Writing fiction can be fun. You get to create your own world with your own characters and you can take your story anywhere you want to go. Right?
Well, that statement is true to a certain degree. You do have a lot of leeway,
but keep in mind your story has to make sense. It has to be believable to your readers. That’s where research comes in. Your plot may be fictitious but your details had better be correct.
Anachronisms-details out of place and time can break a readers suspension of disbelief if they notice the error. If for example, a character in ancient Egypt consults his watch, a reader would instantly be drawn out of the story and roll their eyes. That is an extreme example but I think it helps you get the picture.
There’s no excuse for anachronisms or lack of detail. Once you know what you are writing about, immerse yourself in the subject. If you want to write about police, you do a ride along or shadow a precinct. If your novel takes place in a school, interview teachers or volunteer.
You can also use social media to learn about people and places, by watching videos or listening to interviews. My novel is set primarily in the Carolinas but my main character is deployed to Afghanistan for a short period of time. I’ve never been to Afghanistan and have no intention of ever going there. For that short but important segment of my book, I watched a documentary and actual footage. I also read pages set up by marines returning from the area describing what it was like for them. I found the information I needed to make that portion of my story believable through research.
I think it’s best to set your novels in cities that you know. An author who follows this rule is Nicholas Sparks. His books are set in North Carolina. That’s where he lives. He understands the culture and can provide the details his readers expect.
One word of caution is to remember your research and detail are the seasoning for the story, don’t make them centerstage. Resist the urge to show off how much research you have done. You don’t want to overwhelm your readers with unnecessary information.
-Jan R
Write what you know
I read an article the other day that made me stop and think. It went against everything I had been told, but it also supported everything I had been told. I know that was confusing so I’m going to clear it up for you.
Pacing sets the tempo of your novel. How fast or slow it moves depends on the function of the scene and the intent of the author. As discussed in a previous blog, you can speed your story up or slow it down depending on how you use exposition and action.
What’s the draw? What makes you pick up a book and proceed to the next step? Most likely the first thing that catches your attention is the cover. At least that’s the first thing I notice. I do look at the title, but unless it’s something totally overboard, it doesn’t stop me from taking the next step.
The pace of your story is only one of many things you must consider. People who love to read but have never written books are cognizant of the pacing. I have read many a good book that I skipped portions of because I was tired of reading about the duchesses frilly dress or the description of the inner hull of a slave ship. I’m glad the author did their homework and provided historical information, but sometimes it can be a bit much and totally bog down your story. There has to be a balance.
If you are constantly looking over your shoulder, you may not finish your novel. You will be too busy battling the thoughts of it not being good enough. No one wants to be humiliated or rejected. Your inner critic will paralyze you by telling you just how bad your writing is (even if it’s not). This is another obstacle that I have had to overcome. It hasn’t gone away, I’ve just learned to deal with it.
If you are, you might as well give up. It is one sure fire way to doom your novel. It’s also an excuse I have used many times over the past six years, which is probably why my novel is not finished.
Dialogue should be seamlessly integrated into your story. It should flow. If you can feel yourself reading then stopping for a brief conversation and then reading again, something isn’t quite right.