If you think grammar is just a small child’s mispronunciation of “grandmother,” and if you think syntax is a tax that the church levies on sin, maybe you should consider becoming a nuclear physicist or a neurosurgeon or just about anything at all except a novelist. Dean Koontz
Maybe you’re inexperienced, or perhaps you have been writing for a while, but still haven’t produced a publishable piece of work. You probably have a few things to learn about writing a novel, but grammar should not be one of them. Writing grammatically sound prose has nothing to do with creativity. It is a mechanical process.
You don’t need extensive experience to produce prose that meets minimum standards of correct English usage. You don’t even need a formal education. Grammar is something that can be self-taught. While a publisher may understand your deficiencies in characterization, shaky plotting, and an overblown style, he will not excuse poor grammar.
I remember my first few rejections. One of the reasons cited had nothing to do with the story and everything to do with the grammar. One of the literary agents stated, “It’s not ready. Your work is full of grammatical and structural errors.”
You should not expect a copyeditor to strip away your poor grammar and replace it with grammatically sound prose. This is one of the myths that I believed. I had a great story, and while it was a little rough around the edges, I thought the idea was enough to carry my work.
Remember, no one cares about your work and your future as much as you do. If you don’t care enough to write well, you are destined to fail.
A hard truth and something to think about.
-Jan R
While I’ve been around for a little while now, I certainly don’t consider myself an expert. I consult the experts, and research everything I write to ensure I don’t spread inaccurate information.
Have you ever read a sentence and stopped? You go back and read it again and again. Sometimes you probably laugh out loud, because it’s funny and definitely not what the author had in mind.
You’re probably sitting there wondering what in the world I am talking about. I know when I first read about loose sentences, I wondered what in the world the author was talking about. Well let me enlighten you. Loose sentences are sentences with the main concept at the beginning, followed by a string of related details.
If your villain shoots down sixty people, blows up an airport terminal, hijacks a jet and then crashes it into the White House–all because his Social Security check arrived one day late, you’re going to have trouble selling your novel. Dean R. Koontz
I had a segment of my book critiqued today and got dinged on the POV. I couldn’t believe it. The reviewer was correct. I was jumping into the head of several of my main characters throughout the segment.
I do a lot of critiques for different writers during the week. Some of the writers are very polished; others, not so much.
When you write a novel, one of the things you’re probably going to experience, is the mayhem in the middle. You have a great story idea, with a great beginning and a great ending. The only problem is, you haven’t thought about what happens when you get to the middle.
I read and write romance novels. I have to admit I’m a hopeless romantic. I just love stories where boy meets girl, you throw in a little conflict (okay a lot), but everything works out in the end, and they live happily ever after.