
If you’ve been writing for a while, you probably know what POV is. You also know what head-hopping is. Something I did regularly when I first started writing. I’ll give you a brief summary anyway. Bear with me. There may be newbies reading this blog.
POV (Point of view) is the perspective from which a story is told. You have three choices.
First Person – From the “I” perspective. I enjoy this POV, but it limits the information you get, since the entire novel is from one person’s perspective. It is actually narrated by a character within the story using “I” or “we”.
Second Person – From the “You” perspective. The narrator is speaking directly to the reader, using pronouns such as “you” and “your”. This point of view is less common. I must admit, I’ve never read a novel from this perspective, so I can’t comment on its effectiveness.
Third Person – From the he/she/they perspective. My preferred and easiest to manage, at least from my point of view:-) This one can be broken down further to limited or omniscient. I choose to work with limited. This perspective focuses on one character’s perspective at a time. It will jump back and forth between characters throughout the story. Just remember you can be in only one head per scene. If you start jumping back and forth in the same scene, you’re head hopping, a sure sign that you are a beginner and have no idea what you’re doing. I’m guilty of this one 🙂
Now that we’re caught up, let’s look at Deep POV. Why? Because I recently got dinged for my POV, and I’m having to do a little research to understand what I can do to get even deeper into my character’s head.
Editor’s comment to me-
“You’re a talented writer, and you’ve created a strong connection between the reader and Ariel. When you learn and employ the elements of Deep POV. This is a real winner.’
For Deep POV, you want the reader to experience each situation through the character’s POV, not just read about them, but take every step, see every object or obstacle, feel every emotion, smell every flower.
Key Techniques to remember to stay in Deep POV:
Eliminate Filter Words: Remove words that distance the reader from the character’s experience. Saw, heard, felt, thought, believed, knew.
Show Don’t Tell: Present the character’s physical reactions and internal monologue.
Use Character Voice and Language: You are creating this character, and you know them better than anyone. Just remember to stay within your creation’s specific vocabulary, slang, opinions, and worldview.
Interact with the Setting: Have the character engage with their environment rather than just describe it objectively.
Balance internal and external responses: While focusing inward, you still have to show your character reacting to external events and people.
Hope this helped you with the Deep POV. I got most of my information from Writer and YouTuber Brandon McNutty: How to Use Deep POV in Your Writing. If you’re having the same problems I am, you may want to check him out.
Thanks for stopping by.
-Jan R


Ninety-nine out of one-hundred new writers make the same major mistake. I know I did. They fail to plunge their hero or heroine into trouble at the beginning of the novel. If you don’t pique the interest of your reader from the start, they won’t make it through the first chapter.
Whenever you write, you should aim for maximum simplicity. You want tight writing with no redundancies, flowery language, or longer than necessary words. Shun pretentious writing. It exposes your inexperience.
While I’ve been around for a little while now, I certainly don’t consider myself an expert. I consult the experts, and research everything I write to ensure I don’t spread inaccurate information.
If your hero is drinking sake in Tokyo, you better know which hand he should use to hold the cup; and when he is sunning on the beach at Cape Cod, remember that there won’t be any palm trees-Dean R. Koontz
Am I a writer? You ever ask yourself that question? I do, and am still hesitant to tell people I write. I’ve never published a book. I’ve never been paid to write anything. As a matter of fact, my work was rejected because it wasn’t good enough. Side note-it really wasn’t good enough-I just didn’t know it at the time. I was too new to the game to know any better.
On more than one occasion I have declared my love affair with the word ‘had’. When you use a word so many times it jumps off the page, you have a problem. It doesn’t matter if the word is used correctly or not. You need to find another way to write the sentence without using ‘the word’. In my case that word is ‘had’.
About six months ago, I wrote this blog as a thank you for all the hard work you do as a writer. I wanted to make sure that you understood just how important your job is. You may be locked away in a room by yourself, but your work touches a multitude of people from all walks of life.
When I was growing up we were very poor. My father was killed in an accident when I was 12, leaving my mom with 6 children to raise on her own. Needless to say, we were not going to Disney World any time soon. As a matter of fact, my world would have been pretty bleak, if it hadn’t been for my love of reading and the numerous novels that took me on adventures far and beyond anything I could have ever imagined. I remember my first novel was ‘King Arthur’, pretty heavy for a kid, but I loved it.