Author: Writing your first novel-Some things you should know

Need Motivation To Write?

Writing your first novel-Some things you should know, , , , 3 Comments

Unknown3We all need motivation and encouragement to write sometimes.  Especially when it feels like we’re spinning our wheels and not getting anywhere. Are you worried about taking too long? I’ve been at this for five years.  I feel like a pro but I still don’t have a published novel to show for it. I recently ran across an article that made me feel a little better about my situation. Thought it might offer some encouragement to my readers as well. It listed  best selling Authors who took more than five years to publish their work.

  1. Margaret Mitchell took 10 years to write Gone With the Wind.
  2. Maya Angelou took 15 years to write the final volume of her autobiography.
  3. J.K. Rawling took 5 years to just plan the story of Harry Potter-her extensive notes included biographies of each character and plot diagrams.
  4. J R R Tolkein took 7 years to release the Hobbit and another 16 to release the sequel.

For those of you who may be a little shocked at these numbers, the average amount of time it takes to get a novel written and published is 7 years.  Don’t beat yourself up for slow progress.  Just keep typing one word after another and you will get there. And for those of you that get your book finished and published in less than 7 years, I say good for you!

Suggestions that may keep you motivated!

  • Remove all distractions. Switch off your electronic devices.  Remember you are writing not socializing on face book or twitter.  All it takes is one good distraction to make you lose your train of thought and that great idea you had a few minutes ago.
  • Create a writing schedule that really works for you. If there’s a time you’re naturally more creative, like when you first get up or when everyone has gone to bed, then that’s when you should be writing.
  • You need an accountability partner.  It could be your spouse or friend.  Share your writing dreams with them.  A real friend will support you in your venture.  We all need a cheerleader or two to keep us motivated and writing. Mine is my husband.  Everyday he asks me how my writing is going.  That’s all I need to keep me moving forward.
  • Write! Write! Write! even if you don’t feel like it.
  • Remember the first draft is the first draft.  Give yourself permission to err. Don’t bog yourself down with editing.  Get it down then get it good.  Just make sure it’s great before you submit it.

I hope this post was helpful and would like to ask you to consider following me.  If you have any thoughts on this post or anything else I have written, I would love to hear from you.

-Jan R.

Need Motivation To Write?

9 Out of 10 Wannabes-Won’t Be

Writing your first novel-Some things you should know, , , , , , 4 Comments

When I first decided to write my novel, I was so excited. My thought was how hard can it be?  I had a great idea, all I had to do was get it down on paper. I’ve read a lot of books and my story was every bit as good or better than some of them.

So I wrote my first novel. It was over 90,000 words. I thought I did a great job conveying the gist of the story. I had family members read it, and they thought it was great. So I sent it out to agents.

Only one of the agents I submitted to responded with why my book wasn’t publishable. My dialogue dragged, I had on-the-nose-writing, and I was head hopping. Well what the heck was all of that suppose to mean. I didn’t realize there were rules other than grammar.

Well there are rules, and if you expect an agent or a publisher to take you seriously, you’d better learn them. If you haven’t heard the terms mentioned, I would suggest googling them. I have blogs that cover the highlights. Visit me as well, and I will give you the Cliff-notes version.

What are the main characteristics of Wannabes that Won’t?

They take their own counsel-That’s a nice way of saying they thought they knew it all. They convinced themselves that they were experts in publishing which led to numerous mistakes.

They went rogue-Instead of doing their homework and getting counsel from editors and others in the business, they plunged ahead, falling all over themselves.

They follow a trend-It takes more than a year to get a book to the market(traditional publishing) and that’s after you find an agent who sells it to a publisher. By the time the book is released the trend could be over.

They believe in overnight success-Overnight success happens about 1 in 1,000,000 times. When the wanna bees synopsis or proposal isn’t received with enthusiasm, they quit.

They start their career by writing a book-This may be surprising but it is highly recommended that you begin with short stories and articles. You have skills to hone and polish, and a quarter million clichés to get out of your system.

They were imitative-One of the most common traits of destined quitters is their attempts to imitate famous writers. They quickly grow discouraged and quit when they realize they can’t keep up.

Writing a novel that is publishable is hard work. It’s the hardest thing I’ve ever done. There are no shortcuts. If you won’t to be successful, you have to learn your craft and don’t ever give up.

-Jan R

 

 

9 Out of 10 Wannabes-Won’t Be

The Five Most Common Mistakes In Beginner Manuscripts(Repost)

Writing your first novel-Some things you should know, , , , , , , Leave a comment

I wish I could claim this post but it was actually written by Jerry Jenkins. I love his blogs. If you haven’t visited him, I would highly recommend you do. He did put a disclaimer at the end of this article saying it was ok to share with friends so I am in no way stealing his work. Hope this helps some one and hope you consider visiting his site.

It doesn’t sound fair.

It doesn’t seem right.

But here’s a dirty little secret of the writing life you need to hear:

Any veteran editor can tell within two minutes whether they’re going to reject your manuscript. 

It takes longer to decide whether they’ll recommend it for purchase, of course, but—sad to say—it can, and often does, go into the reject pile just that fast.

“What?” you say. “Before I’ve had a chance to wow them with my stupendous villain? Before my mind-blowing twist? Before my plot really takes off?”

Sorry.

And I’m not exaggerating.

Why?

Because the competition is so stiff and editors have so many manuscripts to read, you have only nanoseconds to grab them by the throat and hang on.

Every writing mentor hammers at this ad infinitum: Your editor is your first reader. 

Every word counts. You get one chance. You must capture them from the get-go.

Am I saying editors look for reasons to reject your work?

No, no, a thousand times no! They’re looking for the next Harry Potter!

Editors want you to succeed!

Then how can they know so quickly that your book won’t cut it?

In my lifetime in the business I’ve heard dozens of reasons, but let me give you my personal top five from my experience as both an editor and publisher:

  1. Throat-clearingThis is what editors call anything that comes before a story or chapter finally, really, begins. It usually consists of a page or two of scene setting and background. Get on with the story. Get your main character introduced, establish and upset some status quo, then plunge him into terrible trouble that reveals the engine of your story. Is it a quest, a journey, a challenge, what?There’ll be plenty of time to work in all those details that seemed so important while you were throat-clearing that would have cost you a sale. For now, your job is to start with a bang.
    1. Too many characters introduced too quickly

    I’m usually wary of generalizations or hard and fast rules, but almost any time I see more than three characters within the first few pages, my eyes start to swim. If I feel like I need a program to keep track of the players, I quickly lose interest. Your reader is trying to comprehend the story, and if you ask him to start cataloguing a cast of characters right away, you risk losing him. Keep things simple till the story has taken shape. 

    3.  Point of View violations                                                                                                Maintain a single Point of View (POV) for every scene. Violate that cardinal rule and you expose yourself as an amateur right out of the gate. Beginners often defend themselves against this criticism by citing classics by famous authors or citing J.K. Rowling, the exception who proves the rule.Times change. Readers’ tastes evolve. This is the rule for today, and it’s true of what sells.

    1. Clichés, and not just words and phrases

    There are also clichéd situations, like starting your story with the main character waking to an alarm clock, a character describing herself while looking in a full-length mirror, future love interests literally bumping into each other upon first meeting, etc.

    Avoid, too, beginning with an evocative, dramatic scene, and surprise, surprise, the main character wakes up to discover it’s all been a dream. There’s nothing wrong with dreams, but having them come as surprises has been used to death and takes all the air from the balloon of your story.

    It’s also a cliché to have your main character feel his heart pound, race, thud, or hammer; and then he gasps, sucks wind, his breath comes short… If you describe the scene properly, your reader should experience all that and you shouldn’t have to say your character did. Put your character into a rough enough situation, and the reader will know what he’s feeling without having to be told—and hopefully he’ll share his distress.

    1. Simply bad writing:
    • Written-ese

    This is what I call that special language we all tend to use when we forget to Just Say It. I recently edited this sentence from a beginner: “The firedrop from the pommel of Tambre’s sword shot past the shimmering silver mist of her involuntary dispersal.”

    I had to read a few more paragraphs to have a clue to what it even meant. That’s written-ese.

    Hollywood screenwriters coined this term for prose that exactly mirrors real life but fails to advance your plot. There’s nothing wrong with the words themselves, except that they could be synopsized to save the reader’s time and patience. A perfect example is replacing all the hi’s and hello’s and how are you’s that precede meaningful dialogue with something like: “After trading pleasantries, Jim asked Fred if he’d heard about what had happened to Tricia. ‘No, what?’”

    • Passive voice

    Avoid state-of-being verbs. Change sentences like “There was a man standing…” to “A man stood…”

    • Needless words

    The most famous rule in the bible of writing hints, The Elements of Style, is “Omit Needless Words,” which follows its own advice. This should be the hallmark of every writer.

    Example: The administrative assistant ushered me through the open door into the CEO’s office, and I sat down in a chair across from his big, wood desk.

    Edit: Obviously, there would be a door. And even more obviously, it would be open. If I sat, I would sit “down,” and naturally it would be in a chair. Because I’m seeing the CEO, a description of his desk would be notable only if it weren’t big or wood.

    Result: The administrative assistant ushered me into the CEO’s office, and I sat across from his desk.

    Re-examine these 5 common mistakes, and study more self-editing tips here, then share below your tips on how to turn rejections into sales.

    -Jan R

The Five Most Common Mistakes In Beginner Manuscripts(Repost)

Adverb Or Not To Adverb!

Writing your first novel-Some things you should know, , , 2 Comments

images contentI do a lot of critiques for different writers during the week. Some of the writers are very polished; others, not so much.

The one thing I’ve noticed in all levels, is an abundance of adverbs. I must admit, I get jealous at how prettified some of those sentences read. I can’t write like that. My brain isn’t wired that way.

According to William Noble, many inexperienced writers, and I will add-unpublished but have been around the block a few times writers, throw in “pretty” words(adverbs or adjectives) to make their prose more dramatic and meaningful. These cosmetic touch-ups often turn out to be  redundant or simply uninspiring. They bog down your story without adding meaning.

Is the adverb necessary?

He zoomed around the oval speedily.-Is it possible to zoom without speeding?

He stuttered haltingly.-Can you stutter without doing it haltingly?

What about ‘show don’t tell’?  Adverbs encourage lazy writing.

He whispered to her lovingly. (Telling)

He whispered words of love…my sweet, dear lover, my angel…(Showing)

Remember, there are better ways to prettify your prose, and using adverbs isn’t one of them. You’re going to have to roll up your sleeves and get to work. Start showing not telling.

I am not a NEVER ADVERBS person. Sometimes they are necessary to provide detail or clarity.

The man sang loudly.

The girl was really cute.

When a writer needs to set up a scene and move through it quickly, then the adverb shortcut isn’t a bad idea. The problem comes when the shortcut becomes the norm, and your reader is left with an uninteresting experience.

What’s wrong with Adverbs? Nothing as long as you don’t abuse them.

-Jan R

Adverb Or Not To Adverb!

Does My Novel Have To Be Perfect?

Writing your first novel-Some things you should know, , , , 1 Comment

UnknownYes!!!!!! Especially if this is your first book.  If you have already written a best seller, your agent and editor may cut you some slack, if not, that book better be pretty close to perfect or nobody is going to look at it.  I know you’ve heard this before if you’ve done any type of research, but agents receive hundreds of queries a week. They don’t have time to read everyone.  If your manuscript is full of grammatical and structural errors, that’s all the excuse they need to toss it to the side and move on to the next one.

I sent my first manuscript out to five different agents.  I was very excited and a little anxious to hear what they had to say.  I expected some rejections but not all.  I had put  over a year into that novel.  It was my baby. Well, two didn’t respond at all, one said no thanks, and another said it wasn’t what they were looking for. The fifth one responded with a rejection but also included a why. There were numerous grammatical and structural errors, I was head hopping and the dialogue dragged.

While I was disappointed, I did take her advice to heart and began the process of editing and correcting structural and grammatical errors.   I took two online courses on writing dialogue that moved your story forward. I had never really thought about dialogue moving a story before, but I see it now, and have a pretty good understanding of what the presenters were trying to get across. I also worked on perfecting my POV.

Truth be known, I was ashamed of myself for sending such poor work to an agent.  I never realized how bad it was until I began the arduous process of editing and revising. I definitely didn’t make a good first impression.

-Jan R

 

Does My Novel Have To Be Perfect?

Critiques! Should I be completely honest?

Writing your first novel-Some things you should know, , , , , , 6 Comments

images-2I’m a member of Scribophile. If you don’t know what that is, and you are really interested in writing and getting feedback, Scribophile is the place to be. It’s like Facebook for writers. You do critiques and in turn others critique your work. I wish I had found it years ago. You get some so so critiques, but you also get a lot of good ones from people who know what they are doing. At any rate this blog wasn’t suppose to be an infomercial for Scribophile.

I did a critique yesterday, and I felt awful when I was done.  The young lady who wrote it obviously had writing skills. Her descriptives, imagery, and grammar were better than mine. She could string a perfect sentence together, but that seemed to be were it ended. I read her premise which was a good one, but way overused.

The entire segment of 2600 words which followed another segment of the same length covered her main character’s flight on a plane to Italy. Now if the story was taking place in that plane or for some reason all of the characters in that plane and what they did was important, I wouldn’t be writing this particular blog. But they are not, the plane is just getting her to Italy so she can find the love of her life. Again it was very well written, and I could picture myself and all of those different people on the plane.

I am what I call a skipper, I have no problem skipping over complete paragraphs of exposition to get to the good stuff. I would have skipped most of what she had written, even though it was written beautifully. I didn’t for the sake of the critique.

While I tried to be nice in my summary and point out all of the things great about her work, I felt as if I wouldn’t be doing her justice by letting it end at that. So I told her what I would want someone to tell me.

Your writing is great but the pace is nonexistent. I feel like I’m stuck on that plane and want to get off. You’re providing too much detail and putting a lot of time and energy into characters that we will never see again. You are giving great back story, but it’s too much at once. You do not need to give us a step by step account of everything that happens from the minute she gets on the plane to the minute she gets off.

I will continue to be honest with writers about their work in what I hope is a constructive manner. I don’t want to discourage anybody, but I want ignore major flaws to avoid hurt feelings either.

What do you think?  Would you want someone to tell you everything is great in your novel when it’s not, or would you want the truth, even if it hurt?

-Jan R

 

Critiques! Should I be completely honest?

The Dreaded Rejection Letter

Writing your first novel-Some things you should know, , , , , 4 Comments

So you received the dreaded rejection letter.  Well it was bound to happen.  You are in great company and I wasn’t talking about me.  If you are a writer, then rejection will be a part of your everyday life.  Author David Eddings said, “If you don’t have callouses on your soul, writing isn’t for you. Take up knitting instead.” Funny but true.

When you get your rejection letter and odds are you will, treating it as an insult and allowing it to bring out the worst in you will stall your dream of becoming an Author.

Those who are successful as novelists, recover and learn from their rejection using it to motivate them to become better writers. They recognize that rejection hurts but see it as part of the process. They don’t take it personal. Writers like this do the following.

  • Wallow then write – Give yourself thirty minutes or so to  get the rejection out of your system then get back to the keyboard.
  • Learn from the critique – Attempt to understand what you did wrong and correct your mistakes.
  • Try to understand where the publisher is coming from and why your novel didn’t work.
  • Remember publishing is a business and publishers are in the market to make money. It’s not personal.

I received rejection letters from four different agencies. I hated the ones that said ‘Thank you but this isn’t what we are looking for’. What do you do with that?  Fortunately one saw something in my manuscript and while she said it wasn’t ready for publishing, she offered suggestions to make it better. As a matter of fact, that particular agent has offered me advice on three separate occasions. That’s why I started this blog. She informed me I needed to build a solid platform.

I took all of her suggestions to heart. I researched, took classes to make me a better writer and I started this blog to begin building a platform. If you’re not sure what that is, I have written about it in previous blogs and you can google ‘building your platform’ for more information.  I recommend reading some of Michael Hyatt’s stuff. The man is very knowledgeable on the subject and easy to follow.

I hope this helped somebody. I would love to hear from you. Any comments or questions would make my day.

Please consider following me.  Just press the ‘follow’ button in the lower right hand corner of the page. You will receive a notice whenever I update or write a new blog.

-Jan R

The Dreaded Rejection Letter

Creating Memorable Characters

Writing your first novel-Some things you should know, , , , 5 Comments

imagesIt’s hard to overstate the importance of strong characters in a narrative. Think of all of the characters from fiction that you never forgot (Scarlett O’Hara-Gone With the Wind, Sherlock Holmes, Robin Hood, King Arthur, Dorothy-Wizard of Oz).

Our goal is to have our characters stay with the reader for days after they finish reading. Characters who readers think about as though they are real people, as though they know them…or wish they did.

Know your characters before you introduce them in your story.  J K Rowling spent 5 years doing complete biographies on all of the characters in her Harry Potter series before she even started writing the novels. It’s that important.

  • What does your character look like?
  • What are your characters thoughts?
  • What actions and deeds are typical of your character?
  • How does your character talk?
  • What is your character’s name?

Love your characters, but don’t be afraid to let one go if he or she isn’t working for you. When you lovingly create a character, warts and all, it shows. Take your time and be thorough. Chances are if you fall in love with your character, the reader will too.

Make every character unique. This may seem like an obvious thing to do, but it’s important that even minor characters have something that distinguishes them from everyone else in the story-something to make them more than a name on a page. This distinguishing trait or tag could be anything, and as insignificant as chewing a toothpick, or always saying, “exactly!” Perhaps the character has flaming red hair or grins like a Cheshire cat.

The minor characters only need one distinguishing trait/tag but your main characters need to be more complex. The main character should have 4-5 distinguishing traits and at least one on the negative side. You need a negative trait so your character seems believable rather than someone out of a child’s fairytale. The negative trait doesn’t need to be a serious flaw, just something that makes the character seem like a real person that people can relate to.

Writing a novel can take a long time and it is important to be able to quickly remind yourself what traits a particular character has without having to thumb through pages and pages of work. Creating character profiles can save you huge amounts of time, prevent you from creating inconsistencies, and really help you build upon their individual journeys. I  had to thumb through pages and pages of my manuscript during my first draft and then I got smart and started cheat sheets for each character.

QuintessentialEditor recently posted a blog on Character Arcs. The post offers great insight on building your characters, and showing their growth as they journey through the world you’ve created for them.  Check him out for more information on character development.

I would love to hear any comments you may have or suggestions on how you handle character development. I would also like to request that you consider following my blog. I post on Tuesdays and Thursdays. You will receive an email informing you whenever a new blog posts.

-Jan R

Creating Memorable Characters

Are You Overwriting?(Revised)

Writing your first novel-Some things you should know, , , , 4 Comments

imagesOnce you’ve completed your manuscript, the fun begins. You will need to go back and cut it by a minimum of 10 percent. That sounds like a lot but once you start taking a closer look at the wording of your sentences, and the information included, you will be surprised at the number of unnecessary words you have used.

When I started editing my novel, I took my story one sentence at a time and asked myself if the wording was appropriate for what I was trying to get across, or was it just  fluff to increase the word count. If it’s not adding to the story, take it out.

Overwriting can result from several fundamental errors:

  • Too many adjectives and adverbs.  i.e. When the yellow, round orb of the sun stealthily and smoothly creeps into the azure blue early  morning sky/ One may wander why the sun didn’t simply rise.  If you feel the need to modify every verb with an adverb, or every noun with an adjective chances are you’re not picking the right words-Max Keele.
  • Using big words when simple ones will do. i.e. Ascending the stairs instead of walking up the stairs. Seeking alternatives for “said” is another common error, that leads characters to “expostulate” or “riposte”.
  • Too much detail or backstory. Describing the handle of the samurai sword your protagonist is holding in detail is fine, if it’s relevant to the story line, otherwise it’s fluff you can cut out. Most of us deplore long exposition “lumps” that stop the action dead in its tracks. I love reading inspirational romance novels, but I can’t count how many paragraphs I have skipped to get from the mundane to what really matters.

    Remember every word has to do a job. If it’s just taking up space, then it has to go.

-Jan R

 

Are You Overwriting?(Revised)

On-The -Nose-Writing

Writing your first novel-Some things you should know, , , 3 Comments

images open bookWhat is on-the-nose writing? It’s the number one writing mistake of amateurs. It’s prose that mirrors real life without advancing your story. No one chooses to write this way. It has nothing to do with your ability to put together a sentence, paragraph, or scene. Even pros have a hard time with it.

I’m a big fan or Jerry Jenkins and recommend his blog to anyone reading my posts. I have gained so much useful information from him, and he writes in a way that anybody can understand. He’s a great teacher.  With this being said, I’m using an example that he gave to help you understand on-the-nose writing.

Paige’s phone chirped, telling her she had a call. She slid her bag off her shoulder, opened it, pulled out her cell, hit the Accept Call button and put it to her ear.       

“This is Paige,” she said.

“Hey, Paige.”

She recognized her fiancé’s voice. “Jim, darling! Hello!”

“Where are you, Babe?”

“Just got to the parking garage.”

“No more problems with the car then?”

“Oh, the guy at the gas station said he thinks it needs a wheel alignment.”

“Good. We still on for tonight?”

“Looking forward to it, Sweetie.”

“Did you hear about Alyson?”

“No, what about her?”

“Cancer.”

“What?”

Here’s a good example of how that scene should be rendered:

Paige’s phone chirped. It was her fiancé, Jim, and he told her something about one of their best friends that made her forget where she was.

“Cancer?” she whispered, barely able to speak. “I didn’t even know Alyson was sick. Did you?”

We don’t need to be told that the chirp told her she had a call, that her phone is in her purse, that her purse is over her shoulder, that she has to open it to get her phone, push a button to take the call, identify herself to the caller, be informed who it is.  I think you’re getting the point.

This is a good example of dragging dialogue as well.  It’s not necessary and adds fluff without any real purpose. Don’t distract with minutia. Give the reader the adventure they signed up for when they chose to purchase your book. Take the reader with Paige when she says:

“I need to call her, Jim. I’ve got to cancel my meeting. And I don’t know about tonight…”

Remember show don’t tell is one of the most important aphorisms of the writing life.

-Jan R

On-The -Nose-Writing