Do Your Characters Have Character?

fiction-writing-rule-3-create-dimensional-charactersI’ve just completed the God knows what number revision of my novel(I lost count a long time ago). While I have to admit it is one-hundred times better than the first draft, it is still not where it needs to be.

I hope this isn’t coming across too negative. To be honest, while I’m not where I want to be, I’m a lot closer than I use to be, and from my way of thinking, I have a cake that needs to be iced. My icing is a mixture of character development and imagery.

I made a comment not too long ago that my characters were just too good. Nobody’s that perfect. So I did some research on character development to find out what I needed to do to rough them up and give them some dimension.

There are actually three dimensions of  character development. I’ve used them all at times, but never made a concerted effort to  put them all together in one particular character until now. Yeah, I seem to do everything the hard way. Comes from inexperience.

So what are the three dimensions I’m working on?

The first dimension is surface traits, quirks and habits.

This one is easy. We all know we’re suppose to describe our characters and help the reader picture them in their mind.  Is their hair blonde, red or brown.  Do they have blue eyes, green eyes or brown eyes. What about that annoying mole on the chin that makes you think of a witch.

Maybe they have an annoying laugh, or have a nervous habit of tapping their left foot up and down. I play with paper clips when I’m the lead in a group meeting. It calms my nerves.

These are all things you can see, when you look at the person.

The second dimension is backstory and inner demons.

Backstory allows us to see where they came from, and why they act the way they do. We see the scars, the memories, and the dashed dreams that leave them with resentment, fear, and weakness.

We understand where they came from so we can empathize with them and form an emotional attachment.

The third dimension is action, behavior, and world view.

This dimension looks at moral substance or lack thereof. It’s defined not by backstory or inner demons, but by actions and behaviors.

A hero takes a stand, takes risks, and makes decisions.

A villain rationalizes behavior and is insensitive. He refuses to take responsibility.

As a story teller, it is your job to integrate all three realms of character development convincingly and compellingly. Nobody wants to read a story with one dimensional or shallow characters.

What’s your thoughts? Any suggestions or tips that might help me flesh out my characters during this revision?

-Jan R

Do Your Characters Have Character?

How Do You Do It?

1b9274d0012bdfeccde1fef6c6e083deSo how do you do it? It’s so easy to write blogs on finding time to write, or finding motivation to write. All of the tips and recommendations sound great, until you’re in the same boat as those people you are trying to help.

I’m sitting here in my apartment of one week, following a move that seemed to take a month, and I just want to quit. Maybe that’s a bit extreme, but a break would be nice.

In the past month, I have sold two homes, bought a really nice piece of property and parked in an apartment until our new home can be built.

If that’s not enough, my granddaughter is scheduled to be born (C-section), and I will be bringing her 3 year old energizer bunny brother back to our tiny apartment for the week. There is such a thing as too much of a good thing. I do love baby brother by the way. I’m just finding it harder to keep up with him 🙂

With all of this craziness, the one thing I know for sure, is I have to plan. When am I going to be able to write without distractions?

It’s Sunday afternoon and pretty quiet for the moment. The calm before the storm. With that in mind, I decided to take advantage of my free time and write my blogs for this coming week. Goodness knows I want have time when little man visits. I can put them in queue and post them on my scheduled days during the week.

Would love to hear from you. How do you do it?

-Jan R

How Do You Do It?

Literary Agents: Look Before You Leap!

Get-The-Inside-Scoop-On-A-Literary-Agent-FEATUREDI’ve spent the last few days finalizing the list of agents I have chosen to submit my work to. If you are looking for an agent, I would recommend checking out the Association of Author’s Representatives(AAR). It’s a free database on line that provides a list of literary agents, the genres they represent, and if they are open for submission.

Once you’ve identified agents you would like to pursue, the work begins. I had a list of 12 agents that met my criteria. Well I didn’t want to send my work out to all 12 at one time, so I began the process of elimination.

Remember you are interviewing the agents and determining if they are a fit for your work, just as they are reviewing you work to determine if you are a fit for them. Don’t waste your time, or the agents, by sending them work in a genre they don’t represent.

I pulled up the literary agencies for the agents I selected and read their biographies. I wanted to know how long they had been in the business, who their clients were, and the books they had recently sold to publishers.

I was able to eliminate a few following the aforementioned reviews and continued to the blogs or web pages of the remaining.

This not only allowed me to get a feel for the agent as a person, but it provided valuable information. One of the agents I decided to  submit to, talked about what she liked to see in a query letter.

Well I had just reviewed query letters to refresh my memory, and noted that what she liked in her queries and what the official query letter format recommends, don’t match up.

As a matter of fact, she said when she opened a query that used her preferred format, she knew the person submitting the proposal had done their homework.

Do your homework!

-Jan R

 

Literary Agents: Look Before You Leap!

You Have To Make Time!

untitledI love reading Jerry Jenkins blogs. I always take something away from what he has to say. I don’t know that he offers anything different or new, it’s just the way he says it. I read what he’s written, and a light bulb goes off.

He offered some profound information in the last email I received, and I wanted to share it with you. First, he said we all make time to do what we really want to do. Then he followed that up with a comparison of make and find. You won’t ever find the time to write. We all have the same 168 hours per week. The only way to add hours to your calendar is to sacrifice hours from it.

In order to make the time, you must carve something else out of your schedule. It all starts with your priorities. How desperately do you want to write, finish a book, become a novelist?

Only you can determine your priorities. What are you willing to give up to pursue your dream?

TV?

Movies?

Parties?

Concerts?

Sports?

Hobbies?

Social Media?

Jerry Jenkins worked full time and helped his wife raise their three young sons. He wasn’t about to sacrifice his family for writing time, so he scheduled his writing from 9:00pm-12:00am.

What did he sacrifice? TV time, social gatherings with friends, and a couple hours of sleep.

What are you willing to sacrifice?

-Jan R

You Have To Make Time!

Grammatical Errors Are The Unforgiveable Sin!

imagesWPQO2IDQI was reading How to Write Best-Selling Fiction a little while back, when a chapter jumped out at me, and I couldn’t help but smile. It was totally me. I’m ashamed to admit my naivety, but it was like I was reading my story.

Dean Koontz, the author, tells a story about an unpublished author. He had agreed to look at the man’s manuscript and got a little more than he bargained for. For the purpose of his story, he decided to call the man Bubba.

Bubba was very excited about his work, and said writing was the easiest thing he had ever done. All he had to do was sit down and type. The story just flowed off the top of his head. He wondered why everyone wasn’t doing it.

Well Bubba did give him a manuscript, but it was nowhere near publishable. In fact, according to Koontz, “In the first chapter of that novel, Bubba commits virtually every grammatical error known to English-speaking people.”

Like Bubba, I finished my first novel and was eager to put it out there. It was a great story. I knew I had a best seller. I sent it out to literary agents and waited for my offer. I of course, got a number of rejections. One very gracious agent took the time to review at least a portion of my work, and provided me with a list of reasons why my novel wasn’t ready.

Grammatical and Structural errors were at the top of the list. Dean Koontz calls these the unforgivable sins. New writers may need pointers on pacing, transitions, POV, backstory… but if you’re calling yourself a writer, you should know and follow the basic rules of grammar.

There you go. I’m a sinner, but I have worked hard to redeem myself 🙂

One of the myths that I fell into, was that it didn’t matter if my grammar was perfect or even approaching perfect. The publishers had editors that would go through and correct all of my mistakes. Right? Wrong!!!

 

-Jan R

Grammatical Errors Are The Unforgiveable Sin!

Don’t Believe Everything You Think!

imagesEX1UP1B8I’m preparing to send my manuscript out to literary agents again. This is the second time it is going out, the first time resulted in rejections, so I have to admit I’m a little apprehensive.

I saw a blog I had written almost a year ago and decided to republish it. It is exactly where I am right now and serves as a reminder to control my inner critic. You know, the one that tells you your work isn’t good enough or ready to be sent out. Most of us writers have one.

No one wants to be humiliated or rejected. Your inner critic will paralyze you by telling you just how bad your work really is (even if it’s not) .  Don’t listen!!! If you’ve gotten this far, you have hopefully addressed all areas that could be in question, and the novel should be pretty doggone close to perfect. If you haven’t done you due diligence and know your work has flaws, fix them before sending it out-common sense right.

I remember doing a Bible study on the battlefield of the mind. Though it’s primary purpose was dealing with spiritual warfare, it also related to many of the issues that we deal with in our everyday lives. Our mind is a battlefield. In writing for example, all of us worry about looking dumb and never getting published. Fiction writers make a business out of being scared, and not just looking dumb.

It took me six months from the time I started writing my novel, to tell my husband what I was doing. When I finally told him, I was a mess. I knew he would be excited for me and encourage me in my endeavor, and I didn’t want to let him down.

For the longest time I treated my novel as a hobby. That’s not a mindset that will get you published. When I finished and sent it out to literary agents, I was more than a little anxious, but the first few rejections confirmed my beliefs. I just wasn’t good enough.

Note that I said, “I wasn’t good enough.” Well that’s not exactly true. The truth is the novel wasn’t good enough. The fact is, it was filled with grammatical and structural errors, there was some serious head hopping going on, and my on-the-nose writing was all but bringing the story to a complete halt.

I don’t know that the inner critic will ever go away. So how do you combat it? You keep moving forward and growing in your craft. Don’t stop writing. I still question my novel, but I know, that I know ,that I know, that it’s a lot better than it was after the unofficial first draft. I’ve learned the hard way and hope you avoid some of my pit falls.

-Jan R

Don’t Believe Everything You Think!

You Don’t Know What You Don’t Know!

CO2wAusWIAAc7Uc.pngEnough already! At least that’s how I feel sometimes. I’ve been through my book more times than I can count. In my own defense, no one taught me how to write. I had a great story idea and decided to give it a whirl.

I thought it was ready, and then real life happened.  My wonderful work was rejected by the five agents I sent it to. One of the them must of seen something promising, she took it upon herself to provide me feedback about what I was doing wrong (there was a long list), and what I needed to do to improve my work.

I was totally humiliated. Grammatical and Structural errors are kindergarten stuff and completely unacceptable. Even I should have gotten those right. I could understand  my issues with head hopping and on-the-nose-writing. Those terms were totally foreign to me.  I wasn’t a professional novelist. I thought all you had to do was put words on paper and create a wonderful story that everyone wanted to read. How was I to know there were rules?

And what was the deal with dragging dialogue? My people were talking. How was I suppose to know dialogue moved the story forward, or had to have some significance?  I couldn’t believe I sent an agent such inferior work!

When you’re a newby, you don’t know how bad your work is, because you lack the knowledge and skills necessary to produce publishable work. While there may be a few prodigies out there, chances are, you aren’t one of them. Sorry!
Like myself and many others, you’re going to have to pay your dues and learn the craft. Then you will be ready to write that New York Times best seller.

One of my favorite saying is, you don’t know what you don’t know. I’m not sure were I picked that up from, but it’s true. I wasn’t intentionally sending out bad work. I just didn’t know.

-Jan R

You Don’t Know What You Don’t Know!

Dialogue Tags: The Good, The Bad, And The Ugly!

images9d0tdr1tAt this point in the game, you probably know what a dialogue tag is. It is a phrase placed at the beginning, middle, or end of a quote, to identify the speaker.

When using dialogue tags, it is  recommended that you keep them simple. There is nothing wrong with the word ‘said’.  Don’t give in to the urge to use every big word you know. The wrong tag can overshadow the words spoken and draw your reader out of the story.

I critiqued a scene for a fellow writer this week and found myself annoyed at her use of tags. Her characters said flatly, said agreeably, said gruffly, said sharply, and said sourly. And if they weren’t saying things with mannerisms, they growled, cried, or added an impatient sigh.

People say things; they don’t wheeze, gasp, sigh, laugh, grunt, snort, reply, retort, exclaim, or declare them.

Josh dropped onto the couch. “I’m beat.”

Not: Josh was exhausted. He dropped onto the couch and exclaimed tiredly, “I’m beat.”

“I hate you,” Samantha said, narrowing her eyes.

Not: “I hate you,” Samantha blurted ferociously.

Sometimes people whisper or shout or mumble, but let your choice of words imply whether they are grumbling, etc. If it’s important that they sigh or laugh, separate the action from the dialogue:

Amy sighed. “It’s going to be a long day,” she said. [Usually you can even drop the attribution she said, if you have described her action first. We know who’s speaking.]

Keep in mind, when you use the words ‘he said’ or ‘she said’, they are so familiar to your reader, that they blur into the background and become invisible. This allows the dialogue itself to come to the forefront. You can also drop tags entirely when it’s clear who’s speaking. Overuse of tags can be just as annoying as using the wrong tag.

-Jan R

Dialogue Tags: The Good, The Bad, And The Ugly!

Grammar Is A Must-But Lose That English Teacher Writing!

English teacherI wasn’t an English major, but I never had an issue with stringing words together and making a coherent, easy to read sentence. I know most of the rules, but I also know those rules are meant to be broken, especially if you are writing fiction.

The purpose of English Teacher grammar is to understand how to create sanitized, standardized, easy to understand, impersonal, inoffensive writing. If you’re looking for a job writing pamphlets for the government, instructional manuals, or news reports, then that’s the way to go.

These rules aren’t meant for fiction. That does not mean your story shouldn’t be grammatically and structurally sound. We are talking about styles here, not mechanics.

Fiction writing is nonstandardized, complex, personal, and occasionally offensive. It is the best way to reach into your readers head and show him your words. In order to bring your voice to life and get your world on the page, you need to say goodbye to English Teacher writing.

Fiction Writing Vs. English Teacher Writing

Fiction Writing-fits the world of the book, the mouths of the characters, and the writer who wrote it. English Teacher Writing– incorporates a specific, caricatured, extreme form of writing without regard to the story’s world, characters, or even the writer and what he or she is like.

Fiction Writing changes with the situation. English Teacher Writing is unchanged.

Fiction Writing does not look to impress, it’s sole purpose is to present the story. English Teacher Writing is self-conscious, self-important, and looks and feels forced and out right silly at times.

Fiction Writing is not always pretty, but it always fits the circumstances, characters, and story. English Teacher Writing is always pretty and always smooth, but rarely fits anything.

Example:

Fiction Writing

“Get away! Don’t touch me! Leave me alone!” The girl in the alley curled into a tighter ball, her scarred, skinny arms pulling her knees up against her chest, her eyes white-rimmed, her hair wild.

English Teacher Writing

“Get away from me! Don’t lay a hand on me! Leave me alone!” The girl in the alley, already in a fetal position, pulled her knees tighter to her chest. she wore an expression of dazed panic, and radiated the signs of post-traumatic stress disorder.

-Jan R

Grammar Is A Must-But Lose That English Teacher Writing!

Do You Have A Writer’s Mindset?

writer's mindsetAm I a writer? I ask myself that question often and am unsure how to answer others when they ask. I haven’t published any of my work and don’t get paid to do this. I do have a passion for writing and have spent countless hours taking classes, researching, and learning to write publishable work.

Jerry Jenkins says you are a writer when you say you are a writer. It all comes down to  mindset.  Do you have the mindset of a writer? Do you take your writing seriously? Are you investing time and energy into learning your craft? Are you doing what professional writers do even when you don’t feel like it and haven’t been published? I hope your answer to all of these questions was yes.  If you’re planning on writing a novel and succeeding in your venture, you are going to have to develop a writer’s mindset.

How Do I Develop a Writer’s Mindset?

  • Read books specific to your genre.  That’s what authors do.  It helps them to know their competition and keep up with what’s selling in the industry.
  • Read blogs. Research and learn your craft.  I really like Michael Hyatt and Jerry Jenkins. These people are in the industry and can help you to get up to speed. I also subscribe to Writers Digest magazine.  They have great articles as well as information that will help you in your journey.
  • Build your platform. Start that Blog. Michael Hyatt said he sat at many board publication meetings at Thomas Nelson. When reviewing a potential author one question always came up. “What’s the authors platform?” If the answer was there is none then the book was usually rejected. They pushed it to the side and moved on to the next one. The publisher doesn’t have the resources to market your book.  You need an audience-period. As I stated in a previous blog, my Novel was rejected not because of content, but because of my lack of a platform.
  • Attend writing conferences if possible. You will get the opportunity to connect with literary Agents, Publishers and other aspiring Authors as well as attend classes that will help you improve your writing skills.
  • Write! Write! Write!
  • Consider joining writing critique groups- Scribophile is a great one. I belong to the group and it’s free. You can pay for an upgrade but it isn’t necessary.
  • Have fun and DON’T GIVE UP!

-Jan R

Do You Have A Writer’s Mindset?