I’ve just completed the God knows what number revision of my novel(I lost count a long time ago). While I have to admit it is one-hundred times better than the first draft, it is still not where it needs to be.
I hope this isn’t coming across too negative. To be honest, while I’m not where I want to be, I’m a lot closer than I use to be, and from my way of thinking, I have a cake that needs to be iced. My icing is a mixture of character development and imagery.
I made a comment not too long ago that my characters were just too good. Nobody’s that perfect. So I did some research on character development to find out what I needed to do to rough them up and give them some dimension.
There are actually three dimensions of character development. I’ve used them all at times, but never made a concerted effort to put them all together in one particular character until now. Yeah, I seem to do everything the hard way. Comes from inexperience.
So what are the three dimensions I’m working on?
The first dimension is surface traits, quirks and habits.
This one is easy. We all know we’re suppose to describe our characters and help the reader picture them in their mind. Is their hair blonde, red or brown. Do they have blue eyes, green eyes or brown eyes. What about that annoying mole on the chin that makes you think of a witch.
Maybe they have an annoying laugh, or have a nervous habit of tapping their left foot up and down. I play with paper clips when I’m the lead in a group meeting. It calms my nerves.
These are all things you can see, when you look at the person.
The second dimension is backstory and inner demons.
Backstory allows us to see where they came from, and why they act the way they do. We see the scars, the memories, and the dashed dreams that leave them with resentment, fear, and weakness.
We understand where they came from so we can empathize with them and form an emotional attachment.
The third dimension is action, behavior, and world view.
This dimension looks at moral substance or lack thereof. It’s defined not by backstory or inner demons, but by actions and behaviors.
A hero takes a stand, takes risks, and makes decisions.
A villain rationalizes behavior and is insensitive. He refuses to take responsibility.
As a story teller, it is your job to integrate all three realms of character development convincingly and compellingly. Nobody wants to read a story with one dimensional or shallow characters.
What’s your thoughts? Any suggestions or tips that might help me flesh out my characters during this revision?
-Jan R
So how do you do it? It’s so easy to write blogs on finding time to write, or finding motivation to write. All of the tips and recommendations sound great, until you’re in the same boat as those people you are trying to help.
I’ve spent the last few days finalizing the list of agents I have chosen to submit my work to. If you are looking for an agent, I would recommend checking out the Association of Author’s Representatives(AAR). It’s a free database on line that provides a list of literary agents, the genres they represent, and if they are open for submission.
I love reading Jerry Jenkins blogs. I always take something away from what he has to say. I don’t know that he offers anything different or new, it’s just the way he says it. I read what he’s written, and a light bulb goes off.
I was reading How to Write Best-Selling Fiction a little while back, when a chapter jumped out at me, and I couldn’t help but smile. It was totally me. I’m ashamed to admit my naivety, but it was like I was reading my story.
I’m preparing to send my manuscript out to literary agents again. This is the second time it is going out, the first time resulted in rejections, so I have to admit I’m a little apprehensive.
Enough already! At least that’s how I feel sometimes. I’ve been through my book more times than I can count. In my own defense, no one taught me how to write. I had a great story idea and decided to give it a whirl.
At this point in the game, you probably know what a dialogue tag is. It is a phrase placed at the beginning, middle, or end of a quote, to identify the speaker.
I wasn’t an English major, but I never had an issue with stringing words together and making a coherent, easy to read sentence. I know most of the rules, but I also know those rules are meant to be broken, especially if you are writing fiction.
Am I a writer? I ask myself that question often and am unsure how to answer others when they ask. I haven’t published any of my work and don’t get paid to do this. I do have a passion for writing and have spent countless hours taking classes, researching, and learning to write publishable work.