How to Write a Novel

Is Your Main Character Likeable?

Writing your first novel-Some things you should know, , , 1 Comment

Your lead character doesn’t have to leap tall buildings in a single bound, and he doesn’t have to stop speeding bullets with his bare hands, but he darn well better know the difference between right and wrong, and he better be kind to animals, and it sure wouldn’t hurt any if he brushed his teeth regularly.  Dean R. Koontz – How To Write Best Selling Fiction

I think you get the picture. Your main character needs to be likable and relatable. It would help if he had a few flaws as well. Nobody’s perfect.

Something to think about 🙂

-Jan R

Is Your Main Character Likeable?

Surviving The Sting (Repost)

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I write a lot about rejection because it’s a part of life if you’re an unpublished author seeking a literary agent or publishing contract. Many would-be authors allow a simple rejection to end their attempts at writing. Their thought – I must not be good enough. Well maybe that’s true, but odds are it is not.

Manuscripts are rejected for numerous reasons, and many have nothing to do with your work. So what are you supposed to do if you receive a rejection?

  • Admit it hurts.
  • Allow yourself time to grieve, but never take more than a week.
  • Nurture your artist. Read a good book, take a walk, eat some chocolate… TLC is a good thing, but don’t wallow in self-pity.
  • Share your news and disappointment with close friends and family who will understand and offer encouragement.
  • If you must, write a rebuttal to the editor or literary agent, but don’t send it. Tear it up and throw it in the trash. Your only response should be a thank you for their time and consideration.
  • Just because your work wasn’t right for that particular editor or agent, doesn’t mean it won’t be right for another.
  • Remember just because it isn’t ready for publication, doesn’t mean you can’t make it publishable.

A writer not being able to deal with rejection, is like a doctor not being able to deal with death. It’s going to happen, and like successful authors, you will have to learn to live with it.

-Jan R

Surviving The Sting (Repost)

Show Don’t Tell!

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anton-chekhov-moon-is-shining-quote-630x473.png

I recently entered a writing contest and was surprised to see that most of the negative comments reflected my telling not showing.

While two of the three judges were very complimentary of my work, they joined the one who wasn’t, to point out places where I was telling and not showing.

I thought I could use a refresher on how to show and not tell, and of course, wanted to share it with you.

I can’t count how many times I’ve heard the phrase-show don’t tell. Everybody knows you’re supposed to show and not tell. You want the reader to experience the scene as if they are one of the characters walking through the story beside the hero/heroine.

If you’re like me, you know what you’re supposed to do, but it’s a lot harder than it seems. Once you start writing that novel, you’ll understand what I’m talking about.

There are 5 tools for showing:

  • Dialogue
  • Action
  • Interior dialogue
  • Interior emotion
  • Description-Sensory

If you’re doing anything that’s not one of these 5 things, you’re telling.

Why is it so important to show versus tell? Showing provides your reader with a powerful emotional experience.

It doesn’t matter how great you do everything else in that novel if you’re missing that emotional experience, you lose. If everything you did is bad, but you have a great emotional experience, you may still win.

It all comes down to the takeaway. Every great novelist will tell you, you have to give your reader that powerful emotional experience or they won’t be coming back.

-Something to think about 🙂

-Jan R

Show Don’t Tell!

Common Mistakes New Authors Make

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  1. Leading with the setup. If you’re like me, you thought you needed to give your reader some information up front so they could better understand your characters and what was going on. I guess it was a little boring, but my reader was well prepared for the good stuff they never got to 🙂 Setup, regardless of how well written, is boring. Try to weave in small amounts at a time.
  2. Telling too much. Yes, I’m guilty of this one too. Remember backstory and passive voice distance the reader from the action. If your reader’s sense of immediacy is lost, meaning she can’t visualize the events as they occur, you may lose her.
  3. Scenes that lack conflict. You probably guessed I was guilty of this one too 🙂 I had scenes that were nothing but backstory and setup. I really feel bad for the family members and friends I asked to read my finished manuscript.
  4. Writing unsympathetic characters.  Yes, I got this one right 🙂 Readers want to connect emotionally with the heroine and hero. They want to root for them, laugh with them, and cry with them. Clearly establish the character’s motivation for behaving in any manner that might make them appear unsympathetic.
  5. Giving the reader a reason to stop reading. Don’t allow a chapter or scene to end in an anti-climactic moment. Always end scenes/chapters with a hook. And yes, I’m guilty of this one too 🙂

Something to think about!

-Jan R

Common Mistakes New Authors Make

It’s Your Story!

Writing your first novel-Some things you should know, , 1 Comment

I’ve shared this blog before, but it’s been a while, and a message I think needs to be heard. As new writers, we sometimes listen to everybody but ourselves. Friends and critique partners mean well, but if you let them, some will try to take over your novel and mold it into what they think it should be.

I was sitting on my couch reworking a scene in the novel I’m writing and stopped right in the middle of it. What am I doing? I asked myself. The purpose of the rewrite was to make some changes based on a critique I received from a critique partner.

The person that critiqued my book is very good at the craft, and I respect her opinion. There were others who critiqued the piece and loved it, offering a few comments here and there to correct grammar or replace a word. So who was right? The three people who loved it, or the one who thought I needed to go back and make some significant changes.

The more I looked at the changes this person suggested, the more I realized she had her own idea of the way the story needed to go, and I had mine.

With this being said, she’s made some great suggestions. Because of her, my story is more believable, my dialogue more natural, and my POV more consistent. Her critiques have been invaluable.

However, I had to remind myself that this is my story. Nobody has a better understanding of the dynamics than I do. Nobody knows it from beginning to end but me. Nobody can tell it better than me.

Weigh comments and suggestions you receive from others and ask this question. Is it making my story better or changing it into something it is not?

Remember: It’s your story.

-Jan R

It’s Your Story!