Why Isn’t My Scene Working?

books-for-bannerAnybody that has read my work, knows that most of my blogs spin off of my own weaknesses. And there are many. I figure if I’m having problems with a certain aspect of writing, there are probably many others who are too.

So today I thought I would focus on writing scenes. As you may have guessed, I was shredded to pieces  in a recent critique, and rightfully so.

I presented a 3000 word excerpt from my novel for review, I did say 3000 words, and a friendly critique (she really was nice), pointed out that I had managed to squeeze 10 different locations/scenes into those 3000 words. It was overwhelming and the scenes were like flybys.

I have a very complicated novel, with many twists and turns, which could be a good thing. But, in my haste to get through them all, I’m not providing a cohesive story, and many of my scenes are lacking.

So how do I correct my mistakes? I put together a scene and a sequel. They work together to form one cohesive scene. A scene leads naturally to a sequel. At some point, you will end the cycle. The POV character will either succeed or fail. I would opt for succeed:-)

Scenes are as follows:

  1. Goal- What the POV person wants at the beginning of the scene. It must be specific and clearly definable.
  2. Conflict- The series of obstacles your POV character faces on the way to reaching their Goal.  There has to be conflict or your reader will be bored.
  3. Disaster- Is a failure of you POV person to reach his goal. This is a good thing in writing. Hold off on success until the very end. If you allow your POV to reach his goal to early, then your reader has no reason to go on.

***All three of these are critical to make the scene successful.***

Sequels are as follows:

  1. Reactions- Is there emotional follow through to a disaster. Show your POV acting viscerally to his disaster, but remember he can’t stay there. He has to get a grip.
  2. Dilemma- A situation with no good options. A real dilemma gives your reader a chance to worry. That’s good, you want them emotionally involved. At the end let your POV choose the least of the bad options.
  3. Decision- Your POV has to make a choice. This lets your POV become proactive again. People who never make decisions are boring.

Hope this helped. I pulled most of my information off of the ‘advancedfictionwriting’ web site. That’s hosted by Randy Ingermanson-“the snowflake Guy”.  He provides some great information for writers of all levels. You should check him out.

If you have any comments, I would love to hear from you. Happy Writing!

-Jan R

Why Isn’t My Scene Working?

Is Your Novel Believable?

Writing fiction can be fun. You get to create your own world with your own characters and you can take your story anywhere you want to go. Right?Unknown

Well that statement is true to a certain degree. You do have a lot of leeway, but keep in mind your story has to make sense. It has to be believable to your readers. That’s were research comes in. Your plot may be fictitious but your details had better be correct.

Anachronisms-details out of place and time-can break a reader’s suspension of disbelief if they notice the error. If for example a character in ancient Egypt consults his watch instead of a sundial, or maybe, Scarlett O’Hara, from “Gone With The Wind”, comes prancing down the stairs in stilettos and a mini skirt; your reader would be instantly  drawn out of the story. These are extreme examples but I think it helps to make the point.

There’s no excuse for anachronisms or lack of detail.  Once you know what you are writing about, immerse yourself in the subject. If you want to write about fireman, you do a ride along, shadow a precinct, or become a volunteer firefighter. If your novel takes place in a school, interview teachers or volunteer.

You can also use social media to learn about people and places, by watching videos or listening to interviews.  The internet puts everything at your fingertips. My novel is set primarily in the Carolinas, but my main character is deployed to Iraq for a short period of time. I’ve never been to Iraq and have no intention of ever going there.  For that short, but important segment of my book, I watched a documentary and actual footage from Camp Baharia. I also read pages set up on the internet by marines returning from the area describing what it was like for them. My oldest son is a sergeant in the Marines and has served in Afghanistan, so I was able to glean some information from him as well. Point is, I did some research and found what I needed to make that small but very important part of my novel believable.

It is always best to set your novels in cities that you know.  A good example of this would be Nicholas Sparks. His books are set in North Carolina. That’s where he lives. He understands the culture and can provide the details his readers expect.

One word of caution is to remember your research and detail are the seasoning for the story, don’t make them center stage. Resist the urge to show off how much research you have done. You don’t want to bog your readers down with unnecessary information.

-Jan R

Is Your Novel Believable?

Does My Novel Have To Be Perfect?

UnknownYes!!!!!! Especially if this is your first book.  If you have already written a best seller, your agent and editor may cut you some slack, if not, that book better be pretty close to perfect or nobody is going to look at it.  I know you’ve heard this before if you’ve done any type of research, but agents receive hundreds of queries a week. They don’t have time to read everyone.  If your manuscript is full of grammatical and structural errors, that’s all the excuse they need to toss it to the side and move on to the next one.

I sent my first manuscript out to five different agents.  I was very excited and a little anxious to hear what they had to say.  I expected some rejections but not all.  I had put  over a year into that novel.  It was my baby. Well, two didn’t respond at all, one said no thanks, and another said it wasn’t what they were looking for. The fifth one responded with a rejection but also included a why. There were numerous grammatical and structural errors, I was head hopping and the dialogue dragged.

While I was disappointed, I did take her advice to heart and began the process of editing and correcting structural and grammatical errors.   I took two online courses on writing dialogue that moved your story forward. I had never really thought about dialogue moving a story before, but I see it now, and have a pretty good understanding of what the presenters were trying to get across. I also worked on perfecting my POV.

Truth be known, I was ashamed of myself for sending such poor work to an agent.  I never realized how bad it was until I began the arduous process of editing and revising. I definitely didn’t make a good first impression.

-Jan R

 

Does My Novel Have To Be Perfect?