Write with your reader in mind. You want to keep things simple: no over the top flowery sentences, that belong in poetry, not in a novel, no run on sentences that are a paragraph long, or clumsy writing that is hard to understand.
When you write this way, you are making your reader aware. Aware of what you might ask? Your writing. You don’t want your reader cognizant of the fact that they are reading a book, you want them intensely focused on the story to the point they are walking beside the characters and experiencing their every emotion.
You want them to continue reading until the end, accepting every coincidence and slightly questionable story line written. We often refer to this as suspension of disbelief. If the reader is focused on the story and not the writing, they will accept most of what you throw at them without stopping to question it.
Remember: Clumsy writing that’s hard to understand, makes readers aware. Keep it simple-transparent writing keeps words from getting in the way.
-Jan R
I think I’m ready to present my book to literary agents again. I’ve made numerous revisions and had it reviewed one last time by a beta reader- to make sure it flows and there are no plot holes. I have to admit I’m a little anxious, but this time around I know I am presenting a well written, publishable piece of work.
Writing dialogue isn’t as straight forward as it would seem. It was one of the areas I was dinged on when I first submitted my manuscript. According to a literary agent, my dialogue dragged. Basically I wrote out conversations just like real people talk. After taking a few classes and looking at published authors’ work, I did get a grasp of what the literary agent was saying. My dialogue was weighing the story down and offering unnecessary detail. It caused everything to come to a stop.
I was reading How to Write Best-Selling Fiction a little while back, when a chapter jumped out at me, and I couldn’t help but smile. It was totally me. I’m ashamed to admit my naivety, but it was like I was reading my story.
I’m preparing to send my manuscript out to literary agents again. This is the second time it is going out, the first time resulted in rejections, so I have to admit I’m a little apprehensive.
Enough already! At least that’s how I feel sometimes. I’ve been through my book more times than I can count. In my own defense, no one taught me how to write. I had a great story idea and decided to give it a whirl.
At this point in the game, you probably know what a dialogue tag is. It is a phrase placed at the beginning, middle, or end of a quote, to identify the speaker.
I wasn’t an English major, but I never had an issue with stringing words together and making a coherent, easy to read sentence. I know most of the rules, but I also know those rules are meant to be broken, especially if you are writing fiction.
Do your characters have their own voice or do they sound the same? I had a critique partner tell me that she couldn’t distinguish characters in my manuscript based on dialogue. They all sounded the same. If I hadn’t provided a dialogue tag, she would have had no idea which character was speaking. She was right.
What is on-the-nose writing? It’s prose that mirrors real life without advancing your story. No one chooses to write this way. It has nothing to do with your ability to put together a sentence, paragraph, or scene. Even pros have a hard time with it.
Writing your first novel-Things you should know 