The pace of your story is only one of many things you must consider. People who love to read but have never written books are cognizant of the pacing. I have read many a good book that I skipped portions of because I was tired of reading about the duchesses frilly dress or the description of the inner hull of a slave ship. I’m glad the author did their homework and provided historical information, but sometimes it can be a bit much and totally bog down your story. There has to be a balance.
So how do you control the pacing of your story? Once you start writing it seems to take on a life of its own. You have to be cognizant of the tempo and your audience. You have to strike a balance between the amount of information in the pages you are given, and the patience of your reader.
There are three main ways to control the pace of your novel:
- The number of pages/words in the novel vs. the time period covered – Long books that depict a short period of time are going to move at a slower pace. Short stories depicting long periods of time are going to move at a faster pace. This is common sense really. You have to move a story along faster if you have a limited amount of time to share it.
- The density of the narrative – The length of the story versus the number of twists and characters within.
- Scenes vs. Exposition Scenes are the important events that move the story forward. They are the action and dialogue that occur during the course of the story. Exposition is the back story or descriptive information that stands outside of the story and slows things down.
I love fast-paced novels. Slow dragging stories full of description put me to sleep. They can’t hold my attention. However, with this being said, there has to be a balance. I will discuss this more in my next blog.
-Something to think about.
-Jan R
If you are constantly looking over your shoulder, you may not finish your novel. You will be too busy battling the thoughts of it not being good enough. No one wants to be humiliated or rejected. Your inner critic will paralyze you by telling you just how bad your writing is (even if it’s not). This is another obstacle that I have had to overcome. It hasn’t gone away, I’ve just learned to deal with it.
If you are, you might as well give up. It is one sure fire way to doom your novel. It’s also an excuse I have used many times over the past six years, which is probably why my novel is not finished.
Dialogue should be seamlessly integrated into your story. It should flow. If you can feel yourself reading then stopping for a brief conversation and then reading again, something isn’t quite right.
It’s hard to overstate the importance of strong characters in a narrative. Think of all of the characters from your favorite novels (Scarlett O’Hara-Gone With the Wind, Sherlock Holmes, Robin Hood, King Arthur, Dorothy-Wizard of Oz).
During the editing process, take a closer look at the wording of your sentences. Are all of those words really necessary, or are they just adding fluff to increase your word count? This is what we refer to as overwriting. Overwriting can result from several fundamental errors:
We all need motivation and encouragement to write sometimes. Especially when it feels like we’re spinning our wheels and not getting anywhere. Are you worried about taking too long? I’ve been at this for seven years. I feel like a pro but I still don’t have a published novel to show for it. I recently ran across an article that made me feel a little better about my situation. Thought it might offer some encouragement to my readers as well. It listed best selling Authors who took more than five years to publish their work.
What is on-the-nose writing? It’s prose that mirrors real life without advancing your story. No one chooses to write this way. It has nothing to do with your ability to put together a sentence, paragraph, or scene. Even pros have a hard time with it.