Filler Words – Really?

Most of the concepts I write about are simple. I just never really gave them a lot of thought before I started writing novels.

When writing, remember less is more. Stay away from qualifiers. They weaken your prose, and the result is the exact opposite of what you were trying to achieve. I know why you use them. I’m hooked on ‘very’. Other people are hooked on the word ‘too’. If you are resorting to qualifiers for emphasis, odds are, you are using the wrong word in the first place.

These qualifiers are the words your English teacher dreaded seeing, such as very, too, really, and sort of. When you overuse these words, your writing will seem lazy, as if you haven’t taken the time to look for the right word.

This pasta dish is very good.

This pasta dish is superb. (Better)

I’m feeling sort of sick.

I’m feeling nauseous. (Better)

You look really nice!

You look radiant. (Better)

Since ‘very’ is my nemesis, I thought I would provide a list of more powerful words to use to replace ‘very’ ___________.

  • very fast                    quick
  • very dry                    parched
  • very dirty                  squalid
  • very afraid               terrified
  • very angry                furious
  • very hot                    scolding
  • very hungry             ravenous
  • very large                 colossal
  • very clean                spotless
  • very clever              brilliant
  • very beautiful        exquisite
  • very ugly                 hideous
  • very pretty             beautiful
  • very thin                 gaunt
  • very tired               exhausted

I think you get the picture. Thanks for stopping by, and I hope this got you thinking.

-Jan R

Filler Words – Really?

ReWrite-itis (Revisited)

I got tickled when I first saw this word. I have to admit, I have dealt with rewrite-itis. What is it? It’s a severe condition that effects both published and unpublished writers according to The Everything Guide to Writing a Romance Novel. It means you are unable to call a book, chapter, or even a scene finished. So, what causes the condition? A fear of failure or success. For me it is definitely failure.

What are the symptoms?

  • Rewriting the same scene, chapter, or book more than ten times.
  • Never finishing a book, because you keep going back to polish the first chapter over and over again.
  • Constantly having others read your book with the hopes they will give you some new revisions to do.
  • Taking your finished manuscript to the post office to mail, only to return home with it in hand for further revision.

So, what do you think? Do you have a case of rewrite-itis?

Rewrite-itis has a close cousin – Research-itis. Maybe you have that one too. True research is crucial to any novel, but an author needs to know when to say, “Enough is enough.”

So what is the cure? Set goals and deadlines and stick to them. Remember your manuscript is your baby, but sooner or later you have to turn it loose.

Just something to think about.

-Jan R

ReWrite-itis (Revisited)

Writing Dialogue-Speech Patterns

Speech pattern is another important tool in the writer’s arsenal. It’s less about dialect and more about consistency and knowing your character. If your character is……

  • terse                –   short burst of speech
  • angry               –   speaks through clinched teeth
  • nervous            –   stammers or rambles
  • domineering    –   silent and threatening or rages

If you’re writing science fiction you can develop you own language and your own rules. There are no limits. Just be consistent.

There’s a lot more to writing dialogue than one would think.

Something to think about!

-Jan R

Writing Dialogue-Speech Patterns

Writing Dialogue – Dialect

Dialogue is one of my favorite tools in the writing arsenal. You can do so much with it and if done correctly it will keep your story moving forward by showing not telling. One of the key components in dialogue is dialect.

Dialect allows you to differentiate between characters and get a better understanding about who they are. You can learn a lot about a person based on their accent, grammar, and choice of words. Dialect done properly suggests- education level, social status, race, and ethnicity.

Examples of dialect used to differentiate race, social class, education i.e.

gonna vs. going to

kinda vs kind of

holler vs hollow

don’t matta vs It doesn’t matter.

If you have a character from abroad throw in some regional slang (Scottish say-aye for yes and bairns for children).

The next time you read a book take a close look at your characters and their dialect. You will learn a lot. The fact that you didn’t even think about it while reading the novel is a plus for the author. It was seamlessly woven into the story.

Hope this gives you something to think about when writing dialogue. Remember to differentiate through dialect, and the dialect should match your characters position in society. Also remember to be consistent with speech patterns, unless an evolution in speech pattern is an integral part of the story (Flowers for Algernon, My fair lady).

Something to think about!

-Jan R

Writing Dialogue – Dialect

Fight That Inner Critic!

You have to fight that inner critic. You know the one that tells you your work is not good enough. No one wants to be humiliated or rejected. Your inner critic will paralyze you by telling you just how bad your work really is (even if it’s not).  This is another obstacle that I have had to overcome. It hasn’t gone away; I’ve just learned to deal with it.

I recall doing a Bible study on the battlefield of the mind. Though its primary purpose is dealing with spiritual warfare, it also relates to many of the issues that we deal with in our everyday lives. Our mind is a battlefield. In writing for example, all of us worry about looking dumb and never getting published. Fiction writers make a business out of being scared and not just looking dumb.

It took me six months from the time I started writing a novel, to tell my husband what I was doing. When I finally told him, I was a mess. I knew he would be excited for me and encourage me in my endeavor, and I didn’t want to let him down.

For the longest time I’ve treated my writing as a hobby. That’s not a mindset that will get you published. When I finished and sent out my first novel to a few agents, I was more than a little anxious. The first few rejections confirmed my beliefs. I just wasn’t good enough.

Note that I said I wasn’t good enough. Well, that’s not exactly true. The truth is the novel wasn’t good enough. It was filled with grammatical and structural errors, there was some serious head hopping going on, and my on-the-nose dialogue was all but bringing the story to a complete halt. If you are not familiar with these terms you should be. Go back and read the posts I have written addressing them.

I don’t know that the inner critic will ever go away. So how do you combat it? You keep moving forward and growing in your craft. Don’t stop. I still question my writing abilities, but I know that I know that I know, that they are a lot better than they were when I submitted my first novel. I’ve learned the hard way and hope to help you avoid some of my pit falls.

Something to think about!

-Jan R

Fight That Inner Critic!