Five adjectives in one sentence are better than six; four adjectives are better than five; three are better than four; two are better than three…By using fewer words to obtain the effect you desire, you will force yourself to use more accurate and more powerful words-Dean Koontz, ‘How To Write Best Selling Fiction’.
Write with nouns and verbs, not with adjectives and adverbs. The adjective hasn’t been built that can pull a weak or inaccurate noun out of a tight place-Strunk and White, ‘The Elements Of Style’.
These are two great sources with amazing advice. They are not alone in their philosophy. I have read this time and time again and I understand completely where they are coming from. I am a self-designated skipper. Some of you know exactly what I mean. I couldn’t care less how many yards of silk was used in the duchess evening gown. Unless it winds up in a murder scene, don’t go there.
I love Jerry Jenkins. He has written numerous blogs on the importance of simplicity and avoiding the urge to prettify your prose. He calls it written-ese. It’s a special language we use when we forget to Just Say It.
He provided the following example from a beginner’s work he was editing.
“The firedrop from the pommel of Tambre’s sword shot past the shimmering silver mist of her involuntary dispersal.”
Whoa! How many times did you have to read that?
None of these authors disparage adjectives and adverbs. They see them as indispensable parts of speech. The problem is when, why, and how many times we use them. Rich ornate prose is hard to digest.
Anything that interferes with communication-excessive adjectives and adverbs, overly complicated phrasing, too elaborate metaphors and similes presented solely for the fact that the writer wants to show off his/her skills, should be omitted.
The best way to communicate with your reader is to keep your writing simple and direct.