What’s Deep POV

If you’ve been writing for a while, you probably know what POV is. You also know what head-hopping is. Something I did regularly when I first started writing. I’ll give you a brief summary anyway. Bear with me. There may be newbies reading this blog.

POV (Point of view) is the perspective from which a story is told. You have three choices.

First Person – From the “I” perspective. I enjoy this POV, but it limits the information you get, since the entire novel is from one person’s perspective. It is actually narrated by a character within the story using “I” or “we”.

Second Person – From the “You” perspective. The narrator is speaking directly to the reader, using pronouns such as “you” and “your”. This point of view is less common. I must admit, I’ve never read a novel from this perspective, so I can’t comment on its effectiveness.

Third Person – From the he/she/they perspective. My preferred and easiest to manage, at least from my point of view:-) This one can be broken down further to limited or omniscient. I choose to work with limited. This perspective focuses on one character’s perspective at a time. It will jump back and forth between characters throughout the story. Just remember you can be in only one head per scene. If you start jumping back and forth in the same scene, you’re head hopping, a sure sign that you are a beginner and have no idea what you’re doing. I’m guilty of this one 🙂

Now that we’re caught up, let’s look at Deep POV. Why? Because I recently got dinged for my POV, and I’m having to do a little research to understand what I can do to get even deeper into my character’s head.

Editor’s comment to me-

“You’re a talented writer, and you’ve created a strong connection between the reader and Ariel. When you learn and employ the elements of Deep POV. This is a real winner.’

For Deep POV, you want the reader to experience each situation through the character’s POV, not just read about them, but take every step, see every object or obstacle, feel every emotion, smell every flower.

Key Techniques to remember to stay in Deep POV:

Eliminate Filter Words: Remove words that distance the reader from the character’s experience. Saw, heard, felt, thought, believed, knew.

Show Don’t Tell: Present the character’s physical reactions and internal monologue.

Use Character Voice and Language: You are creating this character, and you know them better than anyone. Just remember to stay within your creation’s specific vocabulary, slang, opinions, and worldview.

Interact with the Setting: Have the character engage with their environment rather than just describe it objectively.

Balance internal and external responses: While focusing inward, you still have to show your character reacting to external events and people.

Hope this helped you with the Deep POV. I got most of my information from Writer and YouTuber Brandon McNutty: How to Use Deep POV in Your Writing. If you’re having the same problems I am, you may want to check him out.

Thanks for stopping by.

-Jan R

What’s Deep POV

Narrative Do’s and Don’ts

You would think by now I would have this one figured out, but maybe not. The last contest I entered had a recurring theme from the judges. You have to show and not tell. I thought I was showing, well turns out I was telling with action. Yes, narrative can move a story forward or stop it abruptly, depending on how you use it. And while narrative is not always bad, the rule of thumb is show not tell.

Now back to Narrative Do’s and Don’ts

Narrative. Should I or shouldn’t I? We all know the unspoken rule of writing. And for those who need a reminder, it’s show don’t tell. With this being said, there are legitimate reasons for using narrative and there are legitimate reasons for not using narrative.

Dos and Don’ts

  • Do – use Narrative to speed through scenes that aren’t important but relevant to the storyline.
  • Do – use Narrative to slow the pace after an intense scene to allow your reader to catch their breath.
  • Do – use Narrative to show the passing of time.
  • Don’t – Narrative can sound like lecture if not done properly. Someone interrupted the story to give a speech.
  • Don’t – Narrative summary can make it unclear whose POV you’re working in.
  • Don’t – Narrative runs the risk of robbing scenes of their power. It summarizes everything and important scenes aren’t allowed to play out.

So, there it is. There is much more to Narrative that I’m not getting into today, but hopefully this short blog gives you something to think about. Narrative is an important tool in writing when used correctly, but can be your downfall if used incorrectly.

Something to think about.

-Jan R

Narrative Do’s and Don’ts

How Do I Show and Not Tell?

A simple question with what should be a simple answer, but I can tell you it’s a lot harder than you think. I did major revisions on my current novel and entered it in a contest expecting rave reviews. Well, at least good ones. All three judges came to the same conclusion. I was telling far more than I was showing.

While some narrative is necessary, it shouldn’t be front loaded, and it should be balanced with dialogue and action.

Jerry Jenkins, one of my favorite blogger/mentors in the writing arena, said show don’t tell is a hard concept for most new writers to grasp, but once you’ve got it, you’ve got it.

I agree with him totally and am in the process of revising my manuscript to show not tell again 🙂 One thing to keep in mind while writing, just because there’s a lot of action doesn’t mean you’re showing. A mistake I made.

Exxample:

John’s horse’s hoofs seemed to take flight as it ran for safety. (A lot of action there and a pretty sentence too, but I’m telling.)

John held on tight, as his hips ached, and his teeth rattled from quick repetitive thumps on the saddle. What spooked my horse?

The second sentence may not be perfect 🙂 but I hope it helps you understand show not tell. Just because your sentences are packed with action, doesn’t mean they are showing. Get into your character’s head. What are they feeling? What are they thinking? What are they seeing?

I thought I could use a refresher on how to show and not tell, and why it’s so important. Of course, I wanted to share it with you.

I can’t count how many times I’ve heard the phrase-show don’t tell. Everybody knows you’re supposed to show and not tell. You want the reader to experience the scene as if they are one of the characters walking through the story beside the hero/heroine.

If you’re like me, you know what you’re supposed to do, but it’s a lot harder than it seems. Once you start writing that novel, you’ll understand what I’m talking about.

There are 5 tools for showing:

  • Dialogue
  • Action
  • Interior dialogue
  • Interior emotion
  • Description-Sensory

If you’re doing anything that’s not one of these 5 things, you’re telling.

Why is it so important to show versus tell? Showing provides your reader with a powerful emotional experience.

It doesn’t matter how great you do everything else in that novel if you’re missing that emotional experience, you lose. If everything you did is bad, but you have a great emotional experience, you may still win.

It all comes down to the takeaway. Every great novelist will tell you, you have to give your reader that powerful emotional experience or they won’t be coming back.

-Something to think about 🙂

-Jan R

How Do I Show and Not Tell?

Pique Their Interest!

1e7cba28f25210164154825f3d16c176Ninety-nine out of one-hundred new writers make the same major mistake. I know I did.  They fail to plunge their hero or heroine into trouble at the beginning of the novel. If you don’t pique the interest of your reader from the start, they won’t make it through the first chapter.

This was one of the issues with my novel. It started out slow. I thought I needed to provide some background information prior to introducing conflict. If my reader would hold on for the first few chapters, they would get to an amazingly interesting story.

Well that might have been true, and I may have been exaggerating a little, but the fact that I failed to start the story with interest and intrigue, resulted in rejections of my novel.

Editors and agents are readers too. When they read your submission, they expected to be gripped and held within the first three pages. If you don’t grab them in that first one thousand words, your manuscript is tossed to the side.

What! You can’t believe they would do that? It’s a great novel and they just need to hold on a little longer. Well it may be a great novel, but they will never know. You have to start out with the good stuff and not expect them to navigate the swamp to get to it.

Published authors think it’s a mistake to believe you have three pages to get your reader’s attention. A wise novelist will approach each book with the goal of proving himself within the first page.

Something to think about.

-Jan R

 

 

 

Pique Their Interest!

Keep It Simple

fewer-wordsWhenever you write, you should aim for maximum simplicity. You want tight writing with no redundancies, flowery language, or longer than necessary words. Shun pretentious writing. It exposes your inexperience.

I borrowed the following example from a class I am taking through Udemy. It does a great job of showing what I am trying to explain. If you haven’t checked Udemy out, I would highly recommend their classes. They are informative, interesting, and very easy to follow, and are a fraction of the cost of most sites I’ve visited. Now back to my blog and the example 🙂

The specific point I am trying to make is that the colors red and gray go well together.

The point I am trying to make is that the colors red and gray go well together.

My point is that the colors red and gray go well together.

The colors red and gray go well together.

Red and gray go well together.

Red and gray match.

I’m sure if you take each of these sentences one at a time, you can follow the process of deletion. The first sentence is dull and tiresome, while the last one is a strong vivid statement.

Practice this technique by looking at your own sentences. Do you have any unnecessary fat? What words can you cut?

Redundancies? These are twin words written side by side. They mean the same thing and one of them needs to go.

  • sum-total
  • unexpected-surprise
  • joint-collaboration
  • future-plans
  • new-record (as in sports)

Implied words? These are also unnecessary because they are implied.

  • nodded-her head (what else would she nod?)
  • shrugged-his shoulders (what else would he shrug?)
  • ran-speedily (how else would you run?)
  • yelled-loudly (how else would you yell?)

Long words versus short words

  • utilize – use
  • deployed – sent
  • confiscated – took/seized

Remember, short words quicken the pace, they don’t weigh the sentence down, and are easier for your reader to process.

I would caution that there are times when those long flowery words are the best choice. Before you start cutting, make sure you haven’t compromised clarity or elegance. You don’t want a string of choppy sentences.

Hope this helped 🙂

-Jan R

Keep It Simple

You Can’t Believe Everything You Read

tumblr_ls7n23WrgF1r1ejbco1_500While I’ve been around for a little while now, I certainly don’t consider myself an expert. I consult the experts, and research everything I write to ensure I don’t spread inaccurate information.

As a new writer, we don’t always know if what we are reading is fact, fiction, or opinion. We are hungry for information that is going to help us become better writers, and more importantly, that is going to help us become successful and published.

When I began this journey, I was literally starting from scratch. I assumed like many of you, that anybody could write a novel. I had a great idea and put pen to paper, or I guess I should say fingers to keys.

It wasn’t until I submitted it to agents, that I discovered there were rules on POV, writing dialogue, plotting, use of description, setting scenes… I needed information. I needed accurate, easy to understand information from someone who knew what they were talking about.

I opened my computer and began typing. If it’s on the internet, it has to be correct, right? That’s what most of us think, at least that’s what I thought. If I was having problems with dialogue, one of my weaknesses,  I would type in dialogue and go for it. There were so many articles and blog posts to read. While most offered invaluable information, I would occasionally run into one that lead me astray, or left me more confused than I was before I started my research.

I feel like I’m rambling today, but my aim for this particular blog is to caution new writers. Just because something is written on-line, doesn’t mean it’s correct. Choose your sources wisely. Do your research. There is a lot of useful information out there, but you will occasionally run into something that is inaccurate, or so ambiguous you are left more confused than you were when you started your research.

My husband is always saying technology is wonderful. You have the world at your fingertips, but you can’t check your brain in at the door.

Something to think about.

-Jan R

 

 

You Can’t Believe Everything You Read

Fact or Fiction?(Revised)

_shannon-wheeler-stop-fact-checking-my-story-new-yorker-cartoon-2If your hero is drinking sake in Tokyo, you better know which hand he should use to hold the cup; and when he is sunning on the beach at Cape Cod, remember that there won’t be any palm trees-Dean R. Koontz

You can’t get away with faking background information. If you fabricate a lot of facts on a wide variety of subjects, your readers will catch on.  I know it’s your story, and it’s fiction, but unless you are writing science fiction that involves creating your own world, you better stick to the facts when it comes to background.

Every time a reader knows that you are faking a bit of background information, your credibility slips a notch. When your credibility slips two, three, or four notches, you will lose that reader.

No one is saying that you have to limit your story to places/things that you know, but if you are going to step into unfamiliar territory, you had better do your homework.
There is so much information available, that there is no reason why you can’t write about any country you never visited, canoe making, basket weaving, or the floor plan for Biltmore house. I think you get the gist of where I’m going with this, but keep in mind that very few reference books are perfect.

If you do have to research certain topics, cross-check every piece of information, using two and preferably three sources.

Firsthand knowledge of background information is always more desirable than second hand. There is no better way to learn the sound, texture, smell, and look of  a place or thing, than when you experience it firsthand, but if you are diligent in your research, you can make your background come alive.
-Jan R

Fact or Fiction?(Revised)

Am I A Writer? (Repost)

 

writerAm I a writer? You ever ask yourself that question? I do, and am still hesitant to tell people I write. I’ve never published a book. I’ve never been paid to write anything. As a matter of fact, my work was rejected because it wasn’t good enough. Side note-it really wasn’t good enough-I just didn’t know it at the time. I was too new to the game to know any better.

Becoming a writer is a process. You may have the desire and a great idea, but if you’re just starting out, you lack the skills and knowledge necessary to produce a successful piece of work.

Think of it like anything else you try for the first time.  Did you start out knowing how to tie your shoes, ride a bike, or read a book? No! You had to learn. They were skills you developed.

Being bad at something you really want to succeed at is part of the process. If you’re not willing to fail, stink, make mistakes, accept corrections and criticism, or seek counsel from experts, then you’re not likely to progress.–Jerry Jenkins

So when can you call yourself a writer? As soon as you’re willing to jump in and put yourself, or maybe I should say your ego, on the line.

If you’ve failed and are still writing, if you’re scared and are still writing, if you’ve stood up to a stinging critique and made your piece better by applying what you learned, if you’ve stayed at it despite that pervasive fear of failure, you are a writer.–Jerry Jenkins.

I hope this cleared up some questions in your mind. I, as mentioned above,  still struggle with the concept-I AM A WRITER 🙂

-Jan R

Am I A Writer? (Repost)

I’m Having a Love Affair With ‘Had’!

aid174983-v4-728px-Stop-Saying-the-Word-_Like_-Step-4-Version-2On more than one occasion I have declared my love affair with the word ‘had’. When you use a word so many times it jumps off the page, you have a problem. It doesn’t matter if the word is used correctly or not. You need to find another way to write the sentence without using ‘the word’. In my case that word is ‘had’.

What’s wrong with using the word ‘had’ over and over, besides making it an awkward read?

  • If you are using ‘had’ a lot, odds are you have a lot of backstory/info dump, because it specifically details things that happened before the current action. In some circumstances, that can seem dull, or like the focus is in the wrong place. Why spend so much time on something that’s not happening right now?
  • Using ‘had’ too much can also indicate you are telling vs. showing.
  • ‘Had’ is also rather formal. People rarely say ‘he had put on weight’- you say ‘he’d put on a bit of weight’ or ‘he was looking fatter’ something to that effect.
  • If it’s overused to the point that it becomes noticeable to the reader. It is bad.

For this blog, I’m focusing on ‘had’ because it’s a problem word for me. Most of us have them. They could be words like but, although, because, however, that, and if you’re writing dialogue–so(another one of my favorites that I know to look out for 🙂

To a certain extent, this is a matter of style. Plenty of writers have these little tics. You may find a turn of phrase that you fall in love with, or it may be a word that carries over from the way you speak. As I stated above with ‘had’, only if a word or phrase is overused to the point that it is noticeable to the reader, does it become a bad thing.

Noticing that you use a particular word frequently, is the first step to improving your writing. If you realize you are in the process of abusing a word while you are writing, make some adjustments, but don’t get bogged down for a half an hour trying to decide if ‘your word’ is really necessary.

The best time to work on these tics, is after you’ve written a chunk of prose. Go back through and look for your problem word. You can use the find feature on your computer (Usually ctrl-F or command-F). As you edit, double-check to see if the word is really necessary, or if it can be changed. If you have to, rewrite the entire sentence.

Food for thought. I bet I’m not alone in my love affair with certain words 🙂

-Jan R

 

 

 

 

 

 

 

I’m Having a Love Affair With ‘Had’!

A Tribute To Writers Everywhere

imagesDTR062NDAbout six months ago, I wrote this blog as a thank you for all the hard work you do as a writer. I wanted to make sure that you understood just how important your job is. You may be locked away in a room by yourself, but your work touches a multitude of people from all walks of life.

As a writer, have you ever stopped to think about the contributions you make to society. You’re not a Doctor, Scientist, or Engineer; you are a Writer/Author. I think many times we get so invested in our work and coming up with a viable manuscript, that we don’t take the time to pat ourselves on the back for the joy and satisfaction we bring to others, or the importance of our role in society.

ddaf15901b656d2f45a9cc8126dd02eeWhen I was growing up we were very poor. My father was killed in an accident when I was 12, leaving my mom with 6 children to raise on her own. Needless to say, we were not going to Disney World any time soon. As a matter of fact, my world would have been pretty bleak, if it hadn’t been for my love of reading and the numerous novels that took me on adventures far and beyond anything I could have ever imagined. I remember my first novel was ‘King Arthur’, pretty heavy for a kid, but I loved it.

I’m not that young girl anymore, I can go to Disney World if I want to, but my love for books and the sense of adventure has never left. That was something cultivated by my mother, who I’m sure, loved reading novels for the same reason.

My mother is elderly now, and due to extensive medical issues, unable to get out and enjoy life and experiences that she once could. That’s okay with her though, as long as she has a good book to read. Her books take her to places she could never go, and as long as she can read, she is never just stuck at home.

I’ve provided stories from my personal life, but there are millions of people out there with the same story.

Know that you are important, you are needed, and you provide a vital role in our society!

-Jan R

 

A Tribute To Writers Everywhere