’ words was not a good thing.
Opportunities to overuse the ‘ing’ word are boundless. There are nouns, adjectives, verbs, and even verbs masquerading as nouns called gerunds, all ending in ‘ing’.
So what’s the big deal? What’s wrong with ‘ing’ words?
The overuse of ‘ing’ words mark you as an amateur – Don’t be alarmed if you see more than a handful on one page. Do take a closer look if you see more than a handful in a single paragraph.
While wrapping a soothing sling around the fledgling’s broken wing, Diana was humming, dreaming of her prince charming. Yet troubling thoughts about his depressing friend Starling kept intruding, interrupting her very entertaining daydreams. There was something intriguing and alarming about him.
‘ing’ verbs weaken your writing and make it clumsy and hard to read . Abigail was walking along the bike trail. There was a boy riding his bike. He was smiling up at her as she passed. She started wondering what the boy was so happy about.
Abigail walked along the bike trail. A boy smiled at her as he rode passed. She wondered what he was so happy about.
Starting a sentence with an ‘ing’ word is the weakest way to begin a sentence.
Hitting the thug in the face with her purse, Josie reached for her phone.
Josie hit the thug in the face with her purse and reached for her phone.
To identify overuse of ‘ing’ words in your writing, try this:
Once you identify ‘ing’ words, replace weak or common ones with specific, stronger word choices. Your writing will become more concise, clear, and engaging.
Remember, not all ‘ing’ words are bad. The issue is whether or not you have made the best word choice.
So much info on the internet. You get the cliff notes. Hope they help, or at least get you thinking 🙂
Need I say more 🙂
Something to think about.
What’s the draw? What makes you pick up a book and proceed to the next step? Most likely the first thing that catches your attention is the cover. At least that’s the first thing I notice. I do look at the title, but unless it’s something totally overboard, it doesn’t stop me from taking the next step.
I was at a discount store this past week looking at books. An employee had put the price tag over the face of the heroine on a book that I was interested in purchasing. I couldn’t believe it. I wanted so bad to yank that tag off.
The cover matters, and yes, that tag could have been a deal breaker. I did see enough of the cover to know that it was an inspirational romance set in the civil war era. That was a plus and enough to encourage me to read the back cover to determine the premise of the story.
I know some people read the first couple of pages, but I have to admit that is not something I do when determining my selection. Maybe I’m shallow. I have no doubt I have missed out on a lot of great books because the cover failed to get my attention.
I can tell you this, the process of determination I use to choose a book appears to be the norm based on my observations of others in book stores. The author’s name may catch a customer’s attention, but when they pull that book off the shelf, they look at the cover and then read the summary on the back before deciding to purchase.
Just something to think about as you prepare to publish your work. What’s important to you. What compels you to choose one book over another?